Here are 80 books that Encyclopaedia Britannica (29 Volume Set) fans have personally recommended if you like
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As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.
A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.
Time and perspective seem fluxive, inconstant, and looping.
This is beautiful, destabilized world building. Dhalgrenanswers no questions yet evokes a time, place, and milieu that shifts as you read.
I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I can’t name what so destroyed me about this book; it speaks to a level of pain for which there’s no language.
I believe a book’s hidden subject will chase a writer down: a fear, a state of mind. Barnes had to write it in order to survive her experience.
A loose group of outcasts appears in Nightwood: a gay doctor, logorrheic, poetic, desperate, witty, alone. A woman obsessed with another woman whom has left her and whom she’ll never reach, never understand.
Dancers and circus performers all in the baroque shimmer of a prose so fascinating it becomes clear almost by virtue of its density. What comes through is the tragedy of what it is to be alive.
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna-a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
The outsized characters who inhabit this world are some of the most memorable in all of fiction-there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I stumbled on this book in a free box outside a bookstore when I was a teenager and the family I had moved across the country to be with had collapsed.
My sisters and stepmother moved out of state, my brother moved to California, and my dad, after borrowing my student loan money for truck driving school, went over the road.
Bloodsport was rain-rippled—with a gigantic, dried fly smashed flat in the middle, sliding like a secret toy over the page.
An entire world opened up. I felt no less alone, but the experience changed my understanding of realism, the mythic, and the surreal: a book of immense oddness about a father and son journey up an apocalyptic river, toward Ratnose, the leader of a motorcycle gang.
Welcome to the wilderness of masculinity, where anything goes-where women throw themselves unreservedly at men and games are played to the death. This is the outdoor paradise of the Hassayampa, a legendary river whose bank is overrun with prehistoric and mystical creatures prime for hunting and whose water is said to turn honest men into liars. Here a father takes his prepubescent son on an unforgettable adventure, a rite-of-passage quest that starts as an innocent fishing trip and soon turns into a bizarre Homeric journey. In turn comic and brutal, Blood Sport is more than just the ultimate cult outdoor…
I was a child who was very dissatisfied with the idea that this world, with its rules and routines, is all there is. Sunday school filled me with a fear of hell, and heaven sounded boring, a lot of people wearing white and singing. This forced me into the world of fairy and folktales: spirits, tricksters, masquerades, elves, werecreatures, and merpeople. It was all so exciting and, more than that, comforting. The just were rewarded, and the wicked were punished within the timeframe of the story, not later when they died.
I haven't read it in twenty years, having been introduced to Tutuola's work as part of my undergrad degree. It's a book full of ghosts and the sort of mind that perceives and interacts with them. It basically epitomises the saying, 'Fools rush in where angels fear to tread,' but is the palm-wine drinkard a fool, brave, desperate, or just very, very drunk when he wanders off on his quest through the spirit world? Or is he all of the above?
This classic novel tells the phantasmagorical story of an alcoholic man and his search for his dead palm-wine tapster. As he travels through the land of the dead, he encounters a host of supernatural and often terrifying beings - among them the complete gentleman who returns his body parts to their owners and the insatiable hungry-creature. Mixing Yoruba folktales with what T. S. Eliot described as a 'creepy crawly imagination', The Palm-Wine Drinkard is regarded as the seminal work of African literature.
'Brief, thronged, grisly and bewitching.' Dylan Thomas, Observer
'Tutuola's art conceals - or rather clothes - his purpose,…
A computer programmer turned author; I’ve been a fan of science fiction for as long as I remember. Star Wars, Dune, Alien, you name it. I’ve also been a follower of Christ since childhood and so enjoy stories where authors have a faith component to their work. It’s hard to imagine a future where belief systems won’t be in play—for good and evil. So, why not explore that element? Even if it means taking the Amish into space to encounter vampires? (As I did in one of my stories.) Hopefully, we discover something about ourselves and the world we live in along the way.
I really enjoy hard science fiction—science fiction that uses real science—and Shivering World is an excellent example of the subgenre.
The story revolves around terraforming and genetic research, but there is a lot more going on here. Politics, faith, power struggles, survival situations, and the main character’s search for a cure to her genetic condition create a delightful mix that rivals what’s found in sci-fi classics, like Dune and Foundation.
