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Witchcraft in Old and New England.
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A native of Massachusetts and married to a descendent of two of the accused, the Salem witch trials have long fascinated me. Armed with a Ph.D. in American studies from New York University – focused on American history, literature, and religion – a significant portion of my academic career has been devoted to research, publications, classes, and public lectures on the Salem witch trials, reflected in the third edition of my book, The Story of the Salem Witch Trials. The book is only one of several books and many articles I have published on various aspects of American cultural history, many of which relate in some way to what happened in Salem in 1692.
John Putnam Demos remains the “dean” of historians of the Salem witch trials.
Entertaining Satanremains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.
Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.
In the first edition of the Bancroft Prize-winning Entertaining Satan, John Putnam Demos presented an entirely new perspective on American witchcraft. By investigating the surviving historical documents of over a hundred actual witchcraft cases, he vividly recreated the world of New England during the witchcraft trials and brought to light fascinating information on the role of witchcraft in early American culture. Now Demos has revisited his original work and updated it to illustrate why these early Americans' strange views on witchcraft still matter to us today. He provides a new preface that puts forth a broader overview of witchcraft and…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
This is another sociologically inflected study, which broadens the context of belief behind witchcraft accusations. Like all the best work of the last forty years, it helps us to grasp the internal logic of witch-beliefs in the minds of intelligent and actually very sophisticated people, rather than falling back on the old chestnuts of hysteria, prejudice and the madness of crowds.
Weisman constantly reminds us that a supposed superstitious consensus (in contrast to the sceptical consensus of the modern world) simply didn’t exist. So much of the furious energy of thinking about witches was generated by disagreement and doubt. We’re also presented with conflicting and complementary opinions about witches, both from below in the neighbourhood, and from above among ministers and magistrates. In the end, as Weisman points out, however enduring beliefs about witchcraft may have been, as a crime it could not survive condemnation of the proofs, including so-called…
The Salem witchcraft persecutions are one of the most well-known events in history, but there is more to the story. In this book, Weisman explores the social, political, and religious implications of witchcraft. He ventures outside of the usual studies of the Salem trials to provide a comprehensive understanding of 17th-century Massachusetts witchcraft as a whole. In the first section, an attempt is made to explicate the logic and meaning of the two major interpretive frameworks of witchcraft in terms of which the category was understood by inhabitants of Massachusetts Bay. The second and third sections of this study deal…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.
Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were…
Confessing to "familiarity with the devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem.
More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches-vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
A fascinating exploration of the Salem witch trials that illustrates how the New England girls whose accusations lead to the wrongful execution of thirteen innocent women and imprisonment of some two hundred more were victims of war trauma in the Maine woods. During the so-called King Phillip’s War, Puritan immigrants who seized land as part of their Massachusetts Bay Colony Charter waged horrific, brutal battles with Native Americans defending their land from coveters and invaders. Their wives and children were there to witness and suffer it. This book was a key to my greater understanding of the land seizure and other events that led to and fueled the Salem Witch trials.
Award-winning historian Mary Beth Norton reexamines the Salem witch trials in thisstartlingly original, meticulously researched, and utterly riveting study.
In 1692 the people of Massachusetts were living in fear, and not solely of satanic afflictions. Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the…
I love books that entertain and uplift when characters learn and overcome. As a teenager, things happened that threw me into a painful tailspin, ending in a wilderness program for troubled kids. It taught me that I can do hard things and face challenges in life. I’ve lost loved ones, have a special needs child, divorced, been broke, earned my black belt, returned to school as a single mom for a degree, and co-founded a nonprofit to support literacy for kids. None of that was easy, but it increased my compassion and hope. Stories can be powerful reminders of human resilience, and that battle scars make someone more beautiful than before.
I first read this book as a kid, and it’s one of the reasons I became an avid reader. It's set in Puritan New England and features romance, intrigue, and suspense. It has great historical detail, a fun story, and well-written characters.
The protagonist, 16-year-old Kit from Barbados, arrives in the harsh world of early colonial Connecticut and doesn’t fit in—and society punishes her for it! I found myself angry and outraged for her–I just wanted everything to be fair. This story is a light-handed look at how life isn’t fair. Frustration comes from expecting or demanding it to be. There will always be circumstances and people making things difficult. Can it be endured? Yes!
I love the main characters, Kit and Nat (the son of the boat Captain who brought Kit to the colonies). They are cute together. This is still one of my favorite books.
In this Newbery Medal-winning novel, a girl faces prejudice and accusations of witchcraft in seventeenth-century Connecticut. A classic of historical fiction that continues to resonate across the generations.
Sixteen-year-old Kit Tyler is marked by suspicion and disapproval from the moment she arrives on the unfamiliar shores of colonial Connecticut in 1687. Alone and desperate, she has been forced to leave her beloved home on the island of Barbados and join a family she has never met.
