The stories I write are fiction, but I’ve heard hundreds of tales about survival, and family drama. I’m the secret-keeper everyone confides in. From the time I was a teen, friends shared their secrets with me. Later, as a healthcare worker, patients often told me shocking true-life stories. What started these events? How did the victims overcome the horrors? I found their tales fascinating. I invent characters that face nightmarish challenges, and they must use the tools they have to persevere. Just like in real life. My novels shed light on darker, twisted topics.
I found the chase in this book exhilarating. Francess, the main character, married the wrong man. When she and her child are constantly living in fear of a beating, she’s compelled to take her son and escape. With precise planning and help, she runs.
No longer able to work in her chosen field, nursing, she must accept a different job in a strange town while using a new identity. I was interested in seeing how she’d cope. She and her son must adjust to their unfamiliar life, while aware that her husband will never stop tracking them.
'The first time my husband hit me I was nineteen years old.'
For eighteen years Fran Benedetto kept her secret, hid her bruises. She stayed with Bobby because she wanted her son to have a father, and because, in spite of everything, she loved him. Then one night, when she saw the look on her ten-year-old son's face, Fran finally made a choice - she ran for both their lives.
Now she is starting over in a city far from home, far from Bobby. She uses a name that isn't hers, watches over her son, and tries to forget. For…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
I think this is a basic skills book from which I was able to refresh my own knowledge.
This is an excellent workbook for therapists dealing with domestic abuse. It shows the real statistics behind domestic abuse, and begins by debunking myths, then explores the long-term effects on the survivors including the cycle of abuse in families.
It itemises therapeutic approaches and how people can be helped. It explores ways in which people can be helped to reconnect with their own identity and find themselves again after the terrible period of trauma.
Counselling Survivors of Domestic Abuse explains how counsellors can facilitate recovery from domestic abuse within a secure, supportive therapeutic relationship.
There has been growing awareness in recent years of the impact and consequences of domestic abuse, especially the relationship between domestic abuse and mental health. To appreciate the nature of trauma caused by domestic abuse, professionals need to understand its complex nature and the psychobiological impact of repeated exposure to control and terror. This book examines the therapeutic techniques and specific challenges, such as secondary traumatic stress, faced by professionals when working with survivors of domestic abuse. The author stresses…
One of my favourite books of all-time, Vita Nostra, is a smartly-crafted work of dark Ukrainian fantasy that explores a young woman's awakening of consciousness through a combination of philosophy, science, and magic—which is based on language and transcends certain metaphorical language structures. It is absurd and strange, but the story's originality and punchy prose made it profoundly impactful to me.
The sequel is equally mysterious and captivating. While very abstract, I found the unrelatability to the Protagonist’s journey surprisingly relatable. Her sense of distance from society while walking a path that ordinary people rarely follow aligned with elements of my experience walking a path of ‘truth’ and transcending ego-centric existence. Challenging, but the reward is astronomical.
The eagerly anticipated sequel to the highly acclaimed Vita Nostra takes readers to the next stage in Sasha Samokhina's journey in a richly imagined world of dark academia in which grammar is magic-and not all magic is good.
In Vita Nostra, Sasha Samokhina, a third-year student at the Institute of Special Technologies, was in the middle of taking the final exam that would transform her into a part of the Great Speech. After defying her teachers' expectations, Sasha emerges from the exam as Password, a unique and powerful part of speech. Accomplished and ready to embrace her new role, she…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
I am an author, physician, mother of three, and an advocate for social justice in education. I came to Canada as a refugee from the Vietnam war when I was a young child. I love to write children's stories that convey the humanity in our lives. My books have been shortlisted for the Alberta Literary Award, Red Maple Award, and Blue Spruce Award.
We as a nation and society are on the road to truth and reconciliation. Critical to that journey are stories such as I Am Not a Number. The book tells the heartbreaking story of Irene, the author’s grandmother, and her brothers who were taken away from their home on Nipissing First Nation to live at a residential school, very far from home. At the school, names are not used. All students are known by numbers. This story will inspire important conversations that will help younger generations understand the horrors so many indigenous children endured in the residential schools. It is a dark part of our history, kept secret by past generations, that is only now coming to light through these powerful stories.
When eight-year-old Irene is removed from her First Nations family to live in a residential school she is confused, frightened, and terribly homesick. She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when…
People experiencing intimate partner and other forms of violence have been taught that police, prosecutors, and courts are there to respond when they are harmed and to keep them safe. But in my practice representing survivors of gender-based violence, I have both heard about and witnessed first-hand the many ways that the criminal system punishes the survivors that it promised to protect. Survivors are harassed, harmed, and arrested by police. Their experiences of trauma are minimized and denied by prosecutors and judges. They are held criminally responsible for acting in self-defense and for the actions of the people who abuse them.
Coming out of law school in 1994, around the time of the passage of the Violence Against Women Act, I firmly believed that criminalization was the way to address intimate partner violence. As a new legal services lawyer, I encouraged my clients to turn to the criminal legal system because I believed it would keep them safe.
This book introduced me to the reality that that system was punishing survivors and showed me how Black survivors of violence were uniquely vulnerable to criminalization. I owe a massive debt to Beth Richie’s work.
