Here are 100 books that Christie Malry's Own Double-Entry fans have personally recommended if you like
Christie Malry's Own Double-Entry.
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As a cyclist from a young age (thanks to the encouragement and engineering of my dad—he literally welded one of my first bikes together from the carcass of another kid’s bike that was run over by a car in his driveway on accident), I’ve always had a fondness for bicycles and, more specifically, *riding* bicycles. So, as is probably common for anyone who is fond of something, I’ve spent years exploring it from as many angles as possible. In the process, I’ve loved studying bicycles in motion, along with collecting artistic and philosophical expressions that center the act of getting around on two wheels under your own power.
I’ll caveat that The Third Policeman isn’t going to delight everyone—it’s a wacky, somewhat bewildering book to wander through.
But it’s also masterfully written, and one of the most creative and exalted ways I know of bicycles appearing in literature.
Probably better known for his novelAt Swim-Two-Birds, O’Brien brings the bicycle to life in this murky murder mystery that doubles as a philosophical exploration on humanness and reality.
It’s as if Samuel Beckett wrote a play that prominently features bicycles, directed by the Coen Brothers.
The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe, " he…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
A comic novel from 1940, ostensibly a reworking of Romeo and Juliet set in the 19th century. Don’t Mister Disraeli is in fact a wild rampage through Victorian fiction and history. The only book I know of that’s influenced by both the Marx Brothers and JW Dunne’s An Experiment In Time, this is Alice In Wonderland as a history lesson and it’s brilliant.
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
I love Iain Banks’ work and this book seems to encapsulate the best of his early work: epic sci-fi, mental breakdown, and fantastic comedy. Switching between three storylines, one of which contains the best imagery in all SF and fantasy, Walking On Glass mixes reality with insanity and imagination with the every day to superb effect.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Best known as a surrealist painter, Carrington is one of my favourite artists for her strange, half-dreamy figures and other-worldly paintings. Her written work is similarly disturbing: animals that tear their own faces off, monsters, and the dead populate these short but memorable stories. Surrealism can often be wearing in print, but Carrington is a writer who balances the bizarre with the unsettling perfectly.
“Complete Stories, a collection of Carrington’s published and unpublished short stories—many newly translated from their original French and Spanish—is a terrific introduction to her bizarre, dreamlike worlds.” —Carmen Maria Machado, NPR
Surrealist writer and painter Leonora Carrington (1917–2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.
Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of…
I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.” When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.
A unicorn believes she’s the last of her kind and undertakes a quest to find where the others have gone. This might be my favorite book!
It plays with the fantasy genre in a way that few books can. It seamlessly mixes the whimsical with the mundane and it gives us memorable characters who are unique twists on old tropes.
What I love most about this book is seeing life through the eyes of the unicorn protagonist. She’s a timeless creature—unaging, unchanging—who finds navigating a mortal world to be puzzling, inconvenient, and, at times, terrifying.
Can you imagine being immortal and suddenly being forced to confront your own impossible mortality? Read this book and you will.
Experience one of the most enduring classics of the twentieth century and the book that The Atlantic has called “one of the best fantasy novels ever.”
The unicorn lived in a lilac wood, and she lived all alone...
...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects…
Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers…
I’m an artist with an analytical mind. I love art and stories but I also love systems and processes. Ever since taking a class at art school about making pop-ups, I’ve been in love with paper engineering. It’s been the perfect synthesis of all my loves. There’s something fascinating about transforming an everyday object (paper) into something unexpected. Combined that with a great story and you have a magical experience! I like focusing my work on books for young readers (board books - picture books) because it gives adults and kids an opportunity to interact with each other and build memories.
Without using any physically interactive mechanisms, this book still engages!
It breaks the fourth wall and the narrator asks you directly to do certain tasks—tap the dot, tilt the book to the left, shake the book, etc. When reading this book with my kids, I’ve never heard so many giggles. It is also a great way to help teach my kids colors, actions, and directions. Reading this book becomes a form of play!
PRESS HERE, MIX IT UP!, LET'S PLAY!, and SAY ZOOP! Collect all four interactive books from Herve Tullet!
