Here are 100 books that Revolution in the Head fans have personally recommended if you like
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The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
Rolling Stone magazine chose Love Me Do: the Beatles Progress as the best of all the Beatles’ books which is a little unfair because it barely moves beyond 1963. On the other hand, it’s a riveting, eye witness account (author Michael Braun was a journalist embedded with the Beatles on some of their first tours) and it covers the first blast of Beatlemania, the screaming fans, and of course their legendary appearance on the Ed Sullivan show in February of 1964.
Rolling Stone magazine named this the #1 Beatles Book. It is the classic behind-the-scenes story of The Beatles first British tour. The year is 1963. 'Love Me Do' is The Beatles first hit single, closely followed by 'Please Please Me,' which reached No. 1. John, Paul, George, and Ringo celebrate their newfound success with a hectic six-week tour, briefly interrupted by a historic live appearance at the Royal Variety Performance at the London Palladium.
It is the beginning of Beatlemania, and American writer Michael Braun is there as the drama unfolds. Eavesdropping on The Beatles' private conversations. Recording every last…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
The author is the thing here. Geoff Emerick was the sound engineer at Abbey Road Studios during the recording of the later Beatle albums – Sgt. Pepper, the White Album, and, yes, Abbey Road. Of course, every Beatle fan knows that George Martin was the Beatle’s producer but it was Emerick who set up the microphones and the tape loops. It was Emerick who captured Ringo’s drumming the best (pillow in the bass drum) and to a large degree, it was he who helped the Beatles shape their legendary sound.
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
The Love You Make is pure pop pablum. It’s almost tabloid-like in its recounting of the Beatle’s relationships, their drug use, and their many petty squabbles. Written by Brian Epstein’s assistant (Brian Epstein, of course, was the Beatles’ manager), Brown has some stories to tell. Full of photos too. This one’s a lot of fun if you don’t take it too seriously.
Here is the national bestseller that Newsday called “the most authoritative and candid look yet at the personal lives…of the oft-scrutinized group.” In The Love You Make, Peter Brown, a close friend of and business manager for the band—and the best man at John and Yoko’s wedding—presents a complete look at the dramatic offstage odyssey of the four lads from Liverpool who established the greatest music phenomenon of the twentieth century. Written with the full cooperation of each of the group’s members and their intimates, this book tells the inside story of the music and the madness, the feuds and…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
Like none of the others, Dreaming the Beatles is more like a series of reflections from someone who came along well after the Beatles. The book was published in 2017 and it’s a fond look back at what still remains. Not so much a direct history as a sort of compendium of remembrance with chapters like “The Importance of Being Ringo” or “The Cover of Abbey Road.” A distinct pleasure to read.
An NPR Best Book of the Year • Winner of the Virgil Thomson Award for Outstanding Music Criticism
“This is the best book about the Beatles ever written” —Mashable
Rob Sheffield, the Rolling Stone columnist and bestselling author of Love Is a Mix Tape offers an entertaining, unconventional look at the most popular band in history, the Beatles, exploring what they mean today and why they still matter so intensely to a generation that has never known a world without them.
Dreaming the Beatles is not another biography of the Beatles, or a song-by-song analysis of the best of John…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
Howard Goodall is one of those authors who explains things incredibly clearly.
I found this book an eye-opener, a way into a deeper understanding of music, and a book to have by my side, to dip into whenever I needed to get an idea straight of understand a concept. Because he writes in such an accessible manner, the complexity of music becomes clearer. There are eye-opening facts, historical stories, and facts alongside well written and informative passages.
Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly complex.
In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation-harmony, notation, sung theatre, the orchestra, dance music, recording-strikes us with its original force. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant,…
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
Published in 1968, this is the only authorised biography of the Beatles.
Davies was in the room when Lennon and McCartney were songwriting, providing insights worth the price of admission alone. He could have interviewed more of the outriders but on the other hand, this is a brilliant account of their claustrophobic world.
There's only one book that ever truly got inside the Beatles and this is it. The landmark, worldwide bestseller that has grown with the Beatles ever since.
