Fans pick 100 books like Ecotopia

Since 2008, I have conducted research on themes related to International Political Economy. I am currently the co-chair of the research committee on this topic at the International Political Science Association (IPSA) and am passionate about making sense of the interplay between material and symbolic factors that shape capitalism and globalisation. Being based in Brazil, I was stuck when the country—which did not have salient identity cleavages in politics—came to be, after 2008, a hotspot of religious-based right-wing populism associated with the defence of trade liberalisation as globalisation started to face meaningful backlash from White-majority constituencies who are relatively losers of the post-Cold War order in the advanced industrialised democracies.

I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.

I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes. 

I grew up moving around through so many different countries that as an adult I became fascinated with the impact cultural lenses have on the way we think about nature and our place in the world. As a biologist, I’ve found that science is not as objective as it seems, and that my understanding is always deepened by a human context—be it personal, political or cultural. As a young adult, I tried to strip my world of the human context entirely—I worked in many remote field camps as a young adult and wrote a book about my experience in Antarctica.

Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.

Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.

As a lifelong computer nerd, I’m disappointed by the way we’re portrayed in the media. If you believe the stories, nerds are awkward and self-centered, with no room in their compulsive worldview for anything outside of their singular goals. This is absurd. Sure, some nerds are awkward and self-centered, but so are most of the people on this planet. To set the record straight, I’ve written stories about the many nerds I know, all of them with rich lives that extend far beyond their love of computers. These people are adventurers, jokesters, musicians, athletes, motorheads, connoisseurs, and more, with extreme passions that defy nerdiness.

I am a product of Sputnik and the threat of nuclear war. Both turned me into a long-time reader of science fiction and a perpetual student in trying to understand how the world works and why? If we have free will, why do so many things seem to be predetermined? If we are rational beings, why do so many of our choices seem so absurd? And if a new world is possible, why can’t we bring it into existence? I was a professor of politics for 30 years (and I was respected! See “Soylent Green.”) and most of my research and writing try to answer these questions.

I’ve been fascinated by wildlife since the age of 5, and 60 years later I’m still addicted. I worked as a research scientist on bats and birds and then morphed into a nature conservationist. I worked for the Royal Society for the Protection of Birds for 25 years – 13 years as the Conservation Director. I’ve written books about wildlife and its conservation and regularly review such books on my blog.  I hope that my work has made a difference and that my books, and other authors’ books, can move things on a bit quicker too.

Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.