100 books like The House in Good Taste

As humans, we sometimes find ourselves thinking that we are at the top of the intelligence chain, that we have it all figured out and everything else in the world is lesser.

The Hidden Life of Trees made me totally rethink that, and not simply for trees, but the interconnectedness of our world and how everything works together perfectly in harmony…until humans came along and began to hack the system, of course.

This book gave me a deeper understanding and appreciation for trees and made me think about how much we could be learning from our distant relatives, rather than thinking everything else needs to learn from us. 

Even though her heroine is Vita Sackville-West who, in the 1930s, created Sissinghurst, one of the world’s most visited gardens, I think of Benson as a hippy, outdoors version of Martha Stewart. In this paperback, her fast lane, quick gratification approach to gardening comes across with equal doses of humor as she emphasizes the joy of digging one’s hands into the soil and the importance of channeling one’s own aesthetic into hedge and plant choices. Her opinions are pithy, to say the least - she considers marigolds to be ‘hackneyed’ flowers; she talks about weeds having brains and calls the green thumb notion a fallacy - but her passion for nature, which shines through on every page, is contagious.

Frank Lloyd Wright (1867-1959) was arguably the first architect to become a household name and therefore the first ‘starchitect’. To his way of conceptualizing, nature, with a capital N, came first and last in the sense that it would outlive and eventually envelop any edifice he happened to place upon it. This book uses black and white photography to succinctly illustrate his chief philosophical points and helps explain why his houses co-exist so seamlessly with their natural environment or, in his words, why they are in love with the ground. Inspired by the patterning of rock strata, the texture of birch bark, the spines of tree limbs, the blush of summer blossoms, in his projects it’s often hard to discern where nature and the man-made begin or end. ”Buildings, too,” he often said, “are children of earth and sun.”

Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.

From the cover to its contents, Rachel Aust’s beautifully illustrated book, Less, lives up to its promise of minimalism. It is an excellent introduction to dive into living with less. She is fun and quirky and with her book’s guidance, you’ll be organized and decluttered, physically and mentally, in no time! 

There are dozens of small-space books that I could have chosen for decor inspiration, but this one from Monocle is a personal favorite, in part because the photos, while gorgeous, are not overly styled. It features homes from around the world, including many in Europe, and most are primary residences, not guest houses or weekend homes that often fill small-space books. Much like the magazine, this book opens with several thoughtful essays on what it means to live in a “cosy” space. With its linen cover and hefty size, it would make a great housewarming gift for anyone living in a small space.

She sheds are usually small spaces and everyone can relate to the challenges of creating beauty with limited resources. This smart book pays homage to living small and makes you see wonderful possibilities where none existed before. I love walking through Whitney’s charming “Tiny Canal Cottage” as she calls it, the 400-square-foot place she shares with her husband, young son, and two dogs in Venice, California. The table of contents isn’t satisfied with vague chapter titles – nope, you get numbered ideas (238!) that are specific and doable. I love #026, which shows you how to trade a coffee table for a shallow shelf behind the couch. Also handy are tricks to quickly turn your living room into a spare bedroom, or a dining room, or a home office, and then turn it back into a living space again. You’ll meet kindred spirits in the design realm who offer their… show more.

As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ”
Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home. 

I used to fancy myself as having a green thumb, until I planted my first outdoor garden.

These days I’m back inside with Hilton Carter’s Living Wild. Based in Baltimore, Carter is a director, editor, and fine artist with an encyclopedic knowledge about plants and how to style them. He’s also the dad to 250 plants including a fiddle-leaf named Frank.

In this, his fourth book, Living Wild, he talks about everything that is needed to design a “living home” and walks the reader through rooms he’s styled and his process. Check out his Instagram for a Living Wild playlist. 

Exploring how and why Romans built their houses to impact all bodily senses sits at the heart of my book.

Whilst interest in planning and building for such full body experiences in architecture today has declined, Pallasmaa’s The Eyes of the Skin presents a compelling argument for the importance of understanding the role of the multiple bodily senses in our experience of built spaces around us.

Divided into two main sections, the first of these examines the pre-eminence of sight in the West and its detrimental impact on architectural practise and our built environs.

The second part considers the role played our other bodily senses in experiencing architecture and proposes a new approach to building design and construction which seeks to integrate full sensory experience into the architectural process.