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A Village Fete Murder.
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I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
Now I’m torn. Agnes Sharp and her housemates are delightful, but a friend of mine tells me that I am Joyce in this book. This series is one of the best I’ve read in the past few years, and this book is one of the best ones in the series.
I’ll gladly join septuagenarians Elizabeth (could she have worked for Scotland Yard?), Ibrahim (a psychologist), Ron (a brawling socialist organizer), and Joyce (gentle and perhaps not as naïve as she seems) at their posh retirement village as they discuss unsolved crimes each Thursday. And I’m definitely there to solve the murder of that local developer. No way the villain will get away from this brilliant gang of sleuths.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.
In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.
This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor.
Glitzy parties, sightseeing at the Statue of Liberty and strolls through Central Park with Gladstone the bulldog… Lady Eleanor Swift is loving her first trip to the city that never sleeps, until she witnesses a murder!
After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party too.
But when she witnesses the charming doorman of her…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Wallace puts a new spin on witches and witchcraft as she introduces us to a family of witches living in a small New England town.
The Warren witches have used their magic for good and have devoted their skills to protecting and helping the citizens of Evenfall for four hundred years. But when a guest dies at the family B & B, one of the witches becomes a prime suspect.
The main character has a rare talent that lets her commune with ghosts. But her skills are rusty, so she tries using her investigative techniques hoping that her witchy skills will be there if she needs them.
Magical thinking is fun, but the reader can see it’s love and family that’s the true story and the magic here.
When a guest dies in the B&B she helps her aunts run, a young witch must rely on some good old-fashioned investigating to clear her aunt's name in this magical and charming new cozy mystery.
For four hundred years, the Warren witches have used their magic to quietly help the citizens of the sleepy New England town of Evenfall thrive. There's never been a problem they couldn't handle. But then Constance Graves--a local known for being argumentative and demanding--dies while staying at the bed and breakfast Brynn Warren maintains with her aunts. At first, it seems like an accident...but it…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
Who can resist a three-book series set in the Scottish Highlands? Travers does not disappoint we lovers of all things Scottish.
She sets this book in Edinburgh, 1911. The main character does something uncommon for women to do at that time—she takes a family inheritance and opens a detective agency. She also brings along Daisy, her lady’s maid.
When their first case leads them into the Highland society, the Duchess of Duddington employs them to ferret out a jewel thief. They go undercover to hunt for the thief, but soon realize they are hunting for a killer. This book blended the political and cultural reality of the day, but did it seamlessly.
I learned a few things while following Maud and Daisy around that fancy house in the Highlands.
‘Had me hooked… Loved!’ ⭐⭐⭐⭐⭐ ‘Delightful… Kept me on the edge of my seat’ ⭐⭐⭐⭐⭐ ‘Wonderful… Had me giggling’ ⭐⭐⭐⭐⭐ ‘I really loved this… Fantastic’ ⭐⭐⭐⭐⭐ ‘I absolutely adored this… Brilliant’ ⭐⭐⭐⭐⭐
Move over Holmes and Watson, there’s a new detective duo in town!
Edinburgh, 1911: When headstrong Maud McIntyre decides to pour her inheritance into starting her very own detective agency, she asks her lady’s maid, Daisy, to form The Scottish Ladies’ Detective Agency. After all, she knows they have a better brain for these things than most men!
Maud and Daisy never dreamed that their first case would…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
I love a good page-turning thriller, but to keep my interest, there has to be more than thrills and spills – I want characters I care about too.
The heroine here, unusually, is a teenage girl, who’s funny, smart, and stroppy, but at the same time vulnerable and scared. She teams up with a nosy elderly lady who proves to have hidden depths and as they find themselves in a terrifying situation and tackle some seriously bad villains, I was rooting for them all the way.
'FAST PACED AND GRIPPING BUT WITH A HEART OF PURE GOLD' HARRIET TYCE 'BEGINS AT THE SPEED OF A RUNAWAY TRAIN ... PROPULSIVE PAGE-TURNER' VASEEM KHAN 'GO RUBY! WHAT A HERO!' FIONA ERSKINE
It takes a village to save a child in this pulse-pounding standalone thriller from the acclaimed author of The Man on the Street.
It wasn't her dad they were after. It was her.
Ruby Winter is surprised when her reclusive father invites a stranger into their house. She eavesdrops on their conversation and is alarmed when she hears a fight break out. She dashes into the kitchen…
I am the author of the DI Winter Meadows series. I love reading and writing crime fiction, especially books set in rural locations. I live in South Wales where I go hiking mountains, exploring caves, and discovering waterfalls. I take inspiration from these remote areas and close-knit communities to create the settings, characters, and plots for my books.
This was the first book I read by Sharon Bolton and it got me hooked on this author.
The book draws you into the lives of the residents of a small village where beneath the idyllic setting lurks secrets and malice. We follow newcomer Clara, a local vet, who is called upon when poisonous snakes turn up in the residents’ homes. The book has a brooding atmosphere which will leave you checking under the bed before you sleep.
Clara Benning, a veterinary surgeon in charge of a wildlife hospital in a small English village, is young and intelligent, but nearly a recluse. Disfigured by a childhood accident, she generally prefers the company of animals to people. But when a local man dies following a supposed snakebite, Clara's expertise is needed. She's chilled to learn that the victim's postmortem shows a higher concentration of venom than could ever be found in a single snake—and that therefore the killer must be human.
