Here are 100 books that Third Policeman fans have personally recommended if you like
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I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.
I think of myself as an adventurous traveler, but Dervla Murphy travels in a way that I would never even consider.
So, it’s a pleasure to sit in a comfortable chair and read about places I’ll never visit and people who I’d love to meet, but never will. Murphy writes so vividly I feel as though I am right beside her as she fends off wolves, struggles to drag a bicycle uphill through mountain snow, and shares tea with nomads.
This was her first book and every book that follows is equally compelling.
Braving hunger, heat exhaustion, unbearable terrain and cultures largely untouched by civilization, Dervla Murphy chronicles her determined trip through nine countries, through snow and ice in the mountains and miles of barren land in the scorching desert. Full Tilt is a highly individual account by a celebrated travel writer based on the daily diary Murphy kept while riding through Yugoslavia, Persia, Afghanistan, over the Himalayas to Pakistan and into India. Murphy's charm and gracious sensitivity as a writer and a traveler reveals not only civilizations of exotic people and places but the wonder of a woman alone on an extraordinary…
A member of the American Academy of Arts and Sciences, I was educated at Stanford and MIT. I taught for four years at Yale and 24 years at Princeton before moving to USC, where I am Chair of the Philosophy Department. I specialize in the Philosophy of Language, History of Philosophy, and the Philosophy of Law. I have published many articles, authored fifteen books, co-authored two, and co-edited two. I am fascinated by philosophy's enduring role in our individual and collective lives, impressed by its ability to periodically reinvent itself, and challenged to bring what it has to offer to more students and to the broader culture.
In this book, one of the great philosophers of the first half of the 20th century sketches his take on two central philosophical tasks -- explaining what kinds of things exist in reality, and how they are related, and delineating what we can know and how we know it. In so doing, Russell illustrates the new method of logical and linguistic analysis he used in The Philosophy of Logical Atomism (1918), to lay the foundations of an epistemological and metaphysical system rivaling the great systems of the past. A key transitional figure linking the history of the subject to contemporary concerns, he raised logic and language to central subjects of philosophical study in their own right, without losing sight of their relevance for more traditional philosophical quests.
Immensely intelligible, thought-provoking guide by Nobel Prize winner considers such topics as the distinction between appearance and reality, the existence and nature of matter, idealism, inductive logic, intuitive knowledge, many other subjects. For students and general readers, there is no finer introduction to philosophy than this informative, affordable and highly readable edition.
I am a writer and educator, originally from the British Isles. Perhaps because of this, I am more than usually aware of the distraction and speed of contemporary American life. As a long-time meditator, and the author of World Enough & Time: On Creativity and Slowing Down, I am encouraged and inspired by any book that draws attention to our “hurry sickness” and offers practices or suggestions to help us to slow down.
Jay Griffiths is a gorgeous writer, sparky and original. When I was working on my book, a friend gave me this book, and I gobbled it down. It was definitely the perfect companion along the way: funny, tender, quirky, passionately informed. The back cover features praise by both Fritjof Capra and Gary Snyder. “Amusing and erudite, fascinating and spirited,” says theTimes Literary Supplement. “Bravo!”
A brilliant and poetic exploration of the way that we experience time in our everyday lives.
Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In A Sideways Look at Time, Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before.
With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious…
I’m a writer, musician, and psychiatrist, a member of the Philosophy Special Interest Group of the Royal College of Psychiatrists, and the owner of far too many bikes. I cycled four thousand miles from Bristol in the UK to India. But I didn’t just want to write a travel book, I wanted to take apart my experiences with the tool kit of philosophy, and then put them back together again, in a long-distance bike ride. Freewheeling down the mountains, clutching at the brakes.
If Bertrand Russell’s book is about Western Philosophy, our rational need to investigate objects and minds, as unwilling observers, then Mel Thompson’s book explores the ideas of the East, where immersive philosophies don’t just employ thought, but also feelings and physical reactions, ritual, and meditation. Where mind and body aren’t just separate entities on the end of a stick, but an integral part of the environment that surrounds us. This eloquent book, equally unpatronising and rigorous, puts thicker tomes to shame. If you’re willing to believe that a long-distance bicycle ride is a pilgrimage of sorts, an experiment in self-understanding, then this book might just help you reach a different destination.
Eastern Philosophy examines key ideas that developed within the ancient civilisations of India and China. It presents a range of philosophies that both inform discussion of personal, moral and social issues and address the fundamental questions about the nature of reality and the place and purpose of human life within it.
