Here are 100 books that Andy Goldsworthy fans have personally recommended if you like
Andy Goldsworthy.
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All my life, I’ve been aware that there are many layers to reality, many of which are human fabrications. Some are physical, like roads. Some are social, like healthcare. But the ones that control our lives the most, and that determine our global outcomes (poverty, war and ecological degradation for example), are ideological. The most powerful of these is our economic system. If we are to address the meta-crisis, I feel passionately that we need to be able to question and reimagine the economy. All the books I’ve chosen have been really important in helping me to think differently about things we usually take for granted.
I love this book because of how beautiful and hopeful it is. The author pulls together amazing stories from her life to gradually weave an understanding of the meta-crisis we find ourselves in. I was captivated by the way she contrasts her family’s indigenous American culture with our modern approaches to both science and the economy.
I love Robin’s prose, which is exquisitely written. But perhaps what I value the most is the fact that she writes with optimism, giving me the courage to get up every day and think about how to put her wisdom into practice.
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
I was driven to become a veterinarian for as long as I could remember. Then, in high school, I developed a love of performance. I felt stuck. Should I choose art or science? I chose science, and despite a great career, I felt like something was missing. When I reconnected with my creativity through stand-up comedy, entrepreneurship and other non-artistic creative outlets, I found out what I had been missing. Why do we drop creativity for science? It was a common story. I dove into the research on creativity, and was blown away by how a bit of creativity can make us happier, more resilient, and make workplaces more effective.
In this book, I loved the way the author explains the creative process and what it takes to engage your muse and catch ideas. In a different way from The War Of Art, I learned what holds us back from expressing ourselves creatively and how we can overcome this fear of being seen.
Elizabeth Gilbert shares stories and philosophies about how to be more creative every day in a funny and optimistic way.
Readers of all ages and walks of life have drawn inspiration from Elizabeth Gilbert's books for years. Now, this beloved author shares her wisdom and unique understanding of creativity, shattering the perceptions of mystery and suffering that surround the process - and showing us all just how easy it can be.
By sharing stories from her own life, as well as those from her friends and the people that have inspired her, Elizabeth Gilbert challenges us to embrace our curiosity, tackle what we most love and face down what we most fear.
Whether you long to write a book, create…
I am passionate about the selected books because they have a unique way of broadening one's horizons and inspiring change in life. Their diverse narratives and profound insights invite all of us to discover new perspectives, challenge our beliefs, and deepen our understanding of the world.
I enjoyed this book specifically because it illustrates trees as social creatures, talking and sharing with each other and building relationships. Peter Wohlleben really opened my eyes to the hidden underground network in forests.
The way Peter tells the story of trees' lives makes it so relatable. He tells the story of trees' unique lives in such an approachable and familiar way, describing how they "feel" pain, "taste" chemicals, and "hear" sounds.
I found the way Wohlleben animates complex scientific ideas through captivating prose most appealing. Deepening my personal relationship with nature.
"A paradigm-smashing chronicle of joyous entanglement that will make you acknowledge your own entanglement in the ancient and ever-new web of being."--Charles Foster, author of Being a Beast Are trees social beings? In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Known as the First Lady of interior decoration, de Wolfe (1865-1950) excelled in a predominantly male profession which she is credited with inventing. Her book which, is still thought of as a decorator’s bible, was first published in 1913. It’s a compilation of several of her chatty magazine articles so even though her clientele was elite the strong doses of common sense, wit, and sophistication in her voice have mass appeal. Described as an ornamental minimalist she upturned the oppressiveness of the Victorian and Edwardian sensibility by avoiding clutter, dark colors, and heavy draperies in favor of sparsely furnished, naturally lit rooms (which she considered to be optimistic) that seamlessly aligned themselves with their natural surroundings. In that sense, she was one of the first decorators to acknowledge nature and to emphasize the importance of incorporating garden and exterior views into interior planning.
I know of nothing more significant than the awakening of men and women throughout our country to the desire to improve their houses. Call it what you will—awakening, development, American Renaissance—it is a most startling and promising condition of affairs. It is no longer possible, even to people of only faintly æsthetic tastes, to buy chairs merely to sit upon or a clock merely that it should tell the time. Home-makers are determined to have their houses, outside and in, correct according to the best standards. What do we mean by the best standards? Certainly not those of the useless,…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Even though her heroine is Vita Sackville-West who, in the 1930s, created Sissinghurst, one of the world’s most visited gardens, I think of Benson as a hippy, outdoors version of Martha Stewart. In this paperback, her fast lane, quick gratification approach to gardening comes across with equal doses of humor as she emphasizes the joy of digging one’s hands into the soil and the importance of channeling one’s own aesthetic into hedge and plant choices. Her opinions are pithy, to say the least - she considers marigolds to be ‘hackneyed’ flowers; she talks about weeds having brains and calls the green thumb notion a fallacy - but her passion for nature, which shines through on every page, is contagious.
