56 books like Demonology

It centers on and celebrates becoming—molting from one skin to another. For Ishmael this is a transition from a tired and limiting worldview to something fresh and alive.

The “bosom buddies” at the heart of the novel, Ishmael and Queequeg, seem comprised of opposites, but Ishmael’s etherealizing is grounded by Queequeg’s pragmatic ingenuity in ways that quiet and expand the young pagan-Presbyterian’s buzzing, anxious mind. Theirs is a friendship of succor, probably sex, and survival—all of it shadowed by the delusional obsessions of their mad captain.

Annie Dillard joins Aldo Leopold and Rachel Carson as my favorite “nature writers.” Annie is pithy, often wry, insisting that we notice and guiding us with her own noticing.

A classic quote: “In nature, improbabilities are the one stock in trade. The whole creation is one lunatic fringe. If creation had been left up to me, I’m sure I wouldn’t have had the imagination or courage to do more than shape a single, reasonably sized atom, smooth as a snowball, and let it go at that… No claims of any and all revelations could be so far-fetched as a single giraffe.”

Set in 1920s Harlem, this book opens with a shock. A teenaged girl is dead, shot by the middle-aged man she was having an affair with.

The man’s wife takes a knife to the funeral, intending to cut the face of her dead rival. So how did it come to this? Morrison paints a picture of Jazz age Harlem, hopping between past and present to show not only the history of this ill-fated couple, but that of Black Harlem. 

Pynchon’s Against the Day stages a form of pantheism in which everything bears some form of consciousness, which, like nature, has no border. Cyprian considers that “the earth [might be] alive, with a planet-shaped consciousness”; and it is “as if silver were alive, with a soul and a voice.” Pynchon’s characters live in a pantheistic universe in which everything is part of nature and alive—where the wind tries to wake them and the world has a consciousness. Pynchon updates Melville in Mardi, in which, e.g., a character asks, “Think you there is no sensation in being a tree? Think you it is nothing to be a world? [The world of] Mardi is alive to its axis.” In ATD, “the steel webwork was a living organism”; even an “egg yolk [can be] perhaps regarded as a conscious entity.” Consciousness can’t be confined to people: all entities have the potential… show more.

I recommend this book because it had a great influence on me as a young child. Moving through the world, particularly as a black woman, requires a great deal of self-reliance and resourcefulness. This book/essay speaks to universal truths that are often forgotten.

I found myself equipping my toolbox with quotes that have been relevant to my present day working life. I learned how to relate in a deeper way to myself and society while crafting a value system that, as I age, is allowed to become malleable.

A full-length rewrite of Walt Whitman’s “Song of Myself” that preserves only the first and last letter of each line, Shelf is a consummate work of potential literature—from the “why on earth would someone do that” all the way to the “wait, this is actually dope.” Without ever estranging himself from Whitman’s transcendentalist trumpeting, Quintavalle burrows deep into the poem’s form and instills a disenchanted eloquence all his own.

Set in the 19th century New England social landscape of transcendentalist educational trends, this is an important book about women, misogyny, education, and ‘western’ medicine. The landscape here is a farmhouse outside a New England village where the patriarch social philosopher and teacher has started a school for girls following the death of his wife. His grown daughter is his helper, and you see where I’m going with this…also his prisoner. She is vulnerable by her sensitive nature and by her lack of worldly education. When other girls come to board at the new school and other teachers, men, arrive to practice the educational theories they have developed in a fervor of advancing just how women’s education should evolve, the young women respond variously to these new influences. The remote landscape, again, keeps them from freedoms that might improve their awareness. There are also magical trees, birds, and a… show more.

When I began writing about Emerson – not a usual task for a philosopher -- and was trying to figure out who the American Transcendentalists were, Barbara Packer’s brilliantly written study of the movement came to my assistance. She covers it all, from the background in European Biblical criticism and the idea that the sacred books of the world’s religious traditions are forms of poetry, to the Annus Mirabilus of 1836 when Emerson published Nature; to figures like Margaret Fuller, whose electrifying Conversations sparked a homegrown American feminism, Bronson Alcott (father of Louisa May), and, of course, Emerson’s young friend, Henry David Thoreau, author of Walden and Resistance to Civil Government.

Bob Gross, knowing that we shared an interest in New England towns in the early Republic, generously shared drafts of each chapter of this magisterial work. I was astonished. The depth and range of his research are unparalleled. In a life-work 45 years in the making, Bob has culled evidence on Concord from every conceivable source, showing the rest of us how it’s done. He has reconstructed families and linked neighbors through church, farm, business, political, and religious activities, using this to reconstruct the life of the town. Bob knows his people so well that I am convinced he has accurately captured their personalities, dynamics, and conflicts. It is rare that we can have such confidence in “knowing” the past. In engaging prose, he presents individuals actively shaping – or resisting – change in their town, and ultimately, their world.

Modern living requires that we move, consume, absorb, and process quickly—and our bodies can’t always keep up. Thoreau’s journals transport us back to Massachusetts between 1837 and 1860, where his recordings of seeds and birds and worms, his philosophies on man and mankind, and his personal struggles against all else are set against the hush of frozen rivers, crackling fires, and ringing telegraph wires. Especially when read daily, this most prolific botanist, transcendentalist, and introvert of New England history reminds us to value the comfort of contemporary living, but never to forget the value of moving, observing, and living a slow and intentional life.