Fans pick 100 books like The Illness Lesson

This book is happiness. 

Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM. 

The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.    

This little book is a gem that I just read for the first time recently. It’s the kind of book I would read with a pencil nearby for there are gems here, of descriptive prowess and of wisdom. It is the story of a grandmother and her young granddaughter alone on a remote Finnish island spending the summer at their little cottage as they always do. The days are long, sleepy, and lush with swims in the sea, berry collecting, and conversations between an inquisitive seven-year-old and her grandmother. The grandmother has a way of guiding the child in and out of life’s daily progress that is soft and wry. But odd and intrusive things happen as well. The landscape begins to change. The rocky island has boundaries, the sea makes itself known. You could read this book to a seven-year-old, or read it to yourself, and when you are… show more.

Evie Wyld writes atmospheric and eerie stories that always have an edge, a threat of danger about them, and this wonderful book is almost gothic in its atmosphere of place. The rock itself actually exists, I’m not sure if the house in question does, but the rock and the house and the remote Scottish location bind us into a feeling of constant danger like no single character ever could. The story unfolds in a series of tales told across time periods, back and forth (a tricky format to pull off, but Wyld does it brilliantly). The central character is the great old house, in some disrepair,  and how it has been occupied over time by women who have been, to one degree or another imprisoned by their circumstances. I don’t want to spoil the story, but I guarantee that from the first few pages you will be drawn into the… show more.

Mason is a beautiful writer. It felt like each sentence was deliberated over before its final form was inscribed. But I think I connected with the book because, like the main character, I was a physician. I never had to confront whether what I learned in the lecture hall and anatomy lab was useless or meaningless, and therefore, I never had to question everything.

That’s what Lucius must do, and it gave me the opportunity to approach such questions within my own life. Are my medical gods real, worthy, or false because they can only exist in the most advantageous circumstances? What can we believe in when circumstances like war strip it down to the core?

Bob Gross, knowing that we shared an interest in New England towns in the early Republic, generously shared drafts of each chapter of this magisterial work. I was astonished. The depth and range of his research are unparalleled. In a life-work 45 years in the making, Bob has culled evidence on Concord from every conceivable source, showing the rest of us how it’s done. He has reconstructed families and linked neighbors through church, farm, business, political, and religious activities, using this to reconstruct the life of the town. Bob knows his people so well that I am convinced he has accurately captured their personalities, dynamics, and conflicts. It is rare that we can have such confidence in “knowing” the past. In engaging prose, he presents individuals actively shaping – or resisting – change in their town, and ultimately, their world.

Modern living requires that we move, consume, absorb, and process quickly—and our bodies can’t always keep up. Thoreau’s journals transport us back to Massachusetts between 1837 and 1860, where his recordings of seeds and birds and worms, his philosophies on man and mankind, and his personal struggles against all else are set against the hush of frozen rivers, crackling fires, and ringing telegraph wires. Especially when read daily, this most prolific botanist, transcendentalist, and introvert of New England history reminds us to value the comfort of contemporary living, but never to forget the value of moving, observing, and living a slow and intentional life.

Though it focuses on dreams and the occult, the ulterior subject of Emerson’s Demonology is the arcane inversions, doublings, and “unconscious” of transcendentalism. Between many of Emerson’s pronouncements falls this shadow of Demonology, which provides key tenets of his philosophy. Demonology is the cumulative residue of an attempt to explain away that which resists Emerson’s theory that nature is consistent, explicable, rational, and benign. Encapsulating the uncanny, and the inexplicable forces of dreams, animals, and pseudosciences, Demonology consolidates all that is “outside” and negated for Emerson—everything that is, in his terminology, “not me.” Demonology locates the cracks in Emerson’s consciousness, as well as the hobgoblins in his notion of Reason. Emerson’s conception of nature here is notably modern, and often sounds Lacanian—the demonological exception or irrational, that which cannot be fully understood or described, is the necessary anomaly or remainder on which the universality of nature depends.

When I began writing about Emerson – not a usual task for a philosopher -- and was trying to figure out who the American Transcendentalists were, Barbara Packer’s brilliantly written study of the movement came to my assistance. She covers it all, from the background in European Biblical criticism and the idea that the sacred books of the world’s religious traditions are forms of poetry, to the Annus Mirabilus of 1836 when Emerson published Nature; to figures like Margaret Fuller, whose electrifying Conversations sparked a homegrown American feminism, Bronson Alcott (father of Louisa May), and, of course, Emerson’s young friend, Henry David Thoreau, author of Walden and Resistance to Civil Government.

I recommend this book because it had a great influence on me as a young child. Moving through the world, particularly as a black woman, requires a great deal of self-reliance and resourcefulness. This book/essay speaks to universal truths that are often forgotten.

I found myself equipping my toolbox with quotes that have been relevant to my present day working life. I learned how to relate in a deeper way to myself and society while crafting a value system that, as I age, is allowed to become malleable.

I’m a big philosophy fan, but I also appreciate anything that can poke fun at the great philosophers. I’m also generally a bit of a romantic disaster, and this book manages to weave together philosophical insight, wit, and dating advice (good or not) to create a thoroughly entertaining read. Most importantly, you’ll feel very smart reading it.