The author’s background in microbiology, music, and education brings a new level of believability to the story. Kathy Tyers is best known for Star Wars novels and her Firebird series, but I think her standalone books are fantastic.
A planet on the edge of life. A woman on the edge of hope.
Microbiologist Graysha Brady-Phillips accepts a hazardous position assisting in terraforming the planet Goddard, partly to get out of debt and partly in desperate hope. There's a chance that the colonists are conducting illegal genetic research, which could provide a cure for the genetic disorder slowly killing her.
But genetic engineering is banned by the powerful Eugenics Board, and Graysha is the daughter of the board’s high commissioner. When the colonists discover her connection, she is ostracized—the possible penalties for conducting their…
I’m proud to be Irish, from a long heritage of storytellers and poets. Science fiction grabbed me from the first Asimov books I found, and I see the genre as an exploration of possibilities. I volunteer at SF Cons, including Dublin’s Worldcon in 2019. My profession is tree surgery, with an early apprenticeship in demolition, all of which has brought me to interesting places. I also love horses and became a national standard showjumper. I’ve qualified in multimedia journalism and ecology. My novels explore the past, present, and future. I write crime, science fiction, romance, and YA stories, including the Irish Lockdown series about young people during the Pandemic.
In this future, humanity needs to terraform Mars to provide a second home to a swelling population. The Mars Trilogy follows a group of scientists and astronauts, who gain extended lifetimes through a scientific breakthrough; this device enables us to follow the same characters through more than one normal active career span.
My favourite book is Green Mars, because as a tree surgeon, I am fascinated by the methods shown of planting miniature trees and other plants, adapted from Nordic and mountainous shrubs. The people are experimenting with frontier lifestyles using available materials, and experimenting on adapting humans to the planet. Big business and inter-planetary politics keep raising their heads, as in any colonisation effort. And a few holdout scientists are saying that Mars is beautiful, precious, and unique, and we should study the red planet as it is, not terraform it.
The first 100 scientists and engineers landed on Mars in 2027, their task to "terraform" the planet, creating an atmosphere, warming the environment, building human habitats, freeing the water trapped in underground aquifiers and seeding the new landscape. This book tells their story.
As a scientist, I love hard science fiction, especially when the story makes me think about the true nature of reality or takes me on an adventure to places unknown. We’ve all read the classics from Clarke, Heinlein, Bear, or Asimov. But books written decades ago are becoming increasingly dated as society progresses into a new century. (Will people of the future really chain smoke? And why are all the characters men?) Never fear, modern hard sci-fi is alive and well. Here are five recent books that tell an intriguing, uplifting, or awe-inspiring story. Even better than the classics, it’s hard sci-fi for the 21st century!
Rysa Walker offers a grab bag of fiction, from time travel to murder mysteries. Her latest series is an alien artifact story set on Mars.
An eccentric and not-so-honest billionaire is terraforming the planet (sound familiar?) and multiple factions of homesteaders are in conflict with the temporary workers. Enter a principled journalist who just wants to bring the breaking alien artifact story to readers back on Earth. She quickly learns that virtually no one on Mars can be trusted. In over her head, she has no ride home.
I like this story in part because Rysa is such a good writer, but also because it feels supremely relevant to our world today.
A chamber from an ancient civilization is uncovered deep below the surface of Mars. Science reporter Claire Echols is assigned to cover the story, but someone is determined to stop her. Is it the wealthy entrepreneur leading the ongoing terraforming effort? The mining companies desperate to protect their livelihoods? The cult leader who wants to put a stop to all scientific progress? Or is someone else so threatened by this discovery that they'll kill to keep it hidden?
My tagline is “sci-fi with heart and humor,” and that’s the core of who I am. Making others smile is my reason for being—whether that’s through the books I write, the silly things I say, or the crazy things I do. I’ve written twenty-eight books so far, and the purpose of every one of them is to make you giggle. I’ve written funny sci-fi, cheerful space opera, and a series of terrestrial romantic comedies set in a kitschy, over-the-top small town.
