Here are 95 books that Country fans have personally recommended if you like
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I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readersā Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
Howard Goodall is one of those authors who explains things incredibly clearly.
I found this book an eye-opener, a way into a deeper understanding of music, and a book to have by my side, to dip into whenever I needed to get an idea straight of understand a concept. Because he writes in such an accessible manner, the complexity of music becomes clearer. There are eye-opening facts, historical stories, and facts alongside well written and informative passages.
Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly complex.
In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation-harmony, notation, sung theatre, the orchestra, dance music, recording-strikes us with its original force. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant,ā¦
Writing about history came to me rather late in life and I suppose itās because the past now looks more inviting than the future. But thereās more to it than that. Everything has a history; itās a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now Iāve just finished my fifth book.
I was fortunate enough to be able to share a pint with Malachy McCourt some time ago at The Plough & the Stars in Philadelphia where he was promoting this book.
A delightfully true Irishman, he was full of fatalist humor and irony, bringing to mind the famous quote by G.K. Chesterton from his epic poem The Ballad of the White Horse:
āThe great Gaels of Ireland are the men that God made mad,
For all their wars are merry, and all their songs are sad.ā
And āDanny Boyā is truly a sad song, but there is one enormous flaw regarding its Irishness: it was written by an Englishman who never set foot in Ireland. Frederick Wetherly, a barrister by day, and a lyricist by night, was asked by his sister-in-law to put words to a beautiful tune she had heard. He did, and the song became an enormous hit.ā¦
Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He tracesā¦
Writing about history came to me rather late in life and I suppose itās because the past now looks more inviting than the future. But thereās more to it than that. Everything has a history; itās a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now Iāve just finished my fifth book.
The Twelve Days of Christmasāan enigma, wrapped in a mystery, perched in a pear tree. It is open to interpretation as to exactly what this exotic piece of holiday music actually means, but Reverend Mark Lawson-Jones gives us an entertaining and educated guess: the French word for partridge was misheard by English ears giving us āpear tree.ā
And that is one of an assortment of Christmas tunes whose backgrounds are brought to light in this fascinating book devoted to uncovering some of the oldest and dearest songs of the season.
It also brings into perspective the social aspects and traditions inherent in the time period from where the songs originated.
Why was the partridge in the pear tree? Who was Good King Wenceslas? And what are the pagan origins behind 'The Holly and the Ivy'? Discover the hidden stories behind our best-loved Christmas carols, from their earliest incarnations in the Middle Ages and their banning under the Puritans to the wassailing traditions of the nineteenth century and the carols that united soldiers on the Western Front during the First World War. This fascinating book charts the history of one of Christmas' longest-running traditions and is sure to appeal to all those who love the festive season.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorāand only womanāon a remote Everest climb in Tibet.
Writing about history came to me rather late in life and I suppose itās because the past now looks more inviting than the future. But thereās more to it than that. Everything has a history; itās a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now Iāve just finished my fifth book.
This is an absolute must for anyone interested in almost any musical genre.
Now in its fifth edition, it takes on the arduous task of sifting through the back stories of over 1,000 of the most familiar tunes through 500 years of musical history.
A more recent, albeit still antique reference, is the story of how āJingle Bellsā came to be, and the controversy regarding where it was actually, written; the snow-covered streets of Medford, Massachusetts, or the live oak-lined thoroughfares of Savanah, Georgia.
This classic, painstakingly researched compilation of music information, newly revised and enlarged, analyzes nearly 1,000 of the world's most familiar melodies, tracing them back to their original printed sources. Here in one convenient volume are the composers, lyricists, copyright date, first lines of music, lyrics, physical condition of first editions, and other data on a tremendous range of compositions, including We Shall Overcome, Haydn's Surprise Symphony, The Well-Tempered Clavier, There's No Business Like Show Business, Silent Night, Pictures at an Exhibition, Schubertās Ave Maria, and many more. 30 black-and-white illustrations.
As the Director of the Center for Texas Music History at Texas State University, Iām excited to stay on top of all thatās being done in the field of Texas Music and let me assure you that it is a great way to spend oneās days. Texas music and culture reflect the stateās diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelsonās Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willieās picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And heād do it in July: not the hottest part of the Central Texas summer, but ādamn sure close enough,ā according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.
I am a storyteller, a radio producer, and a psychotherapist. My thirty years as a therapist enabled me to witness the healing that comes from exploring our stories and family history. My clientsā courage inspired me to write my own story. My mother-daughter story explores the interplay of the personal with social movements. In the 1950s, my family was devastated by homophobia and conversion therapy. I am profoundly grateful for the womenās and gay liberation movements of the 1970s, which transformed our lives. Both my mother and I were able to recover from trauma and come to joy, connection, and activism.
Native Country of the Heart is, like my memoir, a mother-daughter story. Queer Chicana feminist CherrĆe Moraga intertwines her own story with her mother Elvira from childhood onward. Her resilient mother had a rough life, starting with being hired out as a child by her dad to pick cotton in the California fields. I learned so much about Chicano culture and the Mexican diaspora that we never get in school. One stunning fact: when Dust Bowl survivors came to California, two million Mexicans were repatriated to Mexico to let the white immigrants work the same fields. Moraga beautifully layers her personal story with cultural insights and reflection. I was very moved by Moragaās grief during the slow loss of Elvira to dementia and her death from Alzheimer's.
