56 books like The Blackhouse

While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.

While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers. 

French’s Dublin Murder Squad series introduces readers to the Dublin-based Gardai, who investigate and solve violent crimes in and around Dublin, Ireland. What I love most about this series is that each book follows a different detective within the same unit and their unique relationships with Dublin and the surrounding areas. French explores not just the crime but also the men and women who solve it. I love how these people are flawed, and they make mistakes while doing their jobs. 

In this installment, Rob Ryan returns to the site of his own childhood trauma to investigate a repeat of a twenty-year-old crime. I love a facing-one-demons plot, and this one doesn’t disappoint. 

It may be a cliche but my first experience with nordic noir was The Killing (Forbrydelsen). This Danish TV series in which inspector Sarah Lund goes in search of the murderer of a young girl fascinated me enormously. Not only because of the oppressive atmosphere that grabs you by the throat at times, but also because of the fantastic character development. The series was created by Søren Sveistrup, the author of the equally magisterial The Chestnut Man. The book begins when a young woman is found horribly mutilated in a playground on a chilly October morning. Next to her is a doll made of chestnuts and sticks. When a chestnut man is also found at the scene of a subsequent murder, it is clear that a serial killer is at work.

Peter James is one of the world’s finest crime writers. His books are fast-paced and once you start one of his novels, it’s so difficult to put it down.

His main character, Detective Superintendent Roy Grace, is totally credible and takes the reader right into the heart of British policing. You get to know the most intricate details of murder investigations.

Left You Dead features Niall and Eden Paternoster going to a supermarket just before it closes – but Eden doesn’t come back out. A few days later Niall is arrested on suspicion of her murder. But you know that with Peter James nothing is as it seems and there’ll be a twist that you just won’t expect.

In A Litter of Bones, DCI Logan is sent to investigate a child’s disappearance and is suddenly thrown back to a previous case of a child disappearance and death he was involved in solving. The killer called Mr. Whispers is in prison, so why are children disappearing in the same manner as when he was out? Logan is perplexed. Can his small band of misfit detectives with Police Scotland handle the case? I haven’t read a suspenseful book that made me laugh out loud, and then cry a few pages later like this. The funny Scottish words, the author throws in occasionally like a wee delicious tidbit, were enough to set me laughing, too.

The series continues and still makes me laugh, while unable to turn pages fast enough to find out what happens next. Really, if you want a laugh while reading incredible suspense, you’re going to want… show more.

In this book, the author uses a new character Elvira (her character reappears in subsequent books) who leads the reader forward in the first person, a breakaway from the usual (close) third person in the other books in the series. Her voice is so clear, you can’t help but fall in love with her strange quirks. She is a medical student and trained in body combat. Elvira’s sister has been missing for 59 days and she can’t get the police interested enough to take her seriously. Her sister was an adult after all and left with a packed bag. Anderson and Costello eventually do get involved as more and more young women disappear.

The action in this novel is fast and furious. It left me breathless at times. I had to put the book down and walk away a few times near the end it was that intense.

In this book, the protagonist escapes to modern-day London and uncovers a centuries-old mystery. The story is told in parallel timelines juxtaposing modern-day and Victorian London, and it’s such a cool vibe. I loved how the FMC, Caroline, walks the same roads and travels the same paths as the long-dead apothecary and how their stories of women in a misogynist society mirror each other.  

I loved following Caroline as she pieced together the story of the poisoners and the “crimes” they committed and how she stepped into her own and found her confidence.

I loved visiting the Shetland isles with world-weary police inspector Jimmy Perez. The islands, the unique culture, weather, and the remoteness were such compelling components of the story. I loved how Ms. Cleeves used Scotland as one of her characters. She created this lush and detailed world that’s eerie and uncomfortable, the perfect setting for a murder mystery.

I’m also a sucker for a grumpy detective, and Jimmy Perez is such an understandably jaded character, but he still has a kind, warm heart under his crusty exterior that comes out when he’s interacting with his more novice colleagues and members of the community. 

Grafton takes a rare departure from her usual singular narrative by P.I. Kinsey Millhone, alternating with POVs between “present day (1987)” Kinsey’s investigation and flashbacks by 1953 characters. The case is that of flirtatious Violet Sullivan who disappeared in 1953, leaving behind a young daughter, Daisy, and husband, Foley. Thirty-four years later, Daisy is looking for closure. Did her mother leave of her own volition? Is she still alive and living the good life? Or did she meet with a bad end? The premise of a disappearing mother can take many different paths, and Millhone handles each scenario in turn as she delves deep into the past…all without the aid of a cell phone and internet. 

As a former journalist and magazine editor, I’m all too familiar with the ongoing demise of print media, and so I found myself identifying with protagonist Kate Waters, a journalist fighting to keep her newspaper job by looking for the next big story. Kate thinks she may have found it after reading a short article in her evening newspaper: the discovery of the skeletal remains of a baby at a construction site. 

Skillfully told from multiple POVs, this is as much a book about what could have been as what may—or may not—have happened, and Barton is undeniably equal to the task.