From the erotic images of Tantra to the simple precision of Zen, and from the social order in traditional Confucian teaching to the rich variety of Hindu ideas and lifestyles, Eastern Philosophy provides a feast of ideas of universal relevance.
As a cyclist from a young age (thanks to the encouragement and engineering of my dad—he literally welded one of my first bikes together from the carcass of another kid’s bike that was run over by a car in his driveway on accident), I’ve always had a fondness for bicycles and, more specifically, *riding* bicycles. So, as is probably common for anyone who is fond of something, I’ve spent years exploring it from as many angles as possible. In the process, I’ve loved studying bicycles in motion, along with collecting artistic and philosophical expressions that center the act of getting around on two wheels under your own power.
For the history-curious cyclists among us, I submit for your consideration David V. Herlihy’s excellently-researched and well-told history of the two-wheeled machine we love so much.
From its beginnings as a literal “bone shaker” (an iron frame on wooden wheels), to the impossibly-light machines of the 20th and 21st centuries, Herlihy’s tale of cycling commerce, commuting, and competition over time and across the world is as enlightening as it is entertaining.
I’ve turned to it again and again for its historical perspective (and its great photos).
The first comprehensive history of the bicycle-lavishly illustrated with images spanning two centuries
During the nineteenth century, the bicycle evoked an exciting new world in which even a poor person could travel afar and at will. But was the "mechanical horse" truly destined to usher in a new era of road travel or would it remain merely a plaything for dandies and schoolboys? In Bicycle: The History (named by Outside magazine as the #1 book on bicycles), David Herlihy recounts the saga of this far-reaching invention and the passions it aroused. The pioneer racer James Moore insisted the bicycle would…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
A comic novel from 1940, ostensibly a reworking of Romeo and Juliet set in the 19th century. Don’t Mister Disraeli is in fact a wild rampage through Victorian fiction and history. The only book I know of that’s influenced by both the Marx Brothers and JW Dunne’s An Experiment In Time, this is Alice In Wonderland as a history lesson and it’s brilliant.
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
I love Iain Banks’ work and this book seems to encapsulate the best of his early work: epic sci-fi, mental breakdown, and fantastic comedy. Switching between three storylines, one of which contains the best imagery in all SF and fantasy, Walking On Glass mixes reality with insanity and imagination with the every day to superb effect.
Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life.'
Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Probably my favourite book, this is BS Johnson’s most fun novel. It’s about a man who decides the world is in debt to him, and sets out to redress the balance, often murderously. Johnson doesn’t so much break the fourth wall as grind it up for pudding. Christie Malry’s Own Double-Entry is very dark, very funny, and a small masterpiece.
Christie Malry is a simple person. Born into a family without money, he realised early along in the game that the best way to come by money was to place himself next to it. So he took a job as a very junior bank clerk in a very stuffy bank. It was at the bank that Christie discovered the principles of double-entry book keeping, from which he evolved his Great Idea. For every offence Christy henceforth received at the hands of a society with which he was clearly out of step, a debit must be noted; after which, society would…
Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.
Best known as a surrealist painter, Carrington is one of my favourite artists for her strange, half-dreamy figures and other-worldly paintings. Her written work is similarly disturbing: animals that tear their own faces off, monsters, and the dead populate these short but memorable stories. Surrealism can often be wearing in print, but Carrington is a writer who balances the bizarre with the unsettling perfectly.
“Complete Stories, a collection of Carrington’s published and unpublished short stories—many newly translated from their original French and Spanish—is a terrific introduction to her bizarre, dreamlike worlds.” —Carmen Maria Machado, NPR
Surrealist writer and painter Leonora Carrington (1917–2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.
Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
It takes a certain kind of person to succeed in the sport of cycling, and The Rider is possibly the closest I’ll ever get to understanding that mindset. This book tops every list of recommendations of cycling novels that I’ve ever seen and with good reason.
Told in the first person, it’s completely immersive. We follow the narrator through a single day’s race, and we feel all of it as he does: the slog, the suffering, the drive to win. I might have wondered why he kept going, but the simple act of reading the book answers that question: you can’t stop. I barely drew breath.
At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to assess the crowd of spectators. 'Non-racers,' he writes. 'The emptiness of those lives shocks me.' Immediate and gripping from the first page, we race with the author as he struggles up the hills and clings on during descents in the unforgiving French mountains.
Originally published in 1978, The Rider is a modern-day classic that is recognised as one of the best books ever written about the sport. Brilliantly conceived and best read at a break-neck pace, it is a loving, imaginative and…
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