100 books like The Monocle Guide to Cosy Homes

She sheds are usually small spaces and everyone can relate to the challenges of creating beauty with limited resources. This smart book pays homage to living small and makes you see wonderful possibilities where none existed before. I love walking through Whitney’s charming “Tiny Canal Cottage” as she calls it, the 400-square-foot place she shares with her husband, young son, and two dogs in Venice, California. The table of contents isn’t satisfied with vague chapter titles – nope, you get numbered ideas (238!) that are specific and doable. I love #026, which shows you how to trade a coffee table for a shallow shelf behind the couch. Also handy are tricks to quickly turn your living room into a spare bedroom, or a dining room, or a home office, and then turn it back into a living space again. You’ll meet kindred spirits in the design realm who offer their… show more.

Do not be deterred by the words “country” and “tiny” in this book’s title! This is a fantastic collection of small-ish homes that ran in the American edition of Country Living magazine. There are only a couple of actual tiny homes—most are more in the range of 1,000 or so feet. Likewise, very few of the homes are deeply “country” in style; instead, the overall look of the interiors is a fresh take on farmhouse style – with urban apartments and minimalist homes in the mix. The photography is beautiful, and there are so many homes included that this is a great value for its cover price.

This book is not specifically about small spaces, but it would be a valuable addition to any small-space library for its message of living with less and conscious consumption. I discovered Erin’s writing and her blog Reading My Tea Leaves when I was a new mom looking for examples of families choosing to live in small spaces. Erin’s book Simple Matters is one I turn back to whenever I need a fresh burst of inspiration to declutter, simplify, and embrace a slower style of home-keeping. Simple Matters is not a coffee table book, it is meant to be picked up and read. 

When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.

When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day. 

From the cover to its contents, Rachel Aust’s beautifully illustrated book, Less, lives up to its promise of minimalism. It is an excellent introduction to dive into living with less. She is fun and quirky and with her book’s guidance, you’ll be organized and decluttered, physically and mentally, in no time! 

Known as the First Lady of interior decoration, de Wolfe (1865-1950) excelled in a predominantly male profession which she is credited with inventing. Her book which, is still thought of as a decorator’s bible, was first published in 1913. It’s a compilation of several of her chatty magazine articles so even though her clientele was elite the strong doses of common sense, wit, and sophistication in her voice have mass appeal. Described as an ornamental minimalist she upturned the oppressiveness of the Victorian and Edwardian sensibility by avoiding clutter, dark colors, and heavy draperies in favor of sparsely furnished, naturally lit rooms (which she considered to be optimistic) that seamlessly aligned themselves with their natural surroundings. In that sense, she was one of the first decorators to acknowledge nature and to emphasize the importance of incorporating garden and exterior views into interior planning.

Even though her heroine is Vita Sackville-West who, in the 1930s, created Sissinghurst, one of the world’s most visited gardens, I think of Benson as a hippy, outdoors version of Martha Stewart. In this paperback, her fast lane, quick gratification approach to gardening comes across with equal doses of humor as she emphasizes the joy of digging one’s hands into the soil and the importance of channeling one’s own aesthetic into hedge and plant choices. Her opinions are pithy, to say the least - she considers marigolds to be ‘hackneyed’ flowers; she talks about weeds having brains and calls the green thumb notion a fallacy - but her passion for nature, which shines through on every page, is contagious.

As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ”
Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home. 

I used to fancy myself as having a green thumb, until I planted my first outdoor garden.

These days I’m back inside with Hilton Carter’s Living Wild. Based in Baltimore, Carter is a director, editor, and fine artist with an encyclopedic knowledge about plants and how to style them. He’s also the dad to 250 plants including a fiddle-leaf named Frank.

In this, his fourth book, Living Wild, he talks about everything that is needed to design a “living home” and walks the reader through rooms he’s styled and his process. Check out his Instagram for a Living Wild playlist. 

Exploring how and why Romans built their houses to impact all bodily senses sits at the heart of my book.

Whilst interest in planning and building for such full body experiences in architecture today has declined, Pallasmaa’s The Eyes of the Skin presents a compelling argument for the importance of understanding the role of the multiple bodily senses in our experience of built spaces around us.

Divided into two main sections, the first of these examines the pre-eminence of sight in the West and its detrimental impact on architectural practise and our built environs.

The second part considers the role played our other bodily senses in experiencing architecture and proposes a new approach to building design and construction which seeks to integrate full sensory experience into the architectural process.