Here are 75 books that Aurora fans have personally recommended if you like
Aurora.
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I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes.
The Biosphere 2 project was the wackiest multimillion-dollar enterprise to emerge from the New Age movement. This book is a nonfiction account of how a New Mexico commune, with a charismatic leader, developed a plan to test the viability of off-planet living by creating a sealed-off biosphere, which would be a self-sustaining and organizing ecosystem in which humans could survive. The goal was to create not a sterile environment but one that supported life that would make off-planet living appealing. The four men and four women sequestered for two years in the 3.14-acre domed-off area outside Tucson grew into two factions that hated one another. All came close to starvation, CO2 poisoning, and madness. For readers that simply must have narrative in fiction form, T. Corraghesson Boyle’s The Terranauts isbased on this same early 1990sepisode.
Biosphere rises from southern Arizona's high desert like a bizarre hybrid spaceship and greenhouse. Packed with more than 3,800 carefully selected plant, animal, and insect species, this mega-terrarium is one of the world's most biodiverse, lush, and artificial wildernesses. Only recently transformed from an abandoned ghost dome to a University of Arizona research center, the site was the setting of a grand drama about humans and ecology at the end of the twentieth century.
The seeds of Biosphere 2 sprouted in the 1970s at Synergia, a desert ranch in New Mexico where John Allen and a handful of dreamers united…
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
I’m fascinated with techno-utopian schemes. Decades ago, I had conversations with a friend who believed that humanity needed to evolve and leave the planet, just as early life once left the oceans. It was an intriguing idea that I have tried to follow up, critically, in Star Settlers. My book is a history not so much of the technology and nuts and bolts of space travel (although I do cover some of that), but of the rationale behind it—the idea that humanity’s ultimate destiny is in the stars. The idea is beguiling—but, likely, wrong-headed. To write the book, I spoke with physicists, science fiction writers, and space enthusiasts of all stripes.
This book has the ideal traits I appreciate in science fiction—as with H.G. Wells’s classic tales, it’s reasonably short and can be read as pure adventure or allegory. We meet the archetypal figure of the “Teacher” birthed by a bioprinting machine on a starship soon to terraform an exoplanet. The Teacher has to grapple with survival, his purpose, the ship’s mission, and his realization that everything is haywire in this high-tech Eden full of monsters. Hull Zero Three is a detective tale with philosophical undertones as the Teacher slowly makes sense of the chaos that surrounds him, contends with his earlier clones, and undergoes a quest. Anyone who has ever experienced the drudgery of actual teaching will appreciate Bear’s creation of the Teacher as a mythic archetype.
Trapped on a mysterious spaceship, the only way to escape is to survive. A thrilling novel from the Hugo and Nebula award-winning Greg Bear.
A starship hurtles through the emptiness of space. Its destination - unknown. Its purpose? A mystery. Its history? Lost.
Now, one man wakes up. Ripped from a dream of a new home, a new planet and the woman he was meant to love in his arms, he finds himself wet, naked, and freezing to death. The dark halls are full of monsters but trusting other survivors he meets might be the greater danger.
I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.
This book blew my mind! It changed my life and gave me food poisoning; well, maybe it was some lousy shrimp that did that, but it came around the same time anyhow.
I loved the initial point of revenge, how the main character was abandoned to die in a broken spaceship in the middle of nowhere. I, too, would be pissed if a ship flew by me without stopping to save my butt.
I was happy that the book also played with metaphysical notions and cranked up the ending to a glorious finish that broke from the standard good-guy wins trope.
Gully Foyle, Mechanic's Mate 3rd Class, is the only survivor on his drifting, wrecked spaceship. When another space vessel, the Vorga, ignores his distress flares and sails by, Gully Foyle becomes a man obsessed with revenge. He endures 170 days alone in deep space before finding refuge on the Sargasso Asteroid and then returning to Earth to track down the crew and owners of the Vorga. But, as he works out his murderous grudge, Gully Foyle also uncovers a secret of momentous proportions...
I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.
The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.
The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
Though I admire her classic work, The Left Hand of Darkness, it’s The Word For World Is Forest that most lingers in the mind.
