Fans pick 100 books like Self-Reliance and Other Essays

Sent to me by a dear friend just when I needed it, this delightfully cheeky book about writing gave me the push to be courageous and truthful both in life and in my written endeavors.

Full of candid advice, hilarious anecdotes, and helpful information, this book is half manual and half a memoir of Lammott’s escapades in authorship. It speaks directly to the part of us that holds our deepest stories and silently longs to make them into something useful, beautiful, and meaningful–whether or not we plan to share them with the world. 

What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.

This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."

Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.

I recommend this book because I have found the meaning of love to be elusive. Slipping in and out of my life's timeline. When love stays, it waits for me to generate it alone, by myself, in hopes that I will alchemize it to all of my relationships. Bell Hooks helped me see how to better understand the mystical workings of love, and it's sometimes confusing nature.

Her work helped me appreciate that the endurance of pain is not the presence of love. Allowing love to be an inner source as life-giving, rather than codependently attaching to an outside source, which can be life-ending.

I love this book not just because of its enduring importance - Woolf remains a towering feminist figure - but because of its vivid, imaginative writing.

Based on lectures given to female students at Cambridge, Woolf’s essay argues powerfully for the intellectual independence of women. Such independence, she reasons, must first be materially possible, hence the female writer’s need for that famous "room of one’s own."

To exemplify this, Woolf imagines a certain Judith Shakespeare, the playwright’s equally talented sister: would she not be incapable of achieving the same success as her brother owing to the patriarchal structures of society? In our post-Me Too world a century later, the question remains vital.

Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.

Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’

Written at the height of the English Civil War, this is perhaps the single most important manifesto for free speech in the English language. But it’s also surprisingly good fun, composed in a vivid, memorable style that brings abstract concepts to life.

Advocating what he terms ‘promiscuous reading,’ Milton encourages us to think for ourselves and resist intellectual authoritarianism. I love his argument for the importance of reading in cultivating independent thought: "A good Booke is the pretious life-blood of a master spirit, imbalm’d and treasur’d up on purpose to a life beyond life." As a writer and literary critic, this life-blood is precious to me, too.

I recommend these books because I believe seeking and finding never ends as we become adults. I find that I still seek jobs, seek friends, seek safety, seek shelter, and seek nourishment. These tasks are enjoyable when they are connected to my heart's path. It's a training of the brain that delights my inner child.

In addition, play is an important part of my adult life that has been difficult to materialize in the past few years. I have had to use all of my brain matter toward a conveyor belt of serious tasks, and it has been exhausting. Finding the missing piece, whether in my life, these books, or Wordle, gives me a much-needed dose of dopamine in a day filled with Saturnian energy.

I recommend this book because I am a survivor of the pre-social media era, where bikes and street lights reigned. The stark contrast of being a senior in high school, thinking I would never see my classmates again, to being a freshman in college and friends with the majority of them on Facebook was reminiscent of the Beagle Channel where the Pacific and Atlantic oceans meet; day and night. Watching their lives unfold twenty-plus years later has been an unexpected bonus.

With the unimaginable accessibility that social media has given, it also brought a version of myself that did not translate well online and thus weakened my connections over the years. The fear of judgment and being perceived increased, and reading Brene' Brown's book helped shed light on the involuntary actions of connection atrophy.

This book is one I will continue to read throughout my life to help my heart… show more.

Though it focuses on dreams and the occult, the ulterior subject of Emerson’s Demonology is the arcane inversions, doublings, and “unconscious” of transcendentalism. Between many of Emerson’s pronouncements falls this shadow of Demonology, which provides key tenets of his philosophy. Demonology is the cumulative residue of an attempt to explain away that which resists Emerson’s theory that nature is consistent, explicable, rational, and benign. Encapsulating the uncanny, and the inexplicable forces of dreams, animals, and pseudosciences, Demonology consolidates all that is “outside” and negated for Emerson—everything that is, in his terminology, “not me.” Demonology locates the cracks in Emerson’s consciousness, as well as the hobgoblins in his notion of Reason. Emerson’s conception of nature here is notably modern, and often sounds Lacanian—the demonological exception or irrational, that which cannot be fully understood or described, is the necessary anomaly or remainder on which the universality of nature depends.

Marshall is my favorite working biographer, and this book had me hooked from page 1.

Fuller’s life almost demands Hollywood treatment. This early feminist thinker was a great friend, intellectual sparring partner, and collaborator of Ralph Waldo Emerson and the first editor to publish Henry David Thoreau.

Less well known is her second career as a pioneering newspaper reporter, who eventually became the first female foreign correspondent in US history. Her dispatches on the cultural scene in Europe and then her eyewitness accounts of the revolutions of 1848 were riveting. Traveling with her Italian aristocrat-turned-revolutionary lover and their young child, she returned to the US with a draft of a history of the Roman republic.

But the ship sank off Fire Island; Fuller, her lover, their child, and the manuscript were lost. But thanks to Marshall, we at least have her story!