100 books like To Kill a Man

I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it. 

Through the 88 years of my life, I have experienced more diverse situations than most people even dream about, from being the youngest dentist in Canada at age 21 being the first Canadian to invent, patent, obtain international approval, and market several of the most successful dental implant systems in the world for humans and small animals, attempt to sail around the world, be the oldest rugby player in the world at age 85, and meet and befriend a myriad of weird and wonderful people by practicing the mantra of saying "YES." I am not ashamed to pass on my lessons from these experiences.

I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment. 

I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment. 

I’m a communication professor at Fairleigh Dickinson University, a social media user, and a mom. After Donald Trump won the 2016 presidential election, I wrote an op-ed for CNN arguing that he’d won the election on social media, and I just never stopped writing. A few hundred op-eds and a book later, I’m still interested in what social media is doing to us all and the issues women are up against in our society. My book allowed me to explore how social media is impacting every single aspect of the lives of women and girls and exactly what we can do about it. I wrote it as a call to arms.

I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability. 

I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.

I’m a communication professor at Fairleigh Dickinson University, a social media user, and a mom. After Donald Trump won the 2016 presidential election, I wrote an op-ed for CNN arguing that he’d won the election on social media, and I just never stopped writing. A few hundred op-eds and a book later, I’m still interested in what social media is doing to us all and the issues women are up against in our society. My book allowed me to explore how social media is impacting every single aspect of the lives of women and girls and exactly what we can do about it. I wrote it as a call to arms.

Books provided me with many role models, from writer Jo of Little Women to the swashbuckling Angelique of bodice-ripping yarns… No wonder Elizabeth I (the supreme non-conformist) remains my favourite royal, and Jane Austen (mistress of the sharp aside) a return-to read. Women going against what's expected of them informed my early awakenings as a feminist as the women of my favourite books - in differing domestic settings and social mores – strove to be their authentic selves. I’ve lived a good portion of my life vicariously through novels – reading voraciously from a very young age – my mother, also a reader and non-conformist in her own way, informed the person and writer I've become.

Stories of the past are always about making claims to the present and future. These claims include which stories—whose stories—are persistently silenced, ignored, or made very hard to hear, see, and know in the dominant culture. I am a cultural historian of U.S. political history, broadly imagined. My work is almost always driven by the same question: Why didn’t I already know this? Quickly followed by: What has it meant that I didn’t know this? Invariably, the answers are found in the histories of women, gender, race, sexuality, class, and immigration.