During 1967 and 1968 Hunter Davies spent eighteen months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to friends, family and colleagues. There when it mattered, he collected a wealth of intimate and revealing material that still makes this the classic Beatles book…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I knew that Phil Spector had a reputation for being mercurial (and that he was in prison for murder), but I never realized how off the rails he really was. I also never realized how many people he’d worked with—both as a producer and just as a guy who was trying to network his way into the business. I knew about his “girl groups,” about his work with the Beatles and some of their solo projects, and about his work with the Ramones, but I didn’t realize that he was very good friends with Ahmet Ertegun of Atlantic Records and that he saw Berry Gordy of Motown as one of his biggest competitors. Overall, a bizarre, tragic life, but an interesting read with a lot of information about some of the big names in rock history that Spector encountered.
A stunning biography of "pure self-interest and cruelty, tempered only slightly by the great musical achievements of Mr. Spector's golden age in the early 1960s" (The New York Times).
He had a number one hit at eighteen. He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after…
For more than five years, we’ve been asking ourselves a question: How? How did Mister Rogers help millions of kids feel accepted, special, and safe? Was there a method to what he did? Was there a blueprint he left behind—one that we might continue to learn from today? The answer, of course, is yes. In fact, we’re only scratching the surface of what we can learn from Fred Rogers and the incredible educators, researchers, and authors who are following in his footsteps. We hope you’ll find echoes of the Neighborhood—and the feelings that Fred inspired—in each of the books we’ve listed here.
This book combines a few of our favorite things: creativity, collaboration, and…The Beatles?!
Using one of the best albums of all time—Sgt. Pepper’s Lonely Hearts Club Band—author Sean Gaillard shows educators what it takes to build the kind of school that every child deserves. Can you imagine walking into a schoolhouse that’s bursting with the energy of Sgt. Pepper?
Gaillard shows it’s possible, and he makes sure we have some fun along the way.
Make Your School a Masterpiece Can you imagine starting a school day with the festive, circus-like nature of the Beatles’ music? That kind of positivity, says author–educator Sean Gaillard, is the attitude “all schoolhouses must be rooted in, as we are in the collective agency for world-changing work.” In The Pepper Effect, Gaillard uses Sgt. Pepper’s Lonely Hearts Club Band by The Beatles as a template for inspiring the educators and principals to become more positive, innovative, creative, and collaborative—and for encouraging students to do the same. The book explores the four steps necessary for creating the conditions for motivation,…
I was born in 1970. From my earliest memory there was music. But it’s never been just about the music, I have a natural curiosity for the people who make that music. The artist on the album cover, but also the side musicians, the producers, engineers, and promoters. I’m also fascinated by the roadmap from blues to rock to Laurel Canyon to disco to punk and on and on. Real music infuses and informs the fiction I write — by reading real-life accounts and listening to the songs, I’m put in the world from which it was all born.
I love the idea of taking a very specific time period, in this case one year, and parsing out what happened within an art form. The evolution of pop music in 1971 was changing both the industry and the world. Throughout 12 months, we see the same characters weaving in and out — Carol King, Van Morrison, Marc Bolan, David Bowie, Joni Mitchell, Mick Jagger — and the way they came together and pushed apart is its own year-long miniseries. To get at how art and industry cohabitate, and how we got to the pop culture machine we know today, there is no better crash course than 1971.
The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+.
A rollicking look at 1971, rock’s golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Year’s Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
What happened to the individual members of the Beatles in the years after the group dissolved? Many books have been devoted to that part of their saga, but few gripped me as much as this detailed, well-researched story of McCartney and his band Wings. Written with the cooperation of Macca—who gave several interviews to Doyle—Man on the Run makes you realize how chaotic, unstable, and (to use a period phrase) wild and crazy Wings were, despite the banality of some of their music. In that regard, it’s a perfect Seventies story: Beneath the seemingly mellow vibes and image lie a far more turbulent saga, reflecting the way McCartney himself repeatedly grappled with redefining himself after his tenure in arguably the greatest pop group of all time.
The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period…
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