Ursula Le Guin worried that the book was too simple and that its portrait of the mad colonialist soldier, Captain Davidson, was too unshaded a vision of militarist evil. Well, perhaps. However, men like Davidson can be found in equally brutal forms in accounts of the European invasion of the Americas or in Roger Casement’s report on the Belgians in the Congo.
But it is the otherworldly Selver who possesses my imagination, that archetypal ‘little green man,’ that strange new god of a person, poised between the innocent world he seeks to protect and the violence he must unleash to ensure its survival.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
I first read Pohl’s Jem when I was a kid, and his fatalistic, even cynical take on first contact and interstellar colonization, along with the works of Harlan Ellison, Philip K. Dick, and Ursula LeGuin, greatly informed my developing views on politics and society. A near-future Earth divided into three major power blocs discovers a world ripe for exploitation and populated by not one, but three, sentient species, It’s not long before each bloc is currying the favor of different species in order to set each against the other, with absolutely no one thinking beyond their own immediate needs or with any concern about the consequences of their actions.
A cynical and compelling tale of politics, exploitation and colonisation on another planet
The discovery of another habitable world might spell salvation to the three bitterly competing power blocs of the resource-starved 21st century; but when their representatives arrive on Jem, with its multiple intelligent species, they discover instead the perfect situation into which to export their rivalries.
Subtitled, with savage irony, 'The Making of a Utopia', JEM is one of Frederik Pohl's most powerful novels.
I have loved reading since I was very young, and would bring home an armful of books from the library. I first discovered the dystopian genre while in junior high, and it quickly became my favorite genre. My favorite aspect of dystopias is the new world created within each book. When I began writing my own stories, I spent several hours building the world within my book. Even today, nearly 20 years after I first began writing, I spend hours drawing and designing everything within each book, whether or not it’s dystopian. My hope is that my readers find my worlds as fascinating as I found the worlds of the stories on my list!
To Sleep in a Sea of Stars is a bold, futuristic epic that immediately sucked me in and wouldn’t let me go. Starting on the far-off world of Adrasteia, the story follows Kira across the galaxy after she mistakenly walks into an interstellar war. Paolini perfectly paints this fantastical story, leaving you desperate for more. Having read Eragonat a young age, I wasn’t expecting Paolini to write this genre, but I am so impressed by his work. While I’d recommend any of his books, To Sleep in a Sea of Stars is my new favorite. His world-building is amazing and wildly entertaining!
Winner of Best Science Fiction in the 2020 Goodreads Choice Awards!
To Sleep in a Sea of Stars is a brand new epic novel from #1 New York Times bestselling author of Eragon, Christopher Paolini.
Kira Navárez dreamed of life on new worlds.
Now she's awakened a nightmare.
During a routine survey mission on an uncolonized planet, Kira finds an alien relic. At first she's delighted, but elation turns to terror when the ancient dust around her begins to move.
As war erupts among the stars, Kira is launched into a…
I have always loved science fiction. I spent years studying to be a scientist before I became a writer (I have a PhD in geophysics), and I love fiction that uses, remixes, and twists our weird and wonderful universe in interesting ways. But stories don't really grab me unless there is a strong emotional core. I need characters--I need people. And that's where my love of mysteries and thrillers comes in, with all the tragedy and trauma they can hold. This is the recipe for my ideal fiction: creepy mystery, human trauma, big ideas, weird science, and a little bit of a murder, as a treat.
Chasm City is part of Reynold's Revelation Space series, but this future-noir mystery is perfectly readable as a standalone. It follows a man on a mission of revenge, one that takes him into the crumbling, plague-ridden remains of a once-great civilization that has descended into chaos and squalor. The world-building is top-notch—this is a dying, decaying city that you can feel in your bones—and full mysteries that explore ideas of identity, memory, and redemption in a twisty mystery that ties together past, present, and future.
Come to Chasm City and embark on a mind-bending ride through the universe of Revelation Space
Tanner Mirabel was a security specialist who never made a mistake - until the day a woman in his care was blown away by Argent Reivich, a vengeful young postmortal. Tanner's pursuit of Reivich takes him across light-years of space to Chasm City, the domed human settlement on the otherwise inhospitable planet of Yellowstone.
But Chasm City is not what it was. The one time high-tech utopia has become a Gothic nightmare: a nanotechnological virus has corrupted the city's inhabitants as thoroughly as it…