Torn between her quest for belonging and her desire to be true to herself, Kit struggles to survive in a hostile place. Just when…
I write historical and biographical novels, and have had a fascination with the Salem witch trials since childhood. With my first visit to Salem, I felt a strong connection to my surroundings and its history. When I walked through the House of the Seven Gables for the first time, I felt I’d been there before. Three past-life regressions brought me back to 17th century Salem. In my biographical novel For The Love Of Hawthorne, I delved deeply into the soul of my favorite author, his devoted wife, and the shame his family suffered at the hand of his ancestor Judge Hathorne. The story came from my heart, as I lived their story along with them.
Diane Foulds, a descendant of one of the victims condemned to death during the Salem Witch Trials, thoroughly researched many of the people involved in the events that led to the execution of 19 innocent victims. I am not a descendant, but these events have fascinated me since childhood, because they were so outlandish and led to such unnecessary tragedy. In this book you will learn about not only the victims, but the ‘afflicted’ young girls whose wild, unfounded accusations and theatrics during the trials convinced the judges that many people were witches. It is easy to connect with each individual, as the book centers on them, to understand why the entire episode was character-driven. It is even easier to sympathize with the victims and appreciate how they suffered.
Salem witchcraft will always have a magnetic pull on the American psyche. During the 1692 witch trials, more than 150 people were arrested. An estimated 25 million Americans-including author Diane Foulds-are descended from the twenty individuals executed. What happened to our ancestors? Death in Salem is the first book to take a clear-eyed look at this complex time, by examining the lives of the witch trial participants from a personal perspective. Massachusetts settlers led difficult lives; every player in the Salem drama endured hardships barely imaginable today. Mercy Short, one of the "bewitched" girls, watched as Indians butchered her parents;…
I’m a fan of all things spooky! I especially love ghost stories, which is probably abundantly clear from my own novels. I’ve been known to frequent old graveyards, seek out haunted places, and sneak into abandoned buildings for inspiration—and the adrenaline rush! This fascination started when I was a young girl and my dad brought me a YA ghost mystery home from the library—every week, he would have the librarian help him pick out books for me, and I would devour the stack immediately, then re-read until the next library day! My favorite ghost stories have a mix similar to what I write—a tension-filled romance combined with a spooky, suspenseful haunting.
Jane-Emily is a YA classic, both a sweet romance and a spooky ghost mystery, set in the early 1900s.
It’s also the book I described in my introduction as the one that made me fall in love with this genre! I first read it when I was about ten, and I immediately recommended it to my best friend, who was also an avid reader. To this day, we are both still scared of those mirrored gazing balls people display in gardens.
When my own children were young, I bought an old paperback on eBay and read it to them, savoring the story that I’ve re-read so many times once again. Even after all these years, Emily’s ghost still delivers chills as she unleashes her wrath on the innocent nine-year-old Jane, and the romance developing between Jane’s young aunt and an old friend of the family plays a part.
Emily was a selfish, willful, hateful child who died before her thirteenth birthday. But that was a long time ago.
Jane is nine years old and an orphan when she and her young Aunt Louisa come to spend the summer at Jane's grandmother's house, a large, mysterious mansion in Massachusetts. Then one day . . . Jane stares into a reflecting ball in the garden—and the face that looks back at her is not her own.
Many years earlier, a child of rage and malevolence lived in this place. And she never left. Now Emily has dark plans for little…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Wallace puts a new spin on witches and witchcraft as she introduces us to a family of witches living in a small New England town.
The Warren witches have used their magic for good and have devoted their skills to protecting and helping the citizens of Evenfall for four hundred years. But when a guest dies at the family B & B, one of the witches becomes a prime suspect.
The main character has a rare talent that lets her commune with ghosts. But her skills are rusty, so she tries using her investigative techniques hoping that her witchy skills will be there if she needs them.
Magical thinking is fun, but the reader can see it’s love and family that’s the true story and the magic here.
When a guest dies in the B&B she helps her aunts run, a young witch must rely on some good old-fashioned investigating to clear her aunt's name in this magical and charming new cozy mystery.
For four hundred years, the Warren witches have used their magic to quietly help the citizens of the sleepy New England town of Evenfall thrive. There's never been a problem they couldn't handle. But then Constance Graves--a local known for being argumentative and demanding--dies while staying at the bed and breakfast Brynn Warren maintains with her aunts. At first, it seems like an accident...but it…
After years of sporadic interest in the 1692 trials, Roach became obsessed with the subject after a 1975 trip to Salem itself. Her resulting history, The Salem Witch Trials: a Day-by-Day Chronicle of a Community Under Siege, called “a virtual encyclopedia of the entire affair,” and “a Bible of the witch trials,” led to her stint as a sub-editor for the Records of the Salem Witch-Hunt, and membership in the Gallows Hill Group that verified the site of the 1692 hangings, one of Archaeology magazine’s Top Ten discoveries of 2016. Her most recent book to date presents biographies of a half dozen of the major players in the tragedy, giving voices to women who, save for the tragedy, would likely have been lost to history.
This collection of contemporary 17th century works covering (mostly New England) witch-related cases before, during and after the 1692 trials was one of the earliest sources I discovered at my local public library back in the early 1960s. It provides a window into the varying reactions people had to the uncanny and what they did about it.
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