Here are 58 books that Demonology fans have personally recommended if you like
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
My own experiences have made me a strong believer in the potential of journeys, big and small, to change our lives and the way we navigate the world. I made a journey in highly unusual circumstances, a journey that became a pilgrimage, and I think I know now that devotion is the key to transformation on the road. It may be the key to everything, in fact. That’s what I want to read about. Devotion is what every one of these books has in abundance, as well as care for the task, total honesty, and no fear of feeling.
This book produces a feeling of longing in me that I might someday handle the world with the voracity and veracity of Annie Dillard. Assuming that the enormity of wonder she provokes in me as a reader is just a fraction of what she, the originator of her experiences and descriptions, feels, then oh, the enviable richness of her life! Is anyone as astute and lucid as Annie Dillard?
Astounding language, never, ever straying into cliché, every word wondrous and holy and fresh. For me, she blows everyone else out of the water, not with an epic Odyssey or a feat of physicality but with these reverential and beautiful accounts of her frequent journeys to her local creek.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
Set in 1920s Harlem, this book opens with a shock. A teenaged girl is dead, shot by the middle-aged man she was having an affair with.
The man’s wife takes a knife to the funeral, intending to cut the face of her dead rival. So how did it come to this? Morrison paints a picture of Jazz age Harlem, hopping between past and present to show not only the history of this ill-fated couple, but that of Black Harlem.
From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author.
“As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —Glamour
In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra…
I received my Ph.D. and J.D. at Berkeley, and my next book Your Call is Very Important to Us: Advertising and the Corporate Theft of Personhood, is forthcoming from Rowman & Littlefield. My research into literary and legal history made me fascinated with how people project hopes and fears onto the social construct of nature. How does one explain the contradictory ways white men imagined they could transcend painful isolation by merging into a nature coded as non-white and female? These fantasies play out in popular culture, e.g. in Avatar, in which men seek the unobtanium they lack: a nature that was always lost/a retroactively-constructed fantasy, and a cover for what it seemed to oppose—finally the corporation.
Pynchon’sAgainst the Day stages a form of pantheism in which everything bears some form of consciousness, which, like nature, has no border. Cyprian considers that “the earth [might be] alive, with a planet-shaped consciousness”; and it is “as if silver were alive, with a soul and a voice.” Pynchon’s characters live in a pantheistic universe in which everything is part of nature and alive—where the wind tries to wake them and the world has a consciousness. Pynchon updates Melville in Mardi, in which, e.g., a character asks, “Think you there is no sensation in being a tree? Think you it is nothing to be a world? [The world of] Mardi is alive to its axis.” In ATD, “the steel webwork was a living organism”; even an “egg yolk [can be] perhaps regarded as a conscious entity.” Consciousness can’t be confined to people: all entities have the potential…
"Rich and sweeping, wild and thrilling." -The Boston Globe
The inimitable Thomas Pynchon has done it again. Hailed as "a major work of art" by The Wall Street Journal, his first novel in almost ten years spans the era between the Chicago World's Fair of 1893 and the years just after World War I and moves among locations across the globe (and to a few places not strictly speaking on the map at all). With a phantasmagoria of characters and…
My name is Mechal Roe and I have loved creating fun and colorful art to inspire the inner child in all of us. I began my journey in children's print design and worked my way up to Clothing Designer. It was quite rewarding, and I learned so much. After, I left to create a children's book and toys to serve underrepresented youth. Creating the book was a form of introspection to move me along my heart's path. It was also a gift to those young ones who also struggle with understanding themselves in the world.
I recommend this book because it had a great influence on me as a young child. Moving through the world, particularly as a black woman, requires a great deal of self-reliance and resourcefulness. This book/essay speaks to universal truths that are often forgotten.
I found myself equipping my toolbox with quotes that have been relevant to my present day working life. I learned how to relate in a deeper way to myself and society while crafting a value system that, as I age, is allowed to become malleable.
Ralph Waldo Emerson's essays and poems on the transcendental movement in the United States became some of the most important literary pieces in American History. In this culmination of essays, Emerson takes the reader through different forms of philosophies that attempt to explain the world and man's purpose within it.
Heavily vested in the philosophy of transcendentalism, though not one to label himself a true follower of the movement, Emerson believed that spirituality and wholeness were central to the ways in which humans could place themselves within nature. Essays by Ralph Waldo Emerson is a collection of integral works that…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
A full-length rewrite of Walt Whitman’s “Song of Myself” that preserves only the first and last letter of each line, Shelfis a consummate work of potential literature—from the “why on earth would someone do that” all the way to the “wait, this is actually dope.” Without ever estranging himself from Whitman’s transcendentalist trumpeting, Quintavalle burrows deep into the poem’s form and instills a disenchanted eloquence all his own.
Poetry. In this poem, Rufo Quintavalle has rewritten Walt Whitman's Song of Myself keeping the first and last letter of each line, and replacing the middle. Within this strict constraint, Quintavalle the poet has achieved a remarkable and touching intimacy at a distance with Whitman's inner world.