I've never been anything but a writer, despite growing up and spending my first 50 years in Alaska. Alaska has been my major topic—what else could it be in that overwhelmingly powerful place?—but it has also been my frustration, because Alaska is a real place that exists in most readers’ minds only as a romantic vision, and they resist any other version. Like the real Eskimos in my book, whose world is melting from climate change as they pump millions of barrels of crude oil from their homeland. The writers I chose are all Alaskans, like me, who tell those stories about the magical, terrifying place that lies behind the Disney version you already know.
Kizzia’s prose and reporting are unequaled, but this dark, Gothic tale is hard to read because of the real-life horror it exposes. The Pilgrim family came to Alaska in 2002, wrapping themselves in fundamentalist Christianity and fighting with the federal government like true pioneers in the wilderness—they became a cause for the right because of how they seemed to fulfill Alaska’s frontier myth. But it turned out the patriarch of the family had created a weird prison of rape and abuse for his uneducated children, which Kizzia was able to get inside with vividly told scenes. And that truth tells us even more about Alaska, which has the worst rate of rape in the nation and a shocking level of child abuse.
Into the Wild meets Helter Skelter in this riveting true story of a modern-day homesteading family in the deepest reaches of the Alaskan wilderness—and of the chilling secrets of its maniacal, spellbinding patriarch.
When Papa Pilgrim, his wife, and their fifteen children appeared in the Alaska frontier outpost of McCarthy, their new neighbors saw them as a shining example of the homespun Christian ideal. But behind the family's proud piety and beautiful old-timey music lay Pilgrim's dark past: his strange connection to the Kennedy assassination and a trail of chaos and anguish that followed him from Dallas and New Mexico.…
I’ve spent most of my career teaching and writing about French history. In the 1990s, it became belatedly clear to me and other French historians that France shouldn’t be understood purely as a European nation-state. It was an empire whose imperial ambitions encompassed North America, the Caribbean, Africa, Indochina, and India. By the twentieth century, and especially after 1945, large numbers of people from those colonial places had emigrated to mainland France, claiming to belong to that country and asserting the right to live there. Their presence produced a great deal of political strife, which I wanted to study by looking at France’s colonial past.
JP Daughton tells the horrifying story of the Congo-Océan railroad, a massive, ill-conceived construction project (1921-34) whose French overseers doomed some 20,000 African workers to die. This story, revealing as it does France’s imperial hubris and callous disregard of human suffering, should have been told a long time ago. But it has been buried by bureaucrats, overlooked by historians, and made invisible to those who chose not to see. We owe Daughton a great debt for bringing it to light and for masterfully adding a new chapter to the tragic history of Central Africa under European colonial rule.
The Congo-Ocean railroad stretches across the Republic of Congo from Brazzaville to the Atlantic port of Pointe-Noir. It was completed in 1934, when Equatorial Africa was a French colony, and it stands as one of the deadliest construction projects in history. Colonial workers were subjects of an ostensibly democratic nation whose motto read "Liberty, Equality, Fraternity," but liberal ideals were savaged by a cruelly indifferent administrative state.
African workers were forcibly conscripted and separated from their families, and subjected to hellish conditions as they hacked their way through dense tropical foliage-a "forest of no joy"; excavated by hand thousands of…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
In 2022 she teamed with best-selling thriller author James Patterson on a novel about an aspiring country musician with a troubled past. AnnieLee hitchhikes her way to Nashville, but just as her musical career starts to gain traction, the demons from her past start to catch up.
Knowing Dolly co-wrote the story makes it hard to avoid reading her voice into the experiences of the youthful main character, but also into the voice of the older country music legend Ruthanna, who takes the struggling newcomer under her wing.
This book reminds you that Dolly, at her core, is a skillful storyteller.
From America’s most beloved superstar and its greatest storyteller—a thriller about a young singer-songwriter on the rise and on the run, and determined to do whatever it takes to survive.
Every song tells a story.
She’s a star on the rise, singing about the hard life behind her.
She’s also on the run. Find a future, lose a past.
Nashville is where she’s come to claim her destiny. It’s also where the darkness she’s fled might find her. And destroy her.
Run, Rose, Run is a novel glittering with danger and desire—a story that…
I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.
In college I majored in American Indian Studies and became very familiar with the term “survivance”. First used by Anishinaabeg writer Gerald Vizenor, survivance, defined is survival that transcends victimhood, that resists generations of oppression, and carves meaning out of great pain.
Peter Razor embodies survivance in his autobiography, which recounts his childhood as a ward of the State of Minnesota in the 1930s. His story is one of many that shines a light on a dark period when many Native American children were taken from their homes and families, forced to uproot their identity and existence to the unforgiving world of white America.
Through transcendent prose, an Ojibwe man chronicles his survival of abuse and bigotry at a state orphanage in the 1930s and the brutal farm indenture that followed.
In stark, haunting prose, first-time author Peter Razor recalls his early years as a ward of the State of Minnesota. Disclosing his story through flashbacks and relying on research from his own case files, Razor pieces together the shattered fragments of his boyhood into a memoir that reads as compellingly as a novel.
Abandoned as an infant at the State Public School in Owatonna, Minnesota, Razor was raised by abusive workers who thought…