Press the yellow dot on the cover of this interactive children's book, follow the instructions within, and embark upon a magical journey! Each page of this surprising touch book instructs the reader to push the button, shake it up, tilt the book, and who knows what will happen next! Children and adults alike will giggle with delight as the dots multiply, change direction, and grow in size! Especially remarkable because the adventure occurs on the flat surface of the simple, printed page,…
As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind.
There’s nothing childish about this rip-roaring fantasy adventure. I loved it long before Brandon Sanderson became a household name. While the book is steeped in whimsy, it sidesteps the pitfalls that render most Middle-Grade books inaccessible to adults. With realistic character motivations, a (strangely plausible) explanation for how all librarians could be secretly evil, and a cohesive magic system that could stand right beside any of Sanderson’s adult offerings.
I especially loved the way the book sucks the reader in with its deftly executed frame story. There are layers upon layers of storytelling here. I loved that, and I am not embarrassed to say it.
Experience the action-packed first book in #1 New York Times bestselling author Brandon Sanderson's laugh-out-loud middle-grade fantasy series like never before—now in paperback with all new covers!
AN ANCIENT RIVALRY REAWAKENS.
Everything I'd known about the world was a lie.
On my thirteenth birthday, I, Alcatraz Smedry (yes, I got named after a prison, don’t ask) received my inheritance: a bag of sand. And then I accidentally destroyed my foster parents’ kitchen. It’s not my fault, things just break around me, I swear!
I thought the sand was a joke until evil Librarians came to steal it. You’re probably thinking,…
I’ve poured my life into surfing, competed on the ASP world tour through my late teens and early twenties, was the editor of several different surfing magazines through the late ‘90s and aughts, and still write about it, way too much in fact. It’s my love, my life, my burden, my machete. Earlier today, in fact, I was out there riding waves. There were dolphins and whales. And bright, soul-enriching sun.
I grew up reading Paul Theroux’s fiction and nonfiction. His travel books riveted me, inducing a wanderlust I’ve yet to come down from. When I learned that he’d written a surf novel, I jumped all over it.
I was not disappointed—more like enchanted. There’s the macking surf. There’s Hawaii. There’s the fascinating Joe Sharkey. And there’s a very subtle moment where Paul, the author, pokes his head through and breaks the fourth wall as it were. I loved that. And I love this book.
From renowned writer Paul Theroux comes a dazzling novel following a big-wave surfer in Hawaii as he confronts ageing, privilege and mortality
'It was as if in surfing he was carving his name in water, invisibly, joyously.'
Joe Sharkey knows he is passed his prime.
Now in his sixties, the younger surfers around the breaks on the north shore of Oahu still revere him as the once-legendary 'Shark', but his sponsors have moved on, and Joe wonders what new future awaits him on the horizon. Uninterrupted quality time with the ocean, he hopes.
I’m a psychologist by profession and I’m fascinated by the way personalities develop and change with life events. In novels, I’m drawn towards wounded characters who are searching for something to make them feel whole. Common issues I see in my psychotherapy work include imposter syndrome, low self-esteem, feelings of not being good enough. Many people try to hide their vulnerability behind a mask, faking confidence or bravado, or pretending to be something they’re not. But these fictional characters take it up a level, one small step at a time, until the lies build and they end up in a web of deceit with no way out.
We’re straight in the story from page one, experiencing the intensity of the toxic relationship Louise has with her new best friend – a woman she’s only known ten days. Louise has a complex personality, her low self-esteem leading to constant self-assessment. But boy, how she changes! I liked the way the author breaks the fourth wall by directing comments to the reader, the foreshadowing allowing us to know what’s coming before the characters. Not my usual choice, as the novel is set in America with a cast under 30, but I enjoyed the build in tension as I waited for Louise to be caught out.
One of the Best Books of the Year: Janet Maslin, The New York Times Vulture NPR
"Social Creature is a wicked original with echoes of the greats (Patricia Highsmith, Gillian Flynn)." —Janet Maslin, The New York Times
For readers of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City.
They go through both bottles of champagne right there on the High Line, with nothing but the stars over them... They drink and Lavinia tells Louise about all the places they will go together, when they finish…
