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Far Away and Long Ago.
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I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
A selection of Hudson’s letters to publisher’s reader Edward Garnett was published the year after Hudson’s death. The collection was expanded in an edition published soon after the first, and in this one Garnett added a preface in which he quoted at length from and responded to some of the criticism the first edition had brought on him.
Writing in the Sunday Times, Edmund Gosse felt that the letters didn’t show Hudson at his best, owing to the provocations of his correspondent that might be guessed at from Hudson’s responses. But Hudson was wise enough and had known his opposite number long enough to work out when he was being ‘dug out’. Sometimes, however, he was in no mood to resist rising to the bait.
"Old Huddy is amusingly down on me in many passages," Garnett wrote to John Galsworthy, when the collection was first published. "A bit of a…
First published in 1923, this volume contains 153 Letters written by W. H. Hudson. The letters were written to the author of this book, Edward Garnett, a literary critic whom Hudson would meet most Tuesdays to discuss all things written. Also in their little weekly club were such writers as Hilaire Belloc, Perceval Gibbon, Joseph Conrad, and others. William Henry Hudson (4 August 1841 - 18 August 1922) was an ornithologist, author, naturalist, and founding member of the Royal Society for the Protection of Birds. Other notable works by this author include: "A Crystal Age" (1887), "Argentine Ornithology" (1888), and…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
I particularly enjoyed this book. Hudson’s ornithological expedition in this desolate wilderness was made partly ‘idle’ by the mishap he had when examining a faulty pistol, shooting himself in the knee.
He described his solitary confinement in a remote cabin while his sole companion went off to seek help. He shared his bed with a venomous snake, and was later ferried to hospital by bullock cart, a journey of many hours over rough terrain.
"My miserable journey ended at dawn at the Mission House. Later in the day, on awakening, I found myself in the hands of a gentleman who was a skilful surgeon as well as a divine. My bullet, however, refused to be extracted. Every morning for a fortnight my host, with a quiet smile on his lips, would present a succession of probes – oh those probes of all forms, sizes and materials: wood, ivory, steel and…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
In December 1903, as he was away from his London base, Hudson asked his wife Emily to send a copy of his manuscript of Green Mansions to Edward Garnett, and confided to his literary reader his misgivings about it:
"[I] was again struck painfully by the cumbersomeness of the form. Perhaps some little alteration might be made here… the introductory chapters seem too slow: the story doesn’t move at all, it simply sits still and stews contentedly in its own juice; and it doesn’t even stew, or boil, a barbolloner, but simmers placidly away, like a saucepot of cocoa-nibs that has all the day before it. This too might be remedied to some extent. There are, I daresay, some good points in the book, especially the hero’s feeling for nature; and he being a Venezuelan some might say that it is all wrong. But of course it is a…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
Hudson told Don Roberto Cunninghame Graham he thought it "quite as good as anything in that line I’ve done before," as he supplied one for Don Roberto's mother Missy Bontine. It was a rare example of him expressing satisfaction in anything he’d written.
When people ask me where to start with Hudson, I usually suggest starting with one of the essay books (Birds and Man or Adventures Among Birds are others).
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
Journalistic interviewer Jacqueline Raposo has created hundreds of stories discussing the human condition for magazines, websites, podcasts, and her book, The Me Without—a personal growth memoir exploring the science and spirit of habit change. Chronically ill and disabled, she’s never uncovered a new app, product, or study as directly beneficial to emotional health as time spent observing the natural world.
“For us it is a farm with a different kind of harvest,” Teale describes of how his aging Trail Woods farm yields observations, memories, and adventures. Teale has been called a “20th-century Thoreau” for his work as a naturalist, writer, and nature photographer. But in chapters titled A Hammock in the Woods, Stone Fences, The Man in the Brushpile, and more, his expression of love for living things transcends scientific observation; he shares his relationships with stones, plants, and animals so that we recognize they are made not only of earth, but of spirit, too.
In A Naturalist Buys an Old Farm, Edwin Way Teale gives us not only his most personal writing but some of his finest. Considered by many to be his greatest book, it is as relevant today as when it was first published.
Journalistic interviewer Jacqueline Raposo has created hundreds of stories discussing the human condition for magazines, websites, podcasts, and her book, The Me Without—a personal growth memoir exploring the science and spirit of habit change. Chronically ill and disabled, she’s never uncovered a new app, product, or study as directly beneficial to emotional health as time spent observing the natural world.
Modern living requires that we move, consume, absorb, and process quickly—and our bodies can’t always keep up. Thoreau’s journals transport us back to Massachusetts between 1837 and 1860, where his recordings of seeds and birds and worms, his philosophies on man and mankind, and his personal struggles against all else are set against the hush of frozen rivers, crackling fires, and ringing telegraph wires. Especially when read daily, this most prolific botanist, transcendentalist, and introvert of New England history reminds us to value the comfort of contemporary living, but never to forget the value of moving, observing, and living a slow and intentional life.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.
