100 books like Of Walden Pond

Like most kids, I loved watching Macy’s Thanksgiving Day parade, especially the fantastic balloons. Even more, I loved reading about the man who invented those balloons in this spirited book.

Tony Sarg was a childhood inventor who later made marionettes that moved so lifelike audiences were entranced. I followed his story from wooden puppets to helium balloons that could move like puppets through Sweet’s incredible art. Part cartoon illustrations, part assemblages of Sweet’s handmade puppets and toys created in Sarg’s can-do vein and peppered with fanciful fonts, this book urged me to grab clay, crayons, colored pencils, fabric, paints, and play. Nonfiction never looked so much fun.

Picture book biographies need to narrow their focus on a subject, and I love the way the author achieves this. She could have written about Van Gogh’s life in general, but she used the refrain “Vincent can’t sleep” to describe his childhood, schooling, boring jobs, and finally becoming an artist. Insomnia led to his most well-known painting, “The Starry Night.”

I also admire how gently she portrayed his mental illness by emphasizing his quest to find the colors of the night. Lean prose contrasts neatly with Van Gogh’s free-wheeling brushstrokes, richly illuminated by Grandpré’s sweeping illustrations.

Sometimes, the biggest stories are best told in the fewest words. I felt the pull of a subject I knew nothing about by the author’s lyrical use of first-person voice. The river of dust, literally a band of desert dust that travels from Africa to South America, tells its own story.

The friendly, almost wistful tone begins with the ancient continent of Pangea and how the two continents were once one. Like the dust that blows on its long journey, I felt transported across grasslands and rivers, deep into the ocean, and into the Amazon jungles to replenish soil. I never imagined dust would be so interesting.

The story left me wanting to know more, and pages of well-researched back matter answered my questions. Mello’s landscapes swirl with urgency, adding texture to the spare prose. 

My astronomer kid self adored this book. My adult self was astonished by this accomplished work of nonfiction. Dual narratives take the stage on each page. First, the star that is trying so hard to be born, and second, the girl Cecilia Payne who tries so hard to understand the natural world. As the star goes through various phases, so does Cecilia, who longs to make scientific discoveries. Brilliantly told, the stories of the star and Cecilia parallel each other. I found myself going back and forth between them, marveling at inset pencil and walnut ink illustrations that never overpowered the text.

As a girl, I, too, loved natural science and wished this book had been published in my day. I might have been prepared to carve my way into a man’s world, as Cecilia did. Back matter fills in how stars are born—Cecilia’s discovery—plus a timeline of her amazing… show more.

My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility… show more.

This is a perfect book to take on a hike in the woods, a walk along the beach, or a stroll down a country lane. The author combines his own poetic reflections with those of sages from many different religious traditions across the millennia. There are six sections and a set of readings for each day of the week. This book would be ideal for church camp devotionals, a Lenten devotional, or for your summer reading to get you centered and attentive to God’s Creation.

Most books about the future are real bummers. Climate change, war, inequality... the problems seem insurmountable. This book helped me get past those feelings. Yes, we’ve royally screwed things up, but in lyrical prose Ackerman shows us that while it was our ingenuity that led us to screw up the environment, it’s also our ingenuity that can fix it, if we accept the challenge and responsibility. “We can become Earth-restorers,” she claims, “and Earth-guardians.” I like that. 

I can find it overwhelming to think how large and bad the environmental crisis really is. Record temperatures, species extinction, fires and storms. In many ways, this book hammers home the scale – but it does so productively. It’s been an excellent companion for me in learning more about the problem. It’s written by two of the world’s top scientists who have led the way in helping us see this as an environmental crisis, not just a problem of climate change or species loss, but an overall destabilization of the natural world. This is often missed from the mainstream discussion and Lewis and Maslin offer a whole range of approaches that can help you make sense of what we can do in response. 

Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.

This is my all-time favorite picture book. I love books that inspire readers to think “big” – to consider how we’re all connected to each other and to the world around us.

The text of All the World is simple and lyrical, a beautiful poem that could stand on its own, but then you add in Marla Frazee’s gorgeous illustrations, and it’s a perfect match. I’ve read this book countless times, and every time I read it, I tear up. There’s hope, beauty, and wonder all portrayed in this amazing book.