This is an Authors Guild/BIP title. Please use Author's Guild/BIP specs. Author Bio: Designer, writer, lecturer, and once-owner of four highly innovative fashion stores called Dianne B., Dianne Benson has been described as "A woman of fashion, a fabulous purveyor of words, stance, and attitude." She took up gardening with a fervor twelve years ago at the East Hampton home she shares with her husband and their dogs. Book description: Dirt digs with humor and depth into the fine art of gardening with a highly unique style. With unrestrained excess, style-setter Dianne Benson has written a gardening primer so vivid…
I’ve spent several decades immersed in the world of interior design. As a writer and creative director, I’ve worked alongside many, many talented decorators and architects and seen how they’ve enhanced people’s lives by creating beautiful, practical living spaces. To my mind, if one truly feels inspired and at ease in one’s home environment the chance of living an authentic, fulfilling life increases significantly. All the books I’ve written emphasize the importance I place on thoughtful design. A partial list includes Shoes: A Celebration of Pumps, Sandals, Slippers & More; Brilliant: White in Design, Stripes: Design Between The Lines; Heart and Home: Rooms That Tell Stories, and Inside Outside: A Sourcebook of Inspired Garden Rooms. I live in Upstate New York where my house is surrounded by a fledgling fragrance garden.
Frank Lloyd Wright (1867-1959) was arguably the first architect to become a household name and therefore the first ‘starchitect’. To his way of conceptualizing, nature, with a capital N, came first and last in the sense that it would outlive and eventually envelop any edifice he happened to place upon it. This book uses black and white photography to succinctly illustrate his chief philosophical points and helps explain why his houses co-exist so seamlessly with their natural environment or, in his words, why they are in love with the ground. Inspired by the patterning of rock strata, the texture of birch bark, the spines of tree limbs, the blush of summer blossoms, in his projects it’s often hard to discern where nature and the man-made begin or end. ”Buildings, too,” he often said, “are children of earth and sun.”
Profusely illustrated study of nature — especially the prairie — on Wright's designs for Fallingwater, Robie House, Guggenheim Museum, other masterpieces.
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
Because my art is impermanent, I write and think about that subject a lot. And IMHO, no one speaks as beautifully and powerfully to the subjects of impermanence, life, loss, and beauty better than Prechtel. Prechtel's book is a well of indigenous wisdom on the living relationship between grief and praise. He says, "When you’re grieving for the thing you got, it's called praise. When you're praising for the thing you lost, it's called grief.” If the Earth is speaking her wisdom, this author is delivering it faithfully and beautifully to us.
Inspiring hope, solace, and courage in living through our losses, author Martín Prechtel, trained in the Tzutujil Maya shamanic tradition, shares profound insights on the relationship between grief and praise in our culture--how the inability that many of us have to grieve and weep properly for the dead is deeply linked with the inability to give praise for living. In modern society, grief is something that we usually experience in private, alone, and without the support of a community. Yet, as Prechtel says, "Grief expressed out loud for someone we have lost, or a country or home we have lost,…
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
A wise man once said to me, “if you can say it, you can see it." This magical book of art, poetry, and nature is a response to the removal of nature words such as “acorn,” “wren,” and “dandelion,” from a children’s dictionary. His gorgeous writing encourages us to wonder at the forgotten and to behold the ordinary by uttering nature words as a conjuring thing. During a time of environmental loss, grief, and forgetting, McFarlane lets us fall in love again with the greater-than-human world through language and therefore, to renew our capacity to marvel at the living landscape and our own inner landscape.
Beautiful books make unforgettable gifts. This pocket-sized treasure is the perfect gift for fans of nature, language and rich artwork, adult and child alike!
Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris.
Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
While Jack Kerouac can arguably be synonymous with the Beat generation, the poems in this collection reveal a lesser-known and seldom seen but poignant side of Kerouac’s legacy. He distills his surroundings into short vignettes, reminiscent of the Beat style and motif, but incorporates a significant amount of nature imagery. They’re beautiful glimpses of the world through the eyes of one of America’s most influential authors.
Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.' Jack Kerouac. Renowned for his groundbreaking Beat Generation novel "On the Road", Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following in the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form's essence. He incorporated his 'American' haiku in novels and in his correspondence,…
I’m an environmental journalist (BBC, The Guardian, The Sunday Times) and book author, based in the UK. My interest lies in the intersection between human health, the environment, and climate crisis: the actions we can take that not only reduce climate change for future generations but also improve biodiversity, health, and wellbeing right now. That led to me write my first book, Clearing The Air, about air pollution. And I’m now writing my second book, The Last Drop, looking at how climate change is affecting the world’s water cycle and our access to freshwater. My best books list below maybe misses out on some obvious choices (Naomi Klein, Rachel Carson, etc) in favour of more recent books and authors deserving of a wider audience.
Gaia’s book came out at a time when climate change wasn’t a hot literary topic and Greta Thunberg hadn’t yet painted “Skolstrejk för Klimatet” on a sign. The Anthropocene marks a new Geological age, the Age of Humans, and Gaia, an editor at Nature, set out to discover what that means for the planet, her, and us. In her words: "I set out to discover whether our species will survive, and how". In so doing she became the first female winner of the Royal Society science book prize.
** Winner of Royal Society Winton Prize for Science Books 2015 **
We live in epoch-making times. The changes we humans have made in recent decades have altered our world beyond anything it has experienced in its 4.6 billion-year history. As a result, our planet is said to be crossing into the Anthropocene - the Age of Humans.
Gaia Vince decided to travel the world at the start of this new age to see what life is really like for the people on the frontline of the planet we've made. From artificial glaciers in the Himalayas to painted mountains in…
