Fans pick 43 books like Frank Lloyd Wright

I enjoyed this book specifically because it illustrates trees as social creatures, talking and sharing with each other and building relationships. Peter Wohlleben really opened my eyes to the hidden underground network in forests.

The way Peter tells the story of trees' lives makes it so relatable. He tells the story of trees' unique lives in such an approachable and familiar way, describing how they "feel" pain, "taste" chemicals, and "hear" sounds.

I found the way Wohlleben animates complex scientific ideas through captivating prose most appealing. Deepening my personal relationship with nature.

Known as the First Lady of interior decoration, de Wolfe (1865-1950) excelled in a predominantly male profession which she is credited with inventing. Her book which, is still thought of as a decorator’s bible, was first published in 1913. It’s a compilation of several of her chatty magazine articles so even though her clientele was elite the strong doses of common sense, wit, and sophistication in her voice have mass appeal. Described as an ornamental minimalist she upturned the oppressiveness of the Victorian and Edwardian sensibility by avoiding clutter, dark colors, and heavy draperies in favor of sparsely furnished, naturally lit rooms (which she considered to be optimistic) that seamlessly aligned themselves with their natural surroundings. In that sense, she was one of the first decorators to acknowledge nature and to emphasize the importance of incorporating garden and exterior views into interior planning.

Even though her heroine is Vita Sackville-West who, in the 1930s, created Sissinghurst, one of the world’s most visited gardens, I think of Benson as a hippy, outdoors version of Martha Stewart. In this paperback, her fast lane, quick gratification approach to gardening comes across with equal doses of humor as she emphasizes the joy of digging one’s hands into the soil and the importance of channeling one’s own aesthetic into hedge and plant choices. Her opinions are pithy, to say the least - she considers marigolds to be ‘hackneyed’ flowers; she talks about weeds having brains and calls the green thumb notion a fallacy - but her passion for nature, which shines through on every page, is contagious.

Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.

I love this book for its approach to teaching about architecture. It’s not a textbook primer on the subject that starts with the ancient world and ends in the modern world. Instead, it covers the basic principles of architecture by covering themes, such as light, landscape, place, and matter. Each theme is illuminated by examples of buildings from the Egyptian pyramids to Fallingwater by Frank Lloyd Wright. The text is easy to read and each example has ample photographs. Truly accessible to all.

Frank Lloyd Wright is undoubtedly America’s most famous architect. Everyone knows his name, and those who study the field know how his distinctive styles changed the face of architecture in the early 1900s. But few realize the impact that a brutal mass murder had upon Wright’s life and work. It happened at his Taliesin estate in rural Wisconsin in 1914. One of Wright’s house servants, Julian Carlton, went on a rampage with an axe, hacking to death Wright’s lover Mamah Borthwick Cheney and her two children. Four others also were killed when Carlton set the house on fire. Of course the tragedy was personally devastating for Wright, and it also changed the creative course of his life. After Taliesin was destroyed, he moved away from the Prairie House style of organic architecture, for which he had originally become famous.

Alan Hess is the authority on Googie Architecture. He’s written several excellent books on the subject.

His writing style and unique perspective (he’s also an architect) bring insight and authority to everything he writes, which also includes books on Frank Lloyd Wright and John Lautner. The original Googies Coffee Shop, located at the corner of Sunset Blvd. and Crescent Heights in West Hollywood, was designed by John Lautner.

If you do some research online, you can find some great old photos of the structure.

All of my recommendations are about the ways modern architects have learnt from traditional architecture. The first appeared when I began working on the first edition of Analysing Architecture back in the 1990s. It is Kevin Nute’s exploration of the ideas that Frank Lloyd Wright gleaned from encounters with traditional Japanese architecture in the late nineteenth and early twentieth centuries. Nute’s book influenced my perception of architectural creativity as not fitting neatly into separate historical/stylistic categories, but as a realm of possible cross-fertilisation across cultures.

All of the architects mentioned in my other recommendations are men. Yet many women broke barriers to become noteworthy architects. This recently-published book aims to bring to readers the profiles of dozens of women architects. Organized by the birthdate of the architect, this book also has short essays throughout that bring context to the profiles. Some of the names will likely be new to you (Marion Mahony Griffin) and some well-known (Julia Morgan, Jeanne Gang). This is an excellent corrective to the history of architecture.

I’ve owned a number of homes. Most were small, one or two were fairly large. When I set about building my own writing shed I had a clue where to begin, but most frequently—when bashing a nail, jigsawing a piece of wood—I knew very little about why I was making one decision over another much beyond practical considerations. A window could only fit here, and the door must swing this way, lest it hit that support beam. Having a companion to that process, letting not my hammer but the Earth fine-tune my space gave that writing shed life far beyond its function.