Fans pick 100 books like Dirt

I enjoyed this book specifically because it illustrates trees as social creatures, talking and sharing with each other and building relationships. Peter Wohlleben really opened my eyes to the hidden underground network in forests.

The way Peter tells the story of trees' lives makes it so relatable. He tells the story of trees' unique lives in such an approachable and familiar way, describing how they "feel" pain, "taste" chemicals, and "hear" sounds.

I found the way Wohlleben animates complex scientific ideas through captivating prose most appealing. Deepening my personal relationship with nature.

Known as the First Lady of interior decoration, de Wolfe (1865-1950) excelled in a predominantly male profession which she is credited with inventing. Her book which, is still thought of as a decorator’s bible, was first published in 1913. It’s a compilation of several of her chatty magazine articles so even though her clientele was elite the strong doses of common sense, wit, and sophistication in her voice have mass appeal. Described as an ornamental minimalist she upturned the oppressiveness of the Victorian and Edwardian sensibility by avoiding clutter, dark colors, and heavy draperies in favor of sparsely furnished, naturally lit rooms (which she considered to be optimistic) that seamlessly aligned themselves with their natural surroundings. In that sense, she was one of the first decorators to acknowledge nature and to emphasize the importance of incorporating garden and exterior views into interior planning.

Frank Lloyd Wright (1867-1959) was arguably the first architect to become a household name and therefore the first ‘starchitect’. To his way of conceptualizing, nature, with a capital N, came first and last in the sense that it would outlive and eventually envelop any edifice he happened to place upon it. This book uses black and white photography to succinctly illustrate his chief philosophical points and helps explain why his houses co-exist so seamlessly with their natural environment or, in his words, why they are in love with the ground. Inspired by the patterning of rock strata, the texture of birch bark, the spines of tree limbs, the blush of summer blossoms, in his projects it’s often hard to discern where nature and the man-made begin or end. ”Buildings, too,” he often said, “are children of earth and sun.”

Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.

Faith and creativity come together in this gorgeous, colorful journal by Krystal Whitten. Filled with gorgeous illustrations, tutorials, and spaces for you to create, this journal will inspire you from start to finish. Whether you work in it daily or pick it up when you need some quiet time, you’ll find yourself feeling renewed creatively and spiritually.

She sheds are usually small spaces and everyone can relate to the challenges of creating beauty with limited resources. This smart book pays homage to living small and makes you see wonderful possibilities where none existed before. I love walking through Whitney’s charming “Tiny Canal Cottage” as she calls it, the 400-square-foot place she shares with her husband, young son, and two dogs in Venice, California. The table of contents isn’t satisfied with vague chapter titles – nope, you get numbered ideas (238!) that are specific and doable. I love #026, which shows you how to trade a coffee table for a shallow shelf behind the couch. Also handy are tricks to quickly turn your living room into a spare bedroom, or a dining room, or a home office, and then turn it back into a living space again. You’ll meet kindred spirits in the design realm who offer their… show more.

There are dozens of small-space books that I could have chosen for decor inspiration, but this one from Monocle is a personal favorite, in part because the photos, while gorgeous, are not overly styled. It features homes from around the world, including many in Europe, and most are primary residences, not guest houses or weekend homes that often fill small-space books. Much like the magazine, this book opens with several thoughtful essays on what it means to live in a “cosy” space. With its linen cover and hefty size, it would make a great housewarming gift for anyone living in a small space.

From the cover to its contents, Rachel Aust’s beautifully illustrated book, Less, lives up to its promise of minimalism. It is an excellent introduction to dive into living with less. She is fun and quirky and with her book’s guidance, you’ll be organized and decluttered, physically and mentally, in no time! 

As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ”
Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home. 

Exploring how and why Romans built their houses to impact all bodily senses sits at the heart of my book.

Whilst interest in planning and building for such full body experiences in architecture today has declined, Pallasmaa’s The Eyes of the Skin presents a compelling argument for the importance of understanding the role of the multiple bodily senses in our experience of built spaces around us.

Divided into two main sections, the first of these examines the pre-eminence of sight in the West and its detrimental impact on architectural practise and our built environs.

The second part considers the role played our other bodily senses in experiencing architecture and proposes a new approach to building design and construction which seeks to integrate full sensory experience into the architectural process.