Fans pick 100 books like In the Devil's Snare

Nearly a century old now, this was one of the first books to open up this subject for me, and to connect witch-beliefs (and trials) in England and colonial America. It’s more of a collection of essays than a coherent monograph, but they’re thoughtful essays, and, crucially, not excessively lofty. Kittredge was at pains to understand witchcraft in the past rather than judging it from the vantage point of an enlightened present.

They are chapters on image magic, shape-shifting, diagnostic tests, witches’ sabbats, and many other subjects – all discursive explorations, drawing in examples from here and there, and presented in the leisurely style of the gentleman scholar. There’s some strong narrative, too, especially in the chapter on James I, which stands up as an account of how changing thinking about witchcraft, and its relationship to politics and religion, affected policy and legal practice. All in all, it’s stuffed with… show more.

John Putnam Demos remains the “dean” of historians of the Salem witch trials. 

Entertaining Satan remains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.

Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.  

This is another sociologically inflected study, which broadens the context of belief behind witchcraft accusations. Like all the best work of the last forty years, it helps us to grasp the internal logic of witch-beliefs in the minds of intelligent and actually very sophisticated people, rather than falling back on the old chestnuts of hysteria, prejudice and the madness of crowds.

Weisman constantly reminds us that a supposed superstitious consensus (in contrast to the sceptical consensus of the modern world) simply didn’t exist. So much of the furious energy of thinking about witches was generated by disagreement and doubt. We’re also presented with conflicting and complementary opinions about witches, both from below in the neighbourhood, and from above among ministers and magistrates. In the end, as Weisman points out, however enduring beliefs about witchcraft may have been, as a crime it could not survive condemnation of the proofs, including so-called… show more.

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

This new and acclaimed book about the first witch trial in America in 1651 Springfield, Massachusetts, reads like a novel in which two outsiders, Hugh Parsons and his vision-seeing wife Mary (who probably suffered from paranoid schizophrenia or post-partum psychosis) become the target of an entire town. Puritan laws and Old World medieval folk tales contribute to the sense of darkness and foreboding that prevail over the town and its inhabitants, reminding us that New England was a dark land, isolated and full of enemies, hungry and poor and primed to be swept up by diabolical accusations and actions. Read this for a deep understanding of the causes and consequences of the American witch trials. 

This latest compilation of the records of the Salem witch trials is a must for anyone researching any aspect of the trials. 

Its importance lies not only in its comprehensive documentation of the events of 1692, but also in its inclusion of several documents newly discovered since previous publications offering such records. It also provides corrections that have been made in previous collections, dating to the work of the WPA in the 1930s.

The records are arranged chronologically, but also well indexed, along with a general introduction, linguistic introduction, biographical notes, and bibliography.  

This collection of contemporary 17th century works covering (mostly New England) witch-related cases before, during and after the 1692 trials was one of the earliest sources I discovered at my local public library back in the early 1960s. It provides a window into the varying reactions people had to the uncanny and what they did about it.

While I do not agree with all of the author’s conclusions, this book showed me the prevalence of folk-charms in the culture, as well as the psychological reactions humans have to stress that could explain some of what happened with the “bewitched.”

This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.

I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.

The books I love the most are those that deliver on the promise of a big “hook” but also delve deeper in unexpected ways, making me feel excited and satisfied.

Penner’s book is a perfect example. The promise of the complex mystery surrounding the “apothecary murders” is delicious, but how I felt about the characters emotionally was unexpected and kept me turning the pages.