Assisted by a soft-spoken neighbor and an eccentric reptile expert, Clara unravels sinister links to an abandoned house,…
I'm a British author, a USA Today bestseller, scribbling stories since I was 13 but became a published author in the 1990s when I was 40 with a retelling of the King Arthur legend set in the post-Roman 5th century. I then wrote two novels concerning the pre-Norman Conquest era, and am currently writing a cozy mystery series set in the 1970s. I also love tall ships and the sea, particularly the Golden Age of Piracy (diverse subjects, I know!) I enjoyed the first Pirates of the Caribbean movie, wanted to read something similar – fun, fantasy, and for adults, but couldn’t find anything... so wrote my own.
Maybe not a 'murder mystery' in the typical sense of Agatha Christie, but this is a delightful, cozy read, ideal for an afternoon snuggled before a blazing fire (wine and chocs to hand) or for lazing on a sunny beach (plus wine – maybe not the chocs). As someone living in a small Devonshire village I look forward to our annual summer show (hopefully without a corpse hidden anywhere!) I thoroughly enjoyed the rural background of this delightful little tale. Don't take the murder-to-solve element too seriously, instead, enjoy the lives of charming and quirky English Cotswolds’ characters, and the events that unfold around them in this, the first, of a highly enjoyable series. We need more entertaining cozy mystery novels like this series!
When Sophie Sayers inherits a cottage in a sleepy English Cotswold village, she's hoping for a quieter life than the one she's running away from.
What she gets instead is a dead body on a carnival float, and an extraordinary assortment of suspects.
Is the enigmatic bookseller Hector Munro all he seems?
And what about the over-friendly neighbour who brings her jars of honey? Not to mention the eccentric village shopkeeper, show committee, writers' group and drama club, all suspiciously keen to welcome her to their midst.
If you love M C Beaton's Agatha Raisin and Hamish Macbeth series, you'll…
As someone who loves my work, I’ve noticed that in fiction when a woman is successful at her career, often that career mainly functions as a source of guilt or stress. Fictional working women spend a lot of time second guessing their choices, and, hey, it is hard to balance work and family. Women are torn in multiple directions. But I also believe it’s okay to love your job. It’s okay to find joy in it and to not beat yourself up. I find deep satisfaction in writing, and I enjoy reading about characters who know the rush of doing a job well.
Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.
Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.
This beautiful portrait of a family in a fishing village in Maine is "a fresh look at marriage, motherhood, and the wondrous inner lives of teenagers. A truly beautiful and unforgettable love story of a family on the brink” (Lily King, author of Writers & Lovers). A must-read from the critically acclaimed author of Elsey Comes Home.
“I loved Landslide. You are right there with them in a fishing village in Maine, feeling the wind, the sea, the danger. Smart, honest, and funny, this is a story you won't forget.” —Judy Blume, best-selling author of In the Unlikely Event
I have a great interest in personal stories, well written. My memoir, The Full Catastrophe, was published in 2016. I wanted an answer to my own question “How could a well-educated, intelligent woman marry an abusive man?” Writing allowed me to find my answers. From that time on, I have taught people to write their own memoirs, have lectured on memoir, facilitated group discussions on memoir, and written articles on memoir. I am now in the process of writing another memoir.
I read this book for two reasons—I have two adopted siblings and I am in the midst of writing a memoir about growing up in a rural Ontario village in the 50s and 60s. Petrie tells of her own experience as an unwed mother and the stories of six other women she has managed to locate after all this time, who talk about their experiences of being young and pregnant in the 50s and 60s. At that time, unwanted pregnancies brought shame onto the girl herself and her family, so they had to be carefully hidden. Often the girl was sent to a mother and baby home run by churches and the Salvation Army, where judgment dictated the responses to these girls. Petrie breaks through her own desire to remain separate from the other girls to tell an honest and heartbreaking story of what life was like in…
Thirty or forty years ago, everybody knew what that phrase meant: a girl or a young, unmarried woman had gotten herself pregnant. She was “in trouble.” She had brought indescribable shame on herself and her family. In those days it was unthinkable that she would have her child and keep it. Instead she had to hide. Most likely she would be sent away to a home for unwed mothers, where she would stay in secrecy until her baby was born and given up for adoption. “Gone to an aunt’s” was the usual cover story, a fiction that everyone understood but…
I’ve always loved writing comedy, since my first attempt at a joke in the school magazine. I never thought I’d get to do it professionally but somehow, through cheek and luck, I found myself as a comedy scriptwriter for the BBC, penning lines for the likes of Lenny Henry and Tracey Ullman. I’ve since gone on to have a career writing more grown-up things but nothing gave me as much pleasure as creating those lines. So I’ve returned to my comedic roots, writing comic novels. And it’s still a thrill to know I’ve written words that make people laugh.
I’ll never understand why humorous writing is less respected than the more literary kind. Yet, I believe creating characters that are both convincing and amusing and steering them through a complicated plot–without letting the humour flag–takes great skill. For me, this is what the author Stevyn Colgan achieves in his South Herewardshire books, the first of which is A Murder to Die For.
I found the laughs just kept on coming as farce piled upon farce. As well as giving me a good chuckle, I relished the rural setting, a touching reminder of the splendors and eccentricities of English village life that I, for one, would be sad to lose.
When hordes of people descend on the picturesque village of Nasely for the annual celebration of its most famous resident, murder mystery writer Agnes Crabbe, events take a dark turn as the festival opens with a shocking death. Each year the residents are outnumbered by crowds dressed as Crabbe's best-known character, the lady detective Millicent Cutter.
The weekend is never a mild-mannered affair as fan club rivalries bubble below the surface, but tensions reach new heights when a second Crabbe devotee is found murdered. Though the police are quick to arrive on the scene, the facts are tricky to ascertain…
