I was born in 1970. From my earliest memory there was music. But itās never been just about the music, I have a natural curiosity for the people who make that music. The artist on the album cover, but also the side musicians, the producers, engineers, and promoters. Iām also fascinated by the roadmap from blues to rock to Laurel Canyon to disco to punk and on and on. Real music infuses and informs the fiction I write ā by reading real-life accounts and listening to the songs, Iām put in the world from which it was all born.
Growing up in Memphis, I heard a lot about Elvis Presley. From there, it was just a side step to Sun Studio and Carl Perkins, Johnny Cash, and Jerry Lee Lewis. But there was this place across town ā Stax. It was in a place called Soulsville, and it was magical. An old movie theater where Blacks and whites came together in the 1960s and ā70s to make some of the best music anywhere ā soul music. Not the polished sounds of Motown, but gritty, stirring music from the gut. In my writing a fictional world of music, the very real world of Otis Redding, Carla Thomas, Booker T. & the MGās, and so many others provided inspiration against a backdrop of exultation, innovation, beauty, and tragedy.
The story of Stax Records unfolds like a Greek tragedy. A white brother and sister build a record company that becomes a monument to racial harmony in 1960's segregated south Memphis. Their success is startling, and Stax soon defines an international sound. Then, after losses both business and personal, the siblings part, and the brother allies with a visionary African-American partner. Under integrated leadership, Stax explodes as a national player until, Icarus-like, they fall from great heights to a tragic demise. Everything is lost, and the sanctuary that flourished is ripped from the ground. A generation later, Stax is rebuiltā¦
I love the idea of taking a very specific time period, in this case one year, and parsing out what happened within an art form. The evolution of pop music in 1971 was changing both the industry and the world. Throughout 12 months, we see the same characters weaving in and out ā Carol King, Van Morrison, Marc Bolan, David Bowie, Joni Mitchell, Mick Jagger ā and the way they came together and pushed apart is its own year-long miniseries. To get at how art and industry cohabitate, and how we got to the pop culture machine we know today, there is no better crash course than 1971.
The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+.
A rollicking look at 1971, rockās golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history
The Sixties ended a year late. On New Yearās Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this wasā¦
Doctors at War: The Clandestine Battle against the Nazi Occupation of France takes readers into the moral labyrinth of the Occupation years, 1940-45, to examine how the medical community dealt with the evil authority imposed on them. Anti-Jewish laws prevented many doctors from practicing, inspiring many to form secret medicalā¦
I was writing my novel in 2013, but 20 years earlier Iād picked up a book by the jazz drummer Arthur Taylor. I didnāt realize how much it influenced me until I went back to it again and again as I worked to get dialog and cadence and the āfeelā of jazz on paper. I prefer memoirs because I want to hear the shorthand, slang, and shortcuts artists take. This book has that and more. Taylor interviews the best of the best ā Ornette, Roach, Dizzy, Nina. I like to think had my protagonist been real, heād have been included in this list. I owe a lot to this book and if youāre looking to learn not just about jazz music, but jazz culture and life, this is a great start.
Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held withā¦
Want to write about music and musicians? Youāll need to understand the world in which they live. And if youāre writing about jazz and rock ānā roll in the middle of the last century, that means a segregated, ugly world where even the most talented were treated as less than human. This was the world of the Chitlinā Circuit. A dangerous, exciting, lawless network of nightclubs and juke joints from Memphis to New Orleans, Houston to Indianapolis, this topography spawned the popular music we love today. And nobody brings it to life like Lauterbach, whose reporting and language are as intense and musical as the era itself.
For generations, "chitlin' circuit" has meant second tier-brash performers in raucous nightspots far from the big-city limelight. Now, music journalist Preston Lauterbach combines terrific firsthand reportage with deep historical research to offer a groundbreaking account of the birth of rock 'n' roll in black America.
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United Statesā¦
Quincy Jones knows everybody. Heās worked with everybody. To study the life of Quincy Jones is to study popular music as we know it today. From jazz to soul to R&B to pop, Q has had a hand and a tapping toe in all genres and the lives of those who produced it. His love and passion for music of any genre are infectious. Iāve always been interested in not just the music itself, but in how itās made, why itās made, and who makes it, and this autobiography pulls back the curtain on it all.
Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks.
Quincy Jones grew up poor on the mean streets of Chicagoās South Side, brushing against the law and feeling the pain of his motherās descent into madness. But when his father moved the family west to Seattle, heā¦
Legendary jazz pianist Oliver Pleasant finds himself alone at the end of his career, playing his last five shows, hoping the music will reunite his estranged family. Journalist Frank Severs, middle-aged, out-of-work, is at a crossroads as hope and marriage grind to a standstill. And piano prodigy Agnes Cassady grasps a dream before a debilitating disease wrenches control from her trembling fingers.
When Frank and Agnes visit New York, the force of Oliverās music pulls them together. Over the course of five nights, they reflect on their triumphs and sorrows: family, regret, secrets. Their shared search for meaning and direction creates a bond that just might help them make sense of the past, find peace in the present, and muster the courage to face the future.
Act Like an Author, Think Like a Business
by
Joylynn M Ross,
Act Like an Author, Think Like a Business is for anyone who wants to learn how to make money with their book and make a living as an author. Many authors dive into the literary industry without taking time to learn the business side of being an author, which canā¦
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,ā¦