I’m a poet more than anything else, and perhaps that is why I'm drawn to books with well-developed landscape and subterranean lines of thought more than plot or human characters. The natural world and the magical universe are intertwined in my writing as a way to convey the importance of our place, or responsibility in the world. I'm always aware of how much work an author has done to know his landscape. When I lived overseas in Iran, I spent the hot summer days reading through my mother’s library. She had been an English teacher and so I had available all of the classics which I read–often at an earlier age than I should have.
Set in the 19th century New England social landscape of transcendentalist educational trends, this is an important book about women, misogyny, education, and ‘western’ medicine. The landscape here is a farmhouse outside a New England village where the patriarch social philosopher and teacher has started a school for girls following the death of his wife. His grown daughter is his helper, and you see where I’m going with this…also his prisoner. She is vulnerable by her sensitive nature and by her lack of worldly education. When other girls come to board at the new school and other teachers, men, arrive to practice the educational theories they have developed in a fervor of advancing just how women’s education should evolve, the young women respond variously to these new influences. The remote landscape, again, keeps them from freedoms that might improve their awareness. There are also magical trees, birds, and a…
'A modern scream of female outrage. A masterpiece' ELIZABETH GILBERT
'Astoundingly original . . . belongs on the shelf with your Margaret Atwood' NEW YORK TIMES
Haunting, intense and irresistible, The Illness Lesson is an extraordinary debut about women's minds and bodies, and the time-honoured tradition of doubting both.
In 1871, at an elite new school designed to shape the minds of young women, the inscrutable and defiant Eliza Bell has been overwhelmed by an inexplicable illness.
Before long, the other girls start to succumb to its peculiar symptoms - rashes, tics, night wanderings and fits.
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Bob Gross, knowing that we shared an interest in New England towns in the early Republic, generously shared drafts of each chapter of this magisterial work. I was astonished. The depth and range of his research are unparalleled. In a life-work 45 years in the making, Bob has culled evidence on Concord from every conceivable source, showing the rest of us how it’s done. He has reconstructed families and linked neighbors through church, farm, business, political, and religious activities, using this to reconstruct the life of the town. Bob knows his people so well that I am convinced he has accurately captured their personalities, dynamics, and conflicts. It is rare that we can have such confidence in “knowing” the past. In engaging prose, he presents individuals actively shaping – or resisting – change in their town, and ultimately, their world.
One of The Wall Street Journal's 10 best books of 2021 One of Air Mail's 10 best books of 2021 Winner of the Peter J. Gomes Memorial Book Prize
In the year of the nation’s bicentennial, Robert A. Gross published The Minutemen and Their World, a paradigm-shaping study of Concord, Massachusetts, during the American Revolution. It won the prestigious Bancroft Prize and became a perennial bestseller. Forty years later, in this highly anticipated work, Gross returns to Concord and explores the meaning of an equally crucial moment in the American story: the rise of Transcendentalism.
Russell Goodman is a Regents Professor of Philosophy Emeritus at the University of New Mexico. Russell loved the remark by the philosopher Wittgenstein that "James was a good philosopher because he was a real human being". This list is inspired by that statement. Russell picked books that he loves and admires and would happily read again, and which explore in their various ways what it is to be a human being.
When I began writing about Emerson – not a usual task for a philosopher -- and was trying to figure out who the American Transcendentalists were, Barbara Packer’s brilliantly written study of the movement came to my assistance. She covers it all, from the background in European Biblical criticism and the idea that the sacred books of the world’s religious traditions are forms of poetry, to the Annus Mirabilus of 1836 when Emerson published Nature; to figures like Margaret Fuller, whose electrifying Conversations sparked a homegrown American feminism, Bronson Alcott (father of Louisa May), and, of course, Emerson’s young friend, Henry David Thoreau, author of Walden and Resistance to Civil Government.
Barbara L. Packer's long essay ""The Transcendentalists"" is widely acknowledged by scholars of nineteenth-century American literary history as the best-written, most comprehensive treatment to date of Transcendentalism. Previously existing only as part of a volume in the magisterial ""Cambridge History of American Literature"", it will now be available for the first time in a stand-alone edition. Packer presents Transcendentalism as a living movement, evolving out of such origins as New England Unitarianism and finding early inspiration in European Romanticism. Transcendentalism changed religious beliefs, philosophical ideas, literary styles, and political allegiances. In addition, it was a social movement whose members collaborated…
Journalistic interviewer Jacqueline Raposo has created hundreds of stories discussing the human condition for magazines, websites, podcasts, and her book, The Me Without—a personal growth memoir exploring the science and spirit of habit change. Chronically ill and disabled, she’s never uncovered a new app, product, or study as directly beneficial to emotional health as time spent observing the natural world.
Modern living requires that we move, consume, absorb, and process quickly—and our bodies can’t always keep up. Thoreau’s journals transport us back to Massachusetts between 1837 and 1860, where his recordings of seeds and birds and worms, his philosophies on man and mankind, and his personal struggles against all else are set against the hush of frozen rivers, crackling fires, and ringing telegraph wires. Especially when read daily, this most prolific botanist, transcendentalist, and introvert of New England history reminds us to value the comfort of contemporary living, but never to forget the value of moving, observing, and living a slow and intentional life.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
