Here are 100 books that Dawnlands fans have personally recommended if you like
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I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment.
I enjoyed commenting on early drafts of this dramatic Georgian historical fiction written by my wife Elizabeth about her great-great-great-grandmother: painstakingly researched and vividly portrayed, it’s about love, betrayal, and survival. Lucy, strong-willed daughter of English landed gentry, born in the late 18th century, married Sam Lord, a plantation owner and fortune hunter from Barbados, at a time when women were their husband’s chattels with no rights even over the children. Abused and imprisoned by him in Barbados, she escaped with the help of enslaved people after giving birth at sea, braving disease and cruelty, and witnessing the abject misery of slavery in her descent from a life of pampered luxury to a struggle for survival in a far-off land.
A dramatic and intriguing true Georgian tale of love, betrayal and survival. Lucy, a strong-willed girl from a wealthy family, was brought up on the English–Welsh border and married a Caribbean plantation owner, Sam Lord, for love, meanwhile he married her for her fortune, at a time when a woman was a chattel and everything she had, including her children, became her husband’s. Abused and imprisoned in Barbados, she escaped with the help of enslaved people. A vibrant intimate description of early 19th-century life – giving birth at sea, braving disease and cruelty, and witnessing the abject misery of slavery…
Monica Wellington was born in London and lived in Switzerland and Germany as a child. She has written and illustrated many books for young children, including Apple Farmer Annie, Zinnia’s Flower Garden, My Leaf Book, and Mr. Cookie Baker. She now lives in New York City. Some of her favorites things are: baking desserts, eating chocolate, traveling to France, going to the ballet, and reading at home with her cat on her lap. She teaches at the School of Visual Arts.
I love historical fiction. So lastly, for something a little different - perhaps to read while you are waiting for the cookies to come out of the oven! This novel takes place in Barbados on a colonial sugar plantation in Victorian times. The connection to my topic of cookies? Sugar, of course! I was particularly interested in learning more about the harsh truths of the history of sugar production, at the same time that I was immersed in this gripping family saga.
"Tense, atmospheric, and gorgeously written, The Summer Country is a novel to savor!" - Kate Quinn, New York Times bestselling author of The Huntress and The Alice Network
A brilliant, multigenerational saga in the tradition of The Thorn Birds and North and South, New York Times bestselling historical novelist Lauren Willig delivers her biggest, boldest, and most ambitious novel yet-a sweeping Victorian epic of lost love, lies, jealousy, and rebellion set in colonial Barbados.
Barbados, 1854: Emily Dawson has always been the poor cousin in a prosperous English merchant clan-- merely a vicar's daughter, and a reform-minded vicar's daughter, at…
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
A year before my own father died, I had read Blake Morrison’s tragicomic memoir about his father. I had marked several passages but the page I had book-marked with a card from a London restaurant contained the following lines: “I’ve become a death bore. I embarrass people at dinner parties with my morbidity. I used to think the world divided between those who have children and those who don’t; now I think it divides between those who have lost a parent and those whose parents are still alive.”
That line haunts me even more powerfully now, and I cannot think of a more true line.
The critically-acclaimed memoir and the basis for the 2007 motion picture, directed by Anand Tucker and starring Colin Firth and Jim Broadbent
And when did you last see your father? Was it last weekend or last Christmas? Was it before or after he exhaled his last breath? And was it him really, or was it a version of him, shaped by your own expectations and disappointments?
Blake Morrison's subject is universal: the life and death of a parent, a father at once beloved and exasperating, charming and infuriating, domineering and terribly vulnerable. In reading about Dr. Arthur Morrison, we come…
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you “great lumps of facts” that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
This wonderful novel looks at the whole affair from the servants’ points of view. “If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.” I love this book.
Love the way the historical domestic details are covered so effortlessly and the emotions explored of those silent characters who watch their “betters”, take messages, serve meals, and endlessly wash clothes!
THE SUNDAY TIMES TOP TEN BESTSELLER A RICHARD AND JUDY BOOKCLUB PICK 'Utterly engrossing' Guardian
It is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and raw. Domestic life below stairs, ruled with a tender heart and an iron will by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman, bearing secrets and the scent of the sea.
