From my list on voice-driven, suck-you-in narrations: both memoir and fiction.
Why am I passionate about this?
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
J.'s book list on voice-driven, suck-you-in narrations: both memoir and fiction
Why did J. love this book?
This book! Condé has based her novel’s titular narrator on a real enslaved woman who was a victim in the Salem witch trials and conjured a first-person account of her life as a free woman born in Barbados to one enslaved in a cold, foreign Massachusetts village.
“I can look for my story among those of the witches of Salem, but it isn’t there,” laments Tituba. She longs for the love of men who don’t deserve her, for the comfort of ancestors far away, for a returned sense of freedom and joy.
I am in love with this magical, tragic story and this defiant narrator full of compassion even when she’s been mistreated terribly.
1 author picked I, Tituba as one of their favorite books, and they share why you should read it.
This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons,'" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that…