48 books like Citizen-Protectors

I admire this book for its measured erudition on a topic (guns) that the author feels is the most formative cultural chasm in the US. Winkler, a renowned legal scholar, uses the 2008 Supreme Court Heller decision that enshrined the second amendment as an individual right to bear arms as the touchstone for a riveting and more wide-ranging investigation of the history of gun rights as well as gun control laws. Winkler finds historical precedents for the concept of an individual right (if not a mandate, in some cases) to bear arms.

However, what I found most surprising is Winkler’s account of the equally sturdy and deeply-rooted history of gun control and regulation. This revises the popular wisdom that gun control, essentially, has no history—that the US was a land of unfettered gun-toting and gun-owning that was only later thwarted by modern, liberal gun restrictions. On the contrary, by the… show more.

Busse offers the new perspective of an insider—an erstwhile gun executive. I’ve always held that the gun industry has gotten far too little attention historically, and that commercial forces substantially helped to create and then maintain the American gun mystique and culture long after the “frontier” closed. Busse’s work shows just how explicitly the gun industry today, since 9/11 and the Iraq and Afghanistan wars, relies on “manufactured fear” to push products. The book teems with examples of fear marketing, including endorsements from social media celebrities that created a new breed of “couch commandos,” steeped in the “glorification of violence, the utter rejection of political correctness, and the freewheeling masculinity and objectification of women.” And in Busse’s view it’s not just that gun marketing has changed, but that the gun industry has transformed American culture itself, radicalizing it and shifting it toward authoritarianism.

We’ve seen and felt this malevolence of… show more.

Rather than reprising hackneyed debates between the usual political actors—for example, gun control liberals versus gun rights libertarians—this book argues that American ‘gun culture’ was never really about hunting, freedom fighters, the militia, or constitutional liberty in the first place. From the country’s inception, Dunbar-Ortiz describes, guns were about racial subjugation, the genocide of Native Americans, the enforcement of enslavement, and the privileges and wealth that flowed from this subordination to the dominating class.

For Dunbar-Ortiz, the use of guns for subjugation and the expropriation of labor, land, and wealth from non-white populations wasn’t lamentably incidental to the American gun culture but at its very heart. I especially appreciate how the author shifts the terrain of the gun discussion: This book left me wondering if we spend too much time thinking about what guns have meant in the abstract and too little about what guns have done in the specific—the… show more.

Columbine is a masterful piece of reportage from a journalist who covered from the start what is now perceived almost as a tragic prototype of mass school shootings in the US. Through meticulous, painstaking research—and with a compassionate and keenly observant voice that I especially admired—Cullen unspools the consequential misperceptions about the Columbine shooters that have distorted popular understandings of the “school shooter” ever since through repetition and media simplification.

What’s new and surprising here, and that remains relevant years after the book’s first publication, is that Columbine killers Eric Harris and Dylon Klebold weren’t victims of bullying, socially alienated by marauding gangs of “cool” kids and jocks, or radicalized by Goth culture. They had friends, jobs, and, perhaps most frightening of all, seemed largely to be average high school students, not appreciably different from our own children, who in fact did more bullying than they were bullied. “So we’re… show more.

This novel is partly fictional, but also based on the author’s life and traumatic first marriage. There’s suspense for sure and a range of feelings. I cried hard in some parts, smiled in others, and felt sorry, relieved, and even joyful in other sections. I had no idea what would happen next. The story played out like a movie in my head, full of my two favorite things: emotional engagement and nervous fear for the main character. This is a thriller that follows a woman on a daunting personal journey that will pluck at your heartstrings.

Another journalist whom I have met in real life the award-winning British journalist and broadcaster who writes for The Guardian, Sam Bourne is the literary pseudonym of Jonathan Freedland. To Kill A Man is a classic thriller with a climactic twist, a gripping tour de force through American feminism up against violent misogyny, ambition and struggle, politics, and crime. He writes with both simplicity and complexity, insight, and pacy readability.   

The title says it all. I choose Patai’s withering account of Orwell’s irredeemable misogyny not because I think she is right but because I think she onto something in him and in his life and times. After Koestler, another dark corner.

This is not angry feminism, though philosopher Kate Manne’s compelling prose may move you to anger. With surgical precision, Manne cuts through the layers of patriarchy, showing how vilification, mockery, and shaming of women function as “law enforcement” measures in a sexist system. A woman seeking “masculine-coded perks and privileges” may even deserve to be punished according to the “logic” of misogyny. I was fascinated by Manne’s explanations of why so many women voted against Hilary Clinton in 2016. Her analysis applies to racial and LGBTQ+ discrimination as well. When I was researching my book, Manne’s book helped me understand how a white male Army commander lost his “power” to be believed after other men accused him of being gay, i.e., unmanly and womanly (in the world of 1913).

"This book is about what happens when women are the storytellers too – when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it is to be human."

I reference this wonderful, non-fiction book in my novel several times. Once when Odessa the main character sees it on her bookshelf.

Another time when Odessa talks about the shocking myth of Cassandra, who was given the gift of prophecy by Apollo but when she wouldn’t sleep with him he cursed her that no one would believe her.

And the third reference is at the end of my novel, Odessa’s dog bears Casandra as her mighty name. As an embodiment of all that will be listened to and believed. Cassandra Speaks had a profound impact on me as a woman, a mother, a sister, a human, and as a… show more.

As a Classics professor, I rejoiced at Zuckerberg’s ability to insert rationality and fact into the often bad-faith debate swirling in universities and online regarding the value today of ancient Greek and Roman languages and literature.

Concentrating primarily on Roman sources, Zuckerberg critiques on-line distortions and misappropriation of Classical texts intended to promote misogyny and white supremacy.