Here are 100 books that The Orwell Mystique fans have personally recommended if you like
The Orwell Mystique.
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I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.
I studied under the distinguished sociologist, Immanuel Wallerstein. One day in class he said, if you read only one book, it should be this one. So I read it.
Koestler was a Hungarian Jew who joined the German Communist Party. He became disillusioned with communism, in part because of the Stalin trials of the 1930s, in which many of Stalin’s own former allies were tortured and executed.
The protagonist of the novel is Rubashov, a dedicated Communist who is accused of treason, tortured, and eventually executed despite confessing to his supposed crimes. The novel is a great way to learn not only about the Stalinist Soviet Union, but about any society that brain-washes its victims.
The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation.
Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic.
In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
This is a four-volume collection. First, because the first thing you should read about Orwell should be by him. Second because by getting away from the more famous stuff - Nineteen Eighty-Four and Animal Farm especially – the essays, journalism, and letters get you closer to the life he lived. The inside cover says I bought them in January 1973. I remember reading out extracts to my girlfriend in bed in wintry Leyton. Make of that what you will, but the three of us are still together. Sonia Brownell was Orwell’s second wife. Ian Angus is an Orwell scholar, librarian, and founder of the Orwell Archive at UCL.
Essays, journalism and essays by the brilliant, indispensable George Orwell from 1943 to 1945. Even many decades after his death, the more we read of Orwell, the more clearly we can think about our world and ourselves.
During the Second World War, George Orwell was rejected for service and so became the literary editor, reviewer, and frequent columnist of the left-wing weekly, Tribune. “What I have most wanted to do,” Orwell said, “is to make political writing into an art.” And there is ample proof here that he achieve his ambition.
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
Although he instructed that no one should write his biography, Orwell has had many superb biographers including Taylor (2003) and Bowker (2003), and his close friends Richard Rees, Fugitive from the Camp of Victory (1961), and George Woodcock, The Crystal Spirit (1966). John Rodden has written widely on Orwell’s reputation. However, the best full-scale biography remains the first, by Bernard Crick. Sonia commissioned it, then rejected it, but I like it because Crick knows more about politics than the others and, in the end, Orwell was a political writer.
The authoritative biography of George Orwell, written with the cooperation of Orwell's widow.
'In its thoroughness, and its mastery of a considerable volume of material, this is the definitive biography of Orwell.' Sunday Times
'It is hardly worth using up space to declare just how good it is. Different readers will come away from its seventeen pungent and packed chapters with diverse memories of its excellence.' Guardian
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
If you are going to read Orwell you need to know something about what Mckibbin calls the “fundamental mentalities and structures” of English social and political life. This is the best, covering Orwell’s life-span. These were the years when England first began to see itself as ‘democratic’, and yet, “the great mass of the English people was unmoved, or unmoved directly, by the cultures of the country’s intellectual elites”. Enter George Orwell.
Ross McKibbin investigates the ways in which 'class culture' characterized English society, and intruded into every aspect of life, during the period from 1918 to the mid-1950s. He demonstrates the influence of social class within the mini 'cultures' which together constitute society: families and family life, friends and neighbours, the workplace, schools and colleges, religion, sexuality, sport, music, film, and radio. Dr McKibbin considers the ways in which language was used (both spoken and written) to define one's social grouping, and how far changes occurred to language and culture more generally as a result of increasing American influence. He assesses…
When I was nine years old, I saved enough allowance money to buy a big box of oil pastels. I was mesmerized by its amazing display of gorgeous colors. Never could figure out why my girlfriends played with dolls when it was more exciting to paint. It wasn’t until high school, and time to apply to colleges that I made the decision to go to art school. Another key moment for me was after graduating from art school and landing in New York City. It was then that I made a brave decision to never waitress again, and instead do whatever it takes to stay in the arts.
In this book, Shlain reveals his unusual take on the power of images throughout history. His discussion using contemporary ideas about our creative right-brain side brings interesting connections between the Goddess, images, and feminine values. Shlain's earlier book, Art & Physics was very popular expressing his breakthrough theory, ad revealing an astonishing parallel with these two seemingly different topics. I find that books like this, not dedicated to learning specific painting techniques, end up being more helpful towards how I think as an artist. A good writer, it is easy to read and very inspiring.
This groundbreaking book proposes that the rise of alphabetic literacy reconfigured the human brain and brought about profound changes in history, religion, and gender relations. Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Elements of this book feel made for me – a woman, alone on her sheep farm on a remote British island, faces predatory danger that straddles the line between real and imagined, internal and external. The writing is pure poetry, each detail telegraphing threat.