This book is a fascinating look at ornithology through the ages, from mythology and legend to the evolution of our scientific understanding of birds today. It includes beautiful illustrations from medieval monks to early naturalists through the 20th century. Even the most casual birdwatcher will learn something fascinating from this book; I read it slowly, digesting a section at a time, and it’s one I’m sure I’ll return to again and again.
For thousands of years people have been fascinated by birds, and today that fascination is still growing. In 2007 bird-watching is one of the most popular pastimes, not just in Britain, but throughout the world, and the range of interest runs from the specialist to the beginner.
In The Wisdom of Birds, Birkhead takes the reader on a journey that not only tells us about the extraordinary lives of birds - from conception and egg, through territory and song, to migration and fully fledged breeder - but also shows how, over centuries, we have overcome superstition and untested 'truths' to…
Russell Goodman is a Regents Professor of Philosophy Emeritus at the University of New Mexico. Russell loved the remark by the philosopher Wittgenstein that "James was a good philosopher because he was a real human being". This list is inspired by that statement. Russell picked books that he loves and admires and would happily read again, and which explore in their various ways what it is to be a human being.
When I began writing about Emerson – not a usual task for a philosopher -- and was trying to figure out who the American Transcendentalists were, Barbara Packer’s brilliantly written study of the movement came to my assistance. She covers it all, from the background in European Biblical criticism and the idea that the sacred books of the world’s religious traditions are forms of poetry, to the Annus Mirabilus of 1836 when Emerson published Nature; to figures like Margaret Fuller, whose electrifying Conversations sparked a homegrown American feminism, Bronson Alcott (father of Louisa May), and, of course, Emerson’s young friend, Henry David Thoreau, author of Walden and Resistance to Civil Government.
Barbara L. Packer's long essay ""The Transcendentalists"" is widely acknowledged by scholars of nineteenth-century American literary history as the best-written, most comprehensive treatment to date of Transcendentalism. Previously existing only as part of a volume in the magisterial ""Cambridge History of American Literature"", it will now be available for the first time in a stand-alone edition. Packer presents Transcendentalism as a living movement, evolving out of such origins as New England Unitarianism and finding early inspiration in European Romanticism. Transcendentalism changed religious beliefs, philosophical ideas, literary styles, and political allegiances. In addition, it was a social movement whose members collaborated…
I am the author of 180 books for children, including the classic (30 plus years in print) picture book The Big Green Pocketbook. As a kid, I checked out more nonfiction books than novels. I read about stars, dinosaurs, ice age mammals, rocks, animals, and birds. I wanted to combine all those interests into one job: astronomer-paleontologist-geologist-zoologist-ornithologist, but I couldn’t even afford community college. I became a writer of children’s books, where I could be involved in all of those occupations and more. I’ve written 50 nonfiction books for children and believe the very best books being published for kids today are in the area of children’s narrative nonfiction.
There are many books about Thoreau and Walden, even for kids. But Frederic Tudor? Who is he, and what is his relation to Thoreau? Curiosity led me to pick up this book; the scope of this little-known historical event kept me turning pages. The two characters are introduced in parallel prose poems. A pond, the third character, connects those different people.
I was entranced by the story of the naturalist and the businessman, both influenced by Walden Pond. While Thoreau wrote notes in his journal, Tudor chopped frozen blocks of ice to ship to India. The author balanced the contrasts between the men with a light hand, backdropped by the seasons. Detailed watercolor and pencil art carry the scale of the account from Thoreau’s tiny cabin to Tudor’s ship crossing the equator. This is nonfiction that transcends mere information—a masterful performance.
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
If you think the 1960s tops the list of eras that experimented with counter-cultural protest movements, utopian societies, and radical social experimentation, think again.
There are more free love advocates, anti-racist rebels, anti-capitalist communes, oversexed vegans, and messianic prophets in this book than you could shake a staff at. Jackson tells their stories with verve, wit, and a perfectly measured assessment of their contributions and failures.
A dynamic, timely history of nineteenth-century activists—free-lovers and socialists, abolitionists and vigilantes—and the social revolution they sparked in the turbulent Civil War era
“In the tradition of Howard Zinn’s people’s histories, American Radicals reveals a forgotten yet inspiring past.”—Megan Marshall, Pulitzer Prize–winning author of Margaret Fuller: A New American Life and Elizabeth Bishop: A Miracle for Breakfast
NAMED ONE OF THE TEN BEST HISTORY BOOKS OF THE YEAR BY SMITHSONIAN
On July 4, 1826, as Americans lit firecrackers to celebrate the country’s fiftieth birthday, both John Adams and Thomas Jefferson were on their deathbeds. They would leave behind a groundbreaking…
