10 books like The Devil in the Shape of a Woman

Nearly a century old now, this was one of the first books to open up this subject for me, and to connect witch-beliefs (and trials) in England and colonial America. It’s more of a collection of essays than a coherent monograph, but they’re thoughtful essays, and, crucially, not excessively lofty. Kittredge was at pains to understand witchcraft in the past rather than judging it from the vantage point of an enlightened present.

They are chapters on image magic, shape-shifting, diagnostic tests, witches’ sabbats, and many other subjects – all discursive explorations, drawing in examples from here and there, and presented in the leisurely style of the gentleman scholar. There’s some strong narrative, too, especially in the chapter on James I, which stands up as an account of how changing thinking about witchcraft, and its relationship to politics and religion, affected policy and legal practice. All in all, it’s stuffed with… show more.

While researching and writing My Enemy’s Tears, I found Entertaining Satan on the shelves of a bookstore in New York City. Sure enough, there was a chapter on Mary Bliss Parsons titled Hard Thoughts and Jealousies. A prominent historian studied my 8th great-grandmother’s case and wrote about it. Local gossip was the author’s first subject for exploration—right on, because gossip is what led to Mary’s imprisonment and trial. Demos explores the lives of many accused of witchcraft and the culture that accused them. Anyone interested in the history of women’s lives and the reasons behind the centuries-long belief in witchcraft will love this book.

This is another sociologically inflected study, which broadens the context of belief behind witchcraft accusations. Like all the best work of the last forty years, it helps us to grasp the internal logic of witch-beliefs in the minds of intelligent and actually very sophisticated people, rather than falling back on the old chestnuts of hysteria, prejudice and the madness of crowds.

Weisman constantly reminds us that a supposed superstitious consensus (in contrast to the sceptical consensus of the modern world) simply didn’t exist. So much of the furious energy of thinking about witches was generated by disagreement and doubt. We’re also presented with conflicting and complementary opinions about witches, both from below in the neighbourhood, and from above among ministers and magistrates. In the end, as Weisman points out, however enduring beliefs about witchcraft may have been, as a crime it could not survive condemnation of the proofs, including so-called… show more.

A fascinating exploration of the Salem witch trials that illustrates how the New England girls whose accusations lead to the wrongful execution of thirteen innocent women and imprisonment of some two hundred more were victims of war trauma in the Maine woods. During the so-called King Phillip’s War, Puritan immigrants who seized land as part of their Massachusetts Bay Colony Charter waged horrific, brutal battles with Native Americans defending their land from coveters and invaders. Their wives and children were there to witness and suffer it. This book was a key to my greater understanding of the land seizure and other events that led to and fueled the Salem Witch trials. 

I adored this book as a kid and decided to pick it up and re-read as an adult. I was not disappointed.

I loved it all over again and also gave myself a little pat on the back for having good book taste at a young age.

The witchcraft trial era of early colonial history in the US is so well crafted here with the accuracy of the historical details blended into the evocative setting.

Published in 1958 and a Newberry Medal winner in 1959, it is young adult but I think non-YA readers could easily enjoy it as a compelling variation of the genre.

Sad to admit that I had forgotten a lot of the plot and details. But happy to say, I have benefited from the reread now.

Pitkin writes in a very accessible style. What drew me into this book, in particular, is that he starts the book off with a personal experience. He writes of the incident that turned him from a skeptic into a believer in the paranormal. Intriguing stuff, to be sure ... but this revelation also changed his attitude towards teaching, making him more tolerant of other cultures, and more open to sharing different worldviews with his students. Whereas prior to this experience, he had been dismissive of what he saw as "primitive" beliefs (regarding African belief in witchcraft and the afterlife), he was now more willing to explore alternative belief systems with his students.

This collection of contemporary 17th century works covering (mostly New England) witch-related cases before, during and after the 1692 trials was one of the earliest sources I discovered at my local public library back in the early 1960s. It provides a window into the varying reactions people had to the uncanny and what they did about it.

While I do not agree with all of the author’s conclusions, this book showed me the prevalence of folk-charms in the culture, as well as the psychological reactions humans have to stress that could explain some of what happened with the “bewitched.”

Woodward's biographical approach, and his good fortune in finding a subject who left so much material to peruse, allows readers to come to know early New England in rich detail. Winthrop was a man of wide interests, including alchemy, religion, and medicine, and he used his knowledge to contribute to the physical well being of his neighbors (Native and colonist alike), to steer the Connecticut Colony through political challenges, and to participate in trans-Atlantic scientific exploration. A fascinating read.

This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.