Here are 97 books that The Lost Apothecary fans have personally recommended if you like
The Lost Apothecary.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
A fascinating exploration of the Salem witch trials that illustrates how the New England girls whose accusations lead to the wrongful execution of thirteen innocent women and imprisonment of some two hundred more were victims of war trauma in the Maine woods. During the so-called King Phillip’s War, Puritan immigrants who seized land as part of their Massachusetts Bay Colony Charter waged horrific, brutal battles with Native Americans defending their land from coveters and invaders. Their wives and children were there to witness and suffer it. This book was a key to my greater understanding of the land seizure and other events that led to and fueled the Salem Witch trials.
Award-winning historian Mary Beth Norton reexamines the Salem witch trials in thisstartlingly original, meticulously researched, and utterly riveting study.
In 1692 the people of Massachusetts were living in fear, and not solely of satanic afflictions. Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
This new and acclaimed book about the first witch trial in America in 1651 Springfield, Massachusetts, reads like a novel in which two outsiders, Hugh Parsons and his vision-seeing wife Mary (who probably suffered from paranoid schizophrenia or post-partum psychosis) become the target of an entire town. Puritan laws and Old World medieval folk tales contribute to the sense of darkness and foreboding that prevail over the town and its inhabitants, reminding us that New England was a dark land, isolated and full of enemies, hungry and poor and primed to be swept up by diabolical accusations and actions. Read this for a deep understanding of the causes and consequences of the American witch trials.
*A TIMES, SUNDAY TIMES AND BBC HISTORY HISTORY BOOK OF THE YEAR 2021*
'The best and most enjoyable kind of history writing' Hilary Mantel
'A bona fide historical classic' Sunday Times
Simply one of the best history books I have ever read' BBC History
In the frontier town of Springfield in 1651, peculiar things begin to happen. Precious food spoils, livestock ails and property vanishes. People suffer fits and are plagued by strange visions and dreams. Children sicken and die. As tensions rise, rumours spread of witches and heretics, and the community becomes tangled in a web of spite, distrust…
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I've penned 11 novels and numerous essays, and if there's one thread that ties them all together, it's rawness. I gravitate towards reading books and watching films where writers peel back the layers of their lives, exposing past wounds and delving into what they've learned from them. As an entrepreneur with a master's degree in marketing, I’ve found that this kind of vulnerability is not only compelling but essential in any form of storytelling. Whether I’m crafting a narrative for a new startup or reflecting on my own experiences for a novel, it’s this unfiltered honesty that resonates deeply with audiences.
Westover’s memoir is a fascinating exploration of the clash between ignorance and enlightenment, with a plot twist that involves her eventually realizing she was raised in a real-life survivalist cult. Her journey from a sheltered, isolated upbringing to earning a PhD is nothing short of extraordinary.
But what really hooked me was her biting wit and the way she grapples with the contradictions of loving a family that’s as endearing as they are exasperating. It’s like watching someone untangle a lifetime’s worth of emotional knots, one revelation at a time, and somehow finding humor in the most unexpected places.
Selected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE
'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times
Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
What is there not to love about this novel? Let me count the reasons, if I can, that I did love it:
It's unvarnished, simple, elegant prose. The searing vulnerability of not only the central protagonist but many surrounding characters as well. The theme of family failure but also family triumph. Its resonating depiction of life circumstances and survival collides head-on with legal norms and personal choice.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.
The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
I’ve loved mysteries since I was a kid and became hooked on the Fear Street books by RL Stine. In college, I took a class on suspense and mystery and was introduced to the greats: Chandler, Hammett, Collins, Christie, Doyle… I could go on and on. As I consumed more, I became enamored with mysteries that were more than just stories about victims but also used crime as a vehicle to comment on the region’s social and economic issues. My favorite mysteries are more than the sum of its body parts. They also scrutinize the worlds where these heinous crimes were allowed to occur.
The Black House is a Scottish-based mystery featuring the remote Hebridean island of Lewis. I loved how May captures the essence of this island in this trilogy and uses actual historical and cultural events to weave the plot. Each of the Scottish Isles has its own unique culture, and I love how May explores this through the interactions between the characters from Lewis and mainland Scotland.
