100 books like Winter

I love this book because of how beautiful and hopeful it is. The author pulls together amazing stories from her life to gradually weave an understanding of the meta-crisis we find ourselves in. I was captivated by the way she contrasts her family’s indigenous American culture with our modern approaches to both science and the economy.

I love Robin’s prose, which is exquisitely written. But perhaps what I value the most is the fact that she writes with optimism, giving me the courage to get up every day and think about how to put her wisdom into practice.

I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.

This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page. 

“For us it is a farm with a different kind of harvest,” Teale describes of how his aging Trail Woods farm yields observations, memories, and adventures. Teale has been called a “20th-century Thoreau” for his work as a naturalist, writer, and nature photographer. But in chapters titled A Hammock in the Woods, Stone Fences, The Man in the Brushpile, and more, his expression of love for living things transcends scientific observation; he shares his relationships with stones, plants, and animals so that we recognize they are made not only of earth, but of spirit, too.

Poet Ross Gay is a shape shifter who observes the struggle of living in a human body such with compassion and intelligence and artistry that he not only describes such struggles, but also transports us inside of the elements that create them. In this meditation on love and life and loss, we are soothed by the garden, the beehive, the orchard; by the mourning doves and dung-filled dirt and knots of dead bees that he reaches for to nourish and calm and heal. Gay is very much alive to the living and the dead around him. This collection of poems brings us back to life with gratitude transformed.

When I began writing about Emerson – not a usual task for a philosopher -- and was trying to figure out who the American Transcendentalists were, Barbara Packer’s brilliantly written study of the movement came to my assistance. She covers it all, from the background in European Biblical criticism and the idea that the sacred books of the world’s religious traditions are forms of poetry, to the Annus Mirabilus of 1836 when Emerson published Nature; to figures like Margaret Fuller, whose electrifying Conversations sparked a homegrown American feminism, Bronson Alcott (father of Louisa May), and, of course, Emerson’s young friend, Henry David Thoreau, author of Walden and Resistance to Civil Government.

Sometimes, I need reminding that the greatest discoveries can be close at hand and that simply living alertly is a sublime source of joy. When I read this book, which I have done again and again, I feel my perceptions sharpen, my sense of humor renew, and my hunger, both to read and to write, begin to stir.

As youth is sometimes wasted on the young, so is this book, which is too often assigned to people who aren’t ready for it. Thoreau’s mind is like a fire I never tire of sitting beside. He’s a rebel, a curmudgeon, a jokester, a poet, and the most down-to-earth philosopher our culture has seen. And he knows that wonder is a breakfast food, which he dishes out with utter nonchalance.

In November 1915 Hudson was in the care of nurses in a Cornish convent hospital, much burdened by news from the Western Front. ‘Shall I live to see peace on earth again?’ he asked Don Roberto Cunninghame Graham in a letter.

"To me nothing is left but memories, and I’m here putting some of my boyhood’s days in a book which will have a certain interest because it gives a sort of picture of the country and people before it began to be civilised."

He was writing a memoir. A combination of Don Roberto’s missives, fevered dreams, and possibly medication sparked Hudson’s visions of his Pampas childhood. He asked his nurses for paper and pencils and began to scribble what would become his acclaimed memoir, Far Away and Long Ago. Virginia Woolf said she greeted the book "like an old friend". It remains a classic of its genre.

There are many books about Thoreau and Walden, even for kids. But Frederic Tudor? Who is he, and what is his relation to Thoreau? Curiosity led me to pick up this book; the scope of this little-known historical event kept me turning pages. The two characters are introduced in parallel prose poems. A pond, the third character, connects those different people.

I was entranced by the story of the naturalist and the businessman, both influenced by Walden Pond. While Thoreau wrote notes in his journal, Tudor chopped frozen blocks of ice to ship to India. The author balanced the contrasts between the men with a light hand, backdropped by the seasons. Detailed watercolor and pencil art carry the scale of the account from Thoreau’s tiny cabin to Tudor’s ship crossing the equator. This is nonfiction that transcends mere information—a masterful performance.

My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility… show more.

If you think the 1960s tops the list of eras that experimented with counter-cultural protest movements, utopian societies, and radical social experimentation, think again.

There are more free love advocates, anti-racist rebels, anti-capitalist communes, oversexed vegans, and messianic prophets in this book than you could shake a staff at. Jackson tells their stories with verve, wit, and a perfectly measured assessment of their contributions and failures.