76 books like In The Company Of Witches

This was a book that I picked up because my Mom recommended it. And she struck gold with this one. The book is set in a British retirement community, where a group of old-timers spend their time trying to solve cold cases. But over the course of the book, they get themselves caught up in one very hot case. 

The POV shifts between different characters, who all have interesting voices and skill sets.

I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.

In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.

This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor. 

Who can resist a three-book series set in the Scottish Highlands? Travers does not disappoint we lovers of all things Scottish.

She sets this book in Edinburgh, 1911. The main character does something uncommon for women to do at that time—she takes a family inheritance and opens a detective agency. She also brings along Daisy, her lady’s maid.

When their first case leads them into the Highland society, the Duchess of Duddington employs them to ferret out a jewel thief. They go undercover to hunt for the thief, but soon realize they are hunting for a killer. This book blended the political and cultural reality of the day, but did it seamlessly.

I learned a few things while following Maud and Daisy around that fancy house in the Highlands. 

Written in the style of M.C. Beaton, this book is a perfect English murder mystery.

The idea of a village fete itself has always been alluring to me. I put myself in the story and I’m right at home in the village and celebration at Berrywick House. I blame my British DNA. As in any good cozy, the most irritating member of the community ends up dead, and no exception here.

The main character, Julia, is not only concerned with a murder—or two, but she’s also afraid their peaceful village will be forever ruined. Like all great amateur sleuths, she gets involved. Bird paints a picture of a perfect English village. Add a dog, her Labrador, Jake, and well, sign me up.

Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading. 

Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.  

I love stories that are based on legends, myths, and folklore. This one is the latter.

Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!

Isn’t it wonderful when you pick up the right book at the right time? That’s exactly how I felt about this book.

I inhaled this novel, reading it in just a few sittings over two days. I loved how the three female protagonists were linked through time by their connection to Weyward Cottage and their exceptional connection to nature.

This novel moves effortlessly between points of view in 1619, 1942, and 2019. Hart ties the three women’s stories together beautifully at the end, making this read as satisfying as a perfect cup of tea on a cold winter’s day.

Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).

Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.

You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.

The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!

As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.

When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.

Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.

He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.

Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.