I also really enjoyed the character arc and the prodigal-son-esque storyline of jaded detective Fin Macleod returning home. As he solves the murders, he has to face his own dark past.
BOOK ONE IN THE MILLION-SELLING LEWIS TRILOGY. A SUNDAY TIMES BESTSELLER. A RICHARD & JUDY PICK. WINNER OF THE USA'S BARRY AWARD FOR BEST NOVEL OF THE YEAR.
PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES 'One of the best regarded crime series of recent years' Independent
A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith.
A MURDER
Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past.
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
This book is a glorious exhortation to live, even when—especially when!—death is lurking. It takes place in the plague of 1666. I used to have a bizarre fear of the bubonic plague (like I imagined it was in my closet and, if I opened the door, it would escape out into the world), so it’s strange how much I love this book.
I think it’s because Anna, the main character, is such a force. She repeatedly reminds me to connect with the natural world and myself and then to stretch and reach beyond what I thought I was and who I thought I could be. It's magic.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
Like most people, the carefree days of childhood are brought to a halt with the passage of time and the death of loved ones. As a wistful, dreamy, and introspective person, I wished to revisit the past, if only for a moment, to see what my grandparents experienced in their earlier lives. Currently, I’m under the spell of the 1930s and 1940s, and historical fiction books are an engaging way to learn about these marvelous decades.
The Orphan Train is a novel about forgotten and neglected children left to fend for themselves in an antiquated welfare program. The story weaves memories of an old woman with the naiveté of a present-day teenager teaching the reader that everything is not as it appears.
Christina Baker Kline breathes life into a horrible moment of American history making us rip the bandage off, look at our past and see the unexpected silver lining.
“A lovely novel about the search for family that also happens to illuminate a fascinating and forgotten chapter of America’s history. Beautiful.”—Ann Packer
Moving between contemporary Maine and Depression-era Minnesota, Orphan Train is a powerful novel of upheaval and resilience, of second chances, and unexpected friendship.
Between 1854 and 1929, so-called orphan trains ran regularly from the cities of the East Coast to the farmlands of the Midwest, carrying thousands of abandoned children whose fates would be determined by pure luck. Would they be adopted by a kind and loving family, or would they…
I’ve been fascinated by historical fiction since I was a child when I read Number the Stars by Lois Lowry and it absolutely captivated me. I appreciate how history cautions us to examine the present, so we don’t repeat the same injustices. After failing to get a literary agent for not one, but two contemporary novels, I decided to shift my focus to historical fiction. Inspired by dual-narrative structure, I wrote a novel set in both present-day San Francisco and 1876 San Francisco. That book, my debut, The Dressmaker’s Dowry, became a USA Today bestseller. I’ve since gone on to write two more novels, Boardwalk Summer and The Pilot’s Daughter.
This is a heartbreaking, yet uplifting novel of love and survival inspired by real resistance workers during World War II Austria, and the mysterious love letter that connects generations of Jewish families. It takes place in both 1989 Los Angeles and 1938 Austria. I love this book because of Jillian’s beautiful writing, and her strong sense of place. I felt transported to WWII Austria, where I became deeply invested in the love story between Kristoff and Elena. I also enjoyed that the modern-day story takes place pre-internet, where a newly divorced woman, Katie, does hands-on research to learn more about an unusual WWII-era stamp. Both narratives weave together seamlessly. I was lucky to read this book while visiting my family in Switzerland, surrounded by the beauty of the Alps.
“A gorgeous and thrilling novel… Perfect for book clubs and fans of The Nightingale.” –PopSugar
A historical novel of love and survival inspired by real resistance workers during World War II Austria, and the mysterious love letter that connects generations of Jewish families. A heart-breaking, heart-warming read for fans of The Nightingale, Lilac Girls, and Sarah's Key.
Austria, 1938. Kristoff is a young apprentice to a master Jewish stamp engraver. When his teacher disappears during Kristallnacht, Kristoff is forced to engrave stamps for the Germans, and simultaneously works alongside Elena, his beloved teacher's fiery daughter, and with the Austrian resistance…
