47 books like Respect Yourself

Want to write about music and musicians? You’ll need to understand the world in which they live. And if you’re writing about jazz and rock ‘n’ roll in the middle of the last century, that means a segregated, ugly world where even the most talented were treated as less than human. This was the world of the Chitlin’ Circuit. A dangerous, exciting, lawless network of nightclubs and juke joints from Memphis to New Orleans, Houston to Indianapolis, this topography spawned the popular music we love today. And nobody brings it to life like Lauterbach, whose reporting and language are as intense and musical as the era itself.

I love the idea of taking a very specific time period, in this case one year, and parsing out what happened within an art form. The evolution of pop music in 1971 was changing both the industry and the world. Throughout 12 months, we see the same characters weaving in and out — Carol King, Van Morrison, Marc Bolan, David Bowie, Joni Mitchell, Mick Jagger — and the way they came together and pushed apart is its own year-long miniseries. To get at how art and industry cohabitate, and how we got to the pop culture machine we know today, there is no better crash course than 1971.

I was writing my novel in 2013, but 20 years earlier I’d picked up a book by the jazz drummer Arthur Taylor. I didn’t realize how much it influenced me until I went back to it again and again as I worked to get dialog and cadence and the ‘feel’ of jazz on paper. I prefer memoirs because I want to hear the shorthand, slang, and shortcuts artists take. This book has that and more. Taylor interviews the best of the best — Ornette, Roach, Dizzy, Nina. I like to think had my protagonist been real, he’d have been included in this list. I owe a lot to this book and if you’re looking to learn not just about jazz music, but jazz culture and life, this is a great start.

Quincy Jones knows everybody. He’s worked with everybody. To study the life of Quincy Jones is to study popular music as we know it today. From jazz to soul to R&B to pop, Q has had a hand and a tapping toe in all genres and the lives of those who produced it. His love and passion for music of any genre are infectious. I’ve always been interested in not just the music itself, but in how it’s made, why it’s made, and who makes it, and this autobiography pulls back the curtain on it all. 

Me and a Guy Named Elvis is a book I couldn’t put down. My sister and I took a road trip to Graceland years ago and ever since we’ve been a bit fascinated by Elvis. Jerry is a regular guy who happens to meet Elvis right before he becomes a star. Jerry is several years younger, but that doesn’t matter. What ensues is a decades-long friendship that takes Jerry on many adventures -- some out of this world and some heartbreaking. It’s an inside look at Elvis the superstar as well as Elvis the “regular guy.”

When my wife and I moved to Nashville, I was stunned to realize that most forms of American popular music had been born within 500 miles of our new home, in an arc from New Orleans (jazz) to the Mississippi Delta (blues) to Memphis (rock ’n’ roll) to Nashville (bluegrass) to Bristol (country). 

I began reading eagerly about American popular music, and my reading led to writing—most recently my novel about the birth of country music, Lord of the Mountain. This list gives you some of my favorite books.

The best of these is also one of my favorite biographies of any kind, Peter Guralnick’s magnificent Last Train to Memphis, the first volume of his essential two-volume story of Elvis Presley and the birth of rock ’n’ roll.

This story had so much unique and charismatic personality! The characters leapt off the pages, and their “dilemma” created an irresistible hook.

Davis is about to graduate from college and has yet to lose her virginity. She turns to the one man she’s wanted for the job, her childhood crush, lifelong family friend, best friend to her brother, and bad boy extreme, Crew Taylor. These two have an intense history together that involved Davis’s older brother Memphis, and this relationship and how Memphis fell into addiction, dragging Crew down with him, was beautifully crafted by the author and the highlight of the story for me.

The angsty buildup between these two people who clearly were destined for each other was incredibly satisfying! I was on the edge of my seat, rooting so hard for Crew to overcome the demons of his past and just let Davis into his heart. I… show more.

I read two great memoirs for a panel I moderated about daughters and fathers. At the event, I enjoyed watching Leslie Absher and Leta McCollough Seletzky meet and realize how much they had in common.

Both authors had dads who kept secrets— big, political secrets. Leta Seletzky’s dad worked as an undercover officer for the Memphis Police Department in the 1960s: he was “The Kneeling Man” in the famous photograph taken after King’s death. 

This may sound odd, but I related to Leta Seletzky’s emotional tale of how she gradually got to know her father, as an adult, by uncovering the many layers of his life story. 

For my money, Stern is the South’s premiere literary comic writer. In this one, he is a Southern Philip Roth with an I.B. Singer twist. A teenage boy discovers a frozen rabbi in the Kelvinator inside his parent’s Memphis basement. The rabbi’s been frozen for one hundred years. Bernie thaws him and what ensues covers a universe of incident: teenage hope and angst, Talmudic wisdom, kabbalistic film-flammery, the seduction of all of Memphis, from lowlifes to elite, by a rabbi (who can fly) selling himself as the font of all magic and knowledge. Stern obviously loves his Memphis and his Jews. At the same time he skewers them with the sleekest wit. Even Israel gets a gratuitous knock. It was the only thing I did not like in the book but it was fleeting, so I got over it. Such is the power of genius.

One of many of “the queen’s” paranormal/magical series, these novels—Blue Dahlia, Black Rose, and Red Lily—also date back nearly two decades. I was especially drawn by the historical mystery, featuring the mournful ghost of a woman who’s been haunting a family home for centuries. Roberts skillfully draws the intrigue through the series featuring three strong women tied together by a gardening business. In the first book, Blue Dahlia, we meet determined, successful Roz Harper, who owns the family business, and her new employees. Stella is a young widow and Hayley a single, expectant mother. As their stories weave throughout the trilogy, we’re treated to romances and the linking thread of the spooky, historical mystery.