A stark natural world surrounds and encroaches on the home that strong, complex, reclusive Jake shares with her dog named Dog (as soon as this good boy was introduced, the stakes ratcheted). I can’t shake this frightening and moving exploration of misogyny, patriarchal terror, and trauma.
Jake Whyte is the sole resident of an old farmhouse on an unnamed British island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.
It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands…
I’m a communication professor at Fairleigh Dickinson University, a social media user, and a mom. After Donald Trump won the 2016 presidential election, I wrote an op-ed for CNN arguing that he’d won the election on social media, and I just never stopped writing. A few hundred op-eds and a book later, I’m still interested in what social media is doing to us all and the issues women are up against in our society. My book allowed me to explore how social media is impacting every single aspect of the lives of women and girls and exactly what we can do about it. I wrote it as a call to arms.
Kate Manne offers the best definitions of sexism (men thinking they’re better than women) and misogyny (men punishing women for displeasing them) that I’ve ever read. And she brings receipts, showing examples of how these two things play out in everything from novels to politics to crimes to classrooms.
Once I read her book, it was impossible for me not to spot more examples pretty much everywhere I went in the world.
Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics, by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women…
I’ve lived a life of emotions and suspense; things are either life and death or they’re just an inconvenience. I’ve been writing fiction and non-fiction books (over 50 and counting) for quite a while. I’m an eclectic reader, enjoying all genres and creating my own works in most of them: young adult, adult, suspense, dystopian, time travel, sci-fi, fantasy, coming of age, romance, you name it. Two things I want in everything I read and write are emotional engagement (make me feel something strongly) and suspense (give me a page-turner!).
This novel is partly fictional, but also based on the author’s life and traumatic first marriage. There’s suspense for sure and a range of feelings. I cried hard in some parts, smiled in others, and felt sorry, relieved, and even joyful in other sections. I had no idea what would happen next. The story played out like a movie in my head, full of my two favorite things: emotional engagement and nervous fear for the main character. This is a thriller that follows a woman on a daunting personal journey that will pluck at your heartstrings.
SHE THOUGHT SHE WAS MARRYING THE PERFECT GUY, BUT THAT WAS A PERFECT LIE.
Alyssa Burdick spends her days teaching middle-school and her nights battling the psychological oppression of a misogynist husband. He was her knight in shining armor from the day she met him up until the end of their wedding reception. Now all he does is humiliate her and turn her into a doormat. At least at school she can be herself.
And after school, behind her closed classroom door ... well, she's humbled, confused, hopeful even, as her department head, Connor, mentors her. Slowly, very slowly, she…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I found this to be a strong debut collection. Its fascinating and thought-provoking short stories center around the theme of womanhood in realities slightly different from our own, often with hints of the supernatural or near-future sci-fi elements.
The standouts were so powerful that I had to pause at times to contemplate the often heartbreaking and poignant observations regarding bodily safety, beauty, fertility, and power. I especially love that this collection includes poetry as well, which adds another layer of depth to the collection.
A woman desperate to achieve the life she’s always dreamed of orders an AI baby online. Mounting workplace misogyny helps an introvert unlock her innate power. A woman obsessed with skincare goes to great lengths to rid her face of imperfections. A frat boy looking to score gets much more than he bargained for when a sexy coed turns the tables on him. Seeking relief from the pressures of everyday life, a woman checks into a hotel that caters to her dark predilections.
Equal parts heartbreaking and grotesque, How Lovely To Be a Woman: Stories and Poems explores the everyday…
I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment.
Another journalist whom I have met in real life the award-winning British journalist and broadcaster who writes for The Guardian, Sam Bourne is the literary pseudonym of Jonathan Freedland.To Kill A Man is a classic thriller with a climactic twist, a gripping tour de force through American feminism up against violent misogyny, ambition and struggle, politics, and crime. He writes with both simplicity and complexity, insight, and pacy readability.
A cat-and-mouse thriller of rare intelligence, To Kill a Man is the latest from number-one bestseller Sam Bourne -- a twisting, timely story of power, justice and revenge.
A woman is brutally assaulted in her own home by an intruder. She defends herself -- leaving her attacker dead.
But this is no ordinary woman. She's Natasha Winthrop, tipped as a future president of the United States.
When inconsistencies emerge in Winthrop's story, political troubleshooter Maggie Costello is drafted in to save Natasha's career. At first, Winthrop is hailed as a #MeToo heroine: the woman who fought back. But Maggie is…