Native Country of the Heart: A Mexican American Geography is, at its core, a mother-daughter story. The mother, Elvira, was hired out as a child by her own father to pick cotton in California's Imperial Valley. The daughter, Cherrie L. Moraga, is a brilliant, pioneering, queer Latina feminist. The story of these two women, and of their people, is woven together in an intimate memoir of critical reflection and deep personal revelation.
As a young woman, Elvira left California to work as a cigarette girl in glamorous late-1920s Tijuana, where an ambiguous relationship with a wealthy white man taught herā¦
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: āAre his love songs closer to heaven than dying?ā Others wonder how he wrote a song so sad, everyone who heard itā¦
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. Iāve never known life without Dolly Parton in it. Of this, Iām glad.
Musicologist Lydia Hamessley delved into Dollyās songwriting corpus over the course of a decade, analyzing her tremendous output of songs, according to different categories.
āCoat of Many Colors,ā for example, is the most beloved from among Dollyās autobiographical songs. Lydia breaks down the harmony, and relationships between melody and lyrics to explain why the song works so well.
Songs about womenās lives, in another section, includes deeply affecting vignettes like āDown from Dover,ā about a pregnant young womanās despair after being abandoned by her lover and rejected by family.
Lydiaās book systematically unpacks the musical heart of Dollyās creative genius, a quality that can at times be overshadowed in writings about her by the outsized nature of Dollyās public persona.
Dolly Parton's success as a performer and pop culture phenomenon has overshadowed her achievements as a songwriter. But she sees herself as a songwriter first, and with good reason. Parton's compositions like "I Will Always Love You" and "Jolene" have become American standards with an impact far beyond country music.
Lydia R. Hamessley's expert analysis and Parton's characteristically straightforward input inform this comprehensive look at the process, influences, and themes that have shaped the superstar's songwriting artistry. Hamessley reveals how Parton's loving, hardscrabble childhood in the Smoky Mountains provided the musical language, rhythms, and memories of old-time music that resonateā¦
If you regard science fiction, fantasy, and horror as throwaway literature, think again. It is within such tales that the contest between good and evil is given center stage, wherein heroic acts are celebrated, and virtue discussed in all its many permutations. I would call speculative fiction a worthy successor to the medieval morality play, a dramatic form that used allegorical characters to teach moral lessons. To witāstories are an instrument of culture, a way to promote common values and an important activity for any civilization that intends to stick around. You wonāt find an abundance of this vibe in āseriousā fictionāand when you do, itās not as much fun.
A short story compilation, within which the title āUncle Einarā made such an impression that I still, to this day, remember what it was about, who wrote it, and when I read it. I found it on my dadās nightstand 65 years ago. Thatās how much I liked it. Although the collection falls mostly into the fantasy genre, the title Uncle Einar is something of a crossover (Mutants!) and heartwarming to boot.
Many of these stories were first published in the pulp magazine Weird Tales, but keep in mind weāre talking about the 1940s and 50s. They called it āmacabre fictionā. These days, we call it YA.
But this is, first and foremost, a work of literature, a timeless classic upon which the author made a splendid reputation, replete with lyrical prose, imaginative concepts, surprise endings, and persuasive dialogue. Also, an example of Magical Realism, a literary approach Iā¦
The October Country is Ray Bradburyās own netherworld of the soul, inhabited by the horrors and demons that lurk within all of us. Renowned for his multi-million-copy bestseller, Fahrenheit 451, and hailed by Harperās magazine as āthe finest living writer of fantastic fiction,ā Ray Bradbury proves here that he is Americaās master of the short story.
This classic collection features:
The Emissary: The faithful dog was the sick boyās only connection with the world outsideāand beyond . . . The Small Assassin: A fine, healthy baby boy was the new motherās dream come trueāor her worst nightmare . . .ā¦
I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, Iāve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because itās in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margaritaās struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoyās wildly popular country music band.
Margarita isnāt particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margaritaās father is Mexican American, the McCoys' record label wants to use her to show that they arenāt as whitewashed as theā¦
I'm a writer and a botanist with a lifelong interest in nature. I grew up in southern England where I spent my time running around the fields and woods searching for birds, insects and wild plants (as one does). As well as writing about nature, I run plant identification training courses and have a genetics PhD.
Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesnāt start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!
Over the course of a year, Miriam Darlington travelled around Britain in search of wild otters; from her home in Devon to the wilds of Scotland; to Cumbria, Wales, Northumberland, Cornwall, Somerset and the River Lea; to her childhood home near the Ouse, the source of her watery obsession. Otter Country follows Darlington's search through different landscapes, seasons, weather and light, as she tracks one of Britain's most elusive animals. During her journey, she meets otter experts, representatives of the Environment Agency, conservationists, ecologists, walkers, Henry Williamson's family, Gavin Maxwell's heir; zoo keepers, fishermen, scientists, hunters and poets. Above allā¦