76 books like A Place Called Freedom

Perhaps no book has moved me more than Ireland by Frank Delaney. 

Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present. 

Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.

Long before traveling to Ireland, I wanted to learn all I could about those who live there. 

I have found that the best way to achieve that goal is to read historical fiction novels that present an incisive portrait of the Irish people—their often-tragic history, rich culture, traditions, and day-to-day living. The human stories bring the book to life, involving you directly in the characters’ lives. Trinity made me feel that I was living in the past, experiencing history firsthand.

To comprehend the present, one must examine the past and observe the undercurrents that forge a people and their nation. 

Rutherfurd’s Rebels of Ireland succeeds brilliantly in this endeavor. The families in this novel deal with the real historical events that shaped Irish destiny. They drew me into their lives and swept me along on a journey through time. When I finally emerged, I felt as if I had witnessed history, and lived it alongside them!

Much of Ireland’s history involves the struggle for freedom of religion—a subject of real interest to me. 

James Michener reveals England’s mistreatment of Catholics through strict laws and brute enforcement in an era known as the Protestant Ascendancy. This continued in the American colonies. 

When I read about the New World colony of Maryland, I could instantly draw comparisons—the plantation owners very much resembled the lords of English and Irish manor houses; slaves and indentured servants were treated much like the Catholic underclass in the Old World.

I am a historian, and this book opened a new window into the past.

The fourth book of the series that spawned the hit TV show Outlander is notable for a number of things, not the least of which is the debut of Rollo, a wolf/Irish wolfhound hybrid who’s won in a game of dice by the Frazers’ nephew, Ian Murray.

Quickly becoming Ian’s shadow, Rollo goes on to be a constant presence throughout the series, sometimes intimidating, sometimes exasperating, and often comforting to those under his watch.

Rollo is a very good dog and a definite highlight of this dramatic series that’s a wild mash-up of historical and science fiction.

There are probably more fantasies and myths about the Hebridean island of St Kilda than any other location in existence – though there are a few other Scottish islands that compete in this field!

Roger’s book is excellent because it is grounded in fact and meticulous research, yet it is also a celebration of this unique landscape to be found at the far western edge of the Outer Hebrides. 

Also key to the coming of the Revolution was the Boston Tea Party of December 16, 1773, when colonists tossed thousands of pounds of tea into the harbor. Benjamin Carp looks at the Tea Act of 1773, which lowered the duty on tea as a means of convincing Americans to agree to taxation without representation. He also traces the affairs of the East India Company in Asia and asks how its priorities affected America. Carp also investigates the protests against the Tea Act (of which the party in Boston was but one), asking how colonial resistance affected American politics. The defiance of the Patriots detailed here is not just a refutation of British imperial rule, but of a corrupt placemen and political inequality. 

Pearsall’s book is the sort that leaves a reader entertained, deeply informed, and unable to see the past the same way again. Polygamy, she shows, was at the center of the social and political systems of many Indigenous nations. As European soldiers and settlers attempted to trade with—or dominate—the people of these nations, they provoked violent reprisals. Opposition to monogamy drove Indigenous resistance movements. Europeans increasingly argued that their monogamous practices made them racially and religiously superior to the people they subordinated. The centrality of metaphors about monogamy and polygamy to American revolutionary political ideas is one of the book’s most enlightening—and entertaining—contributions in a book rich with surprises.

This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.

In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the ship’s arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, “On Messrs. Hussey and Coffin,” published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carretta’s collection of Wheatley’s work includes a fascinating, thoroughly researched introduction.