This book isn’t objectively funny, but it left me with a smile on my face. It has a well-written, believable, neurodiverse character who grabbed my heart. I have a child on the autistic spectrum, and Booth captured the essence of autism without slipping into the depressing parts.
Nexus’s confusion over things “normal” people do, for example, tickled my funny bone but didn’t make me laugh. The characters who help him on his journey aren’t sappy do-gooders but people who genuinely like him and want to help. The overall tone of the book made me believe the world could be a better place.
When Nexus catches the attention of the alien croc ambassador, his first space travel goes weirdly astray.
A backwoods Earth terraformer, young Nexus is awkward with people, good with creatures, at a time when the human worlds are bumping against the alien races who surround them.
He sets off to explore human space.
But to leave home, he must first repay a debt of honor, and smuggle a highly illegal sentient robot off-planet. Memory murky, the poor robot got stranded on Earth before Nexus was born.
Nexus is delighted when the alien ambassador boards his space train to Luna. Most…
Officially a professional philosopher, author of fifteen books and textbooks on a wide range of subjects including ethics, critical and creative thinking, social change, and teaching. Wikipedia calls them “unconventional”, but honestly I prefer the ad copy for my own modest ecotopian book, which calls me a philosophical provocateur. My green credentials start with growing up in the Wisconsin countryside under the distant influence of both Frank Lloyd Wright and Aldo Leopold; later, long wilderness trips intertwined with edgy environmental philosophizing (you need some real edges for that!); and over the last decade the endlessly consuming project of designing and building Common Ground Ecovillage in the Piedmont of North Carolina.
How many times have I reread it? Science/futurist fiction in the style of an Odyssey-scale and -style epic poem about (yes) the terraforming of Mars, a spectacular interplanetary saga framed against the background of the struggle against a misanthropic and authoritarian “Ecotheism” that has taken over Earth, and ending with a long and compelling hymn to the result, a new start on our transformed sister planet. Ecotopia, in short... on Mars!
Originally published in 1988, Genesis was the first major work of fiction that addressed the idea of terraforming Mars. It not only suggested the idea, but provided a feasible solution for doing so. During its initial publication, Genesis was on the list of recommended reading at NASA, and has since gone on to enjoy cult status. Its acknowledged list of admirers includes such literary luminaries as Brian Aldiss, Amy Clampitt, Arthur C. Clarke, Thomas M. Disch, Kim Stanley Robinson, and Pulitzer Prize winning poet, James Merrill. It is with great pride that Ilium Press brings this influential and prescient work…
As a long-term advocate of space colonization I’ve always been drawn to Mars, not by adventure stories but by the idea that ordinary people may someday live there. So this was the theme of my first novel. I wrote it before we had gone to the moon, though it wasn't published until 1970, after my better-known book Enchantress from the Stars. When in 2006 I revised it for republication, little about Mars needed changing; mainly I removed outdated sexist assumptions and wording. Yet the book still hasn’t reached its intended audience because though meant for girls who aren’t already space enthusiasts, its publishers persisted in labeling it science fiction rather than Young Adult romance.
Most realistic fiction set on Mars is about small exploratory expeditions. There is surprisingly little available about colonization that doesn't bring in the discovery of intelligent inhabitants or a lost civilization, or at least traces of one having existed in the past. And the few novels with no fantastic elements tend to focus on political controversy. So I was happy to find this recent book that depicts what a colony on Mars might really be like. It's based on the board game "Terraforming Mars," which I haven’t seen, but doesn't depend on any knowledge of the game. The story is part murder mystery and while it’s intended to be entertainment rather than serious literature, it will be enjoyed by readers who are excited by the idea of settling a new world.
Mars is the new frontier for humanity, as we launch an epic saga of inspiring planetary exploration set in the award-winning Terraforming Mars boardgame
Mars, 2316. The recently created Terraforming Committee arbitrates the dramatic development of Mars by powerful rival corporations. When a rogue asteroid crashes into a research center and kills its lone technician, the fragile balance between corporations is shattered. The World Government's investigation into the accident reveals a multitude of motives, while a corporation insider stumbles on a dark conspiracy. Two Martians with very different agendas must navigate a trail of destruction and treachery to uncover the…
