88 books like Unlikely Angel

Is there anything Dolly can’t do?

In 2022 she teamed with best-selling thriller author James Patterson on a novel about an aspiring country musician with a troubled past. AnnieLee hitchhikes her way to Nashville, but just as her musical career starts to gain traction, the demons from her past start to catch up.

Knowing Dolly co-wrote the story makes it hard to avoid reading her voice into the experiences of the youthful main character, but also into the voice of the older country music legend Ruthanna, who takes the struggling newcomer under her wing.

This book reminds you that Dolly, at her core, is a skillful storyteller.

Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.

The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.” 

This book positions Dolly as an icon for women’s struggles for equality and autonomy, through the lens of working-class women Sarah knew growing up. 

In songs like “Just Because I’m a Woman,” Dolly lays out issues of gender-based double standards just as clearly as any feminist analysis published in an academic journal, arguably, more clearly. Songs like “Eagle When She Flies” convey, in Sarah’s words, the “simultaneous vulnerability and deep power of women.” The first example was banned in its time on US radio, while many country radio DJs refused to play the latter during the early 1990s.

Sarah connects the dots and argues that Dolly’s feminism is embodied in her creative output and her actions, decade after decade. Dolly’s 2018 song “A Woman’s Right” makes a good follow-up.

This book is a classic. Along with the Smithsonian Collection of Classic Country recordings and Bill Malone’s Country Music, U.S.A., my own interest in writing about country music began here. 

When a senior scholar advised that country music lacked “respectability” as an academic topic, this book was among the small set of works that sealed my confidence to do what I wanted and figure it would all work itself out (Dolly does what she wants, too!).

In compiling biographical profiles of women in country music, this book also filled in a whole portion of history typically glossed over in most country music writing up until that point. It likewise planted seeds for future research and writing on the history of women in the genre, which continues to bear fruit today.

This book is particularly special to me. I have always been a huge Jimmie Rodgers fan and have loved Nolan Porterfield’s biography of him.

As important as Porterfield’s biography is, Barry Mazor’s Meeting Jimmie Rodgers shows the full impact of Rodgers's music while also updating his life story with newly-discovered information. This book, maybe more than any other, inspired me to write my book.

Though often overlooked in Bradbury’s canon of masterpieces, The October Country is such a fantastic treat. I recommend it every chance I get and often quote his descriptions of Autumn. “It was September. In the last days when things are getting sad for no reason.” I mean…right?? How heartbreakingly beautiful is that?

The book comes together as a collection of short stories that take place in a world of perpetual autumn, where trees drop their fiery leaves one by one, lakes become still, and darkness creeps in earlier each day.

I swear, if I could wrap myself in a cocoon of this feeling, I’d be a happy camper. Plus, touches of the supernatural? Yes. All day. Count me in. Forever and ever. Amen.

This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.

Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesn’t start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!

Native Country of the Heart is, like my memoir, a mother-daughter story. Queer Chicana feminist Cherríe Moraga intertwines her own story with her mother Elvira from childhood onward. Her resilient mother had a rough life, starting with being hired out as a child by her dad to pick cotton in the California fields. I learned so much about Chicano culture and the Mexican diaspora that we never get in school. One stunning fact: when Dust Bowl survivors came to California, two million Mexicans were repatriated to Mexico to let the white immigrants work the same fields. Moraga beautifully layers her personal story with cultural insights and reflection. I was very moved by Moraga’s grief during the slow loss of Elvira to dementia and her death from Alzheimer's.

Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.