What readers are saying:
'A novel to be savoured' 'Highly recommended' 'Very enjoyable exploration of the background to Pride and Prejudice'
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
Despite the prominence of the Woodville family throughout the Wars of the Roses, there are few books about any of them. Often references to them are lifted from dubious and unsubstantiated sources and repeated on the internet and, I’m afraid, elsewhere too, as fact. Few scholars of the period have really given the family close scrutiny but that is what Susan Higginbotham has done. She has truly lifted a veil from the Woodvilles and her book is essential reading for anyone who wants an unbiased take on this very important group of people.
In 1464, the most eligible bachelor in England, Edward IV, stunned the nation by revealing his secret marriage to Elizabeth Woodville, a beautiful, impoverished widow whose father and brother Edward himself had once ridiculed as upstarts. Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses.
This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the…
I am a big fan of romance books with thrilling plots. It’s partly how I remember the stories years later. When I wrote Flowers for Kate in theRainbow Desireanthology, it started as a pure romance, but I added a supernatural thrill. One reader admitted checking over her shoulder in case a spectral being was there while reading the story. I love writing stories with twists and turns, and surprising readers. Maybe it comes from my childhood days of being a Scooby-Doo fan—I loved the thrill of guessing the mysteries behind each character and the villain being unmasked. I’m an ex-journalist who has published romance stories from erotic to sweet.
This book starts with the gorgeous Ali Stinson going from riches to rags. Things aren’t looking good for her until she meets handsome blond bartender Sam. There are surprises throughout the story, a playboy ex-husband who creates mischief, and thrilling twists leading to a memorable ending. There’s more to Ali and Sam than who you meet at first glance. Strong women are my thing and she’s smart—very smart—with a spine made of titanium. Sam is more than just a hot bartender by the pool. He has a secret too. And yes, the bedroom scenes are full of steam. Did the book thrill me? Yes, very much!
Sometimes you find love only after you lose everything else.
One night stands only need apply.
Ali Stinson is having a bad day. Her afternoon tryst was interrupted (before they got to the good part) to discover her investment manager ran away with all her money. Now she has to keep up appearances with her high society friends, find a dress for an upcoming charity event, and not fall in love with Sam, the cute bartender, who insists on helping her. Thing is, she’s 90% sure she doesn’t want help. Adulting is hard.
I am a classicist (Greek and Latin) and a serious student of history. Modernity has obsessed me for the last 10 years, how it unfolds, what its implications are, whether it generates more gains than losses, whether it’s changing us profoundly and whether we can dodge it or not. Because of this interest (which I lecture on often) I am fascinated to see modernity’s gleanings in earlier times and always curious to see what other critics make of it. Because its effects will only grow down the road, the task of understanding its mechanisms and outcomes is one of extreme urgency, as these books illustrate in different ways.
I loved this book because it ties in with an obsession of mine, the interface between modernity and the past.
It is the autobiography of Edmund Gosse, who grew up with strict, devout parents (even by mid-19th-century standards). However, the father was a biologist just at the time Darwin’s Origin of Species was published. I was intrigued by Gosse’s growing awareness that his parents’ worldview was so out of sync with the times, just as I was fascinated by the father’s anguish as his faith pulled him one way and his reason another.
Gosse’s description of the passing of a world is so entrancing (even from today’s perspective), yet the closeness (and neurosis) of family bonds is endearingly the same.
'This book is the record of a struggle between two temperaments, two consciences and almost two epochs.'
Father and Son stands as one of English literature's seminal autobiographies. In it Edmund Gosse recounts, with humour and pathos, his childhood as a member of a Victorian Protestant sect and his struggles to forge his own identity despite the loving control of his father. A key document of the crisis of faith and doubt; a penetrating exploration of the impact of evolutionary science; an astute, well-observed, and moving portrait of the tensions of family life: Father and Son remains a classic of…
I am the author of several historical novels covering a wide range of topics, but my main interest remains 12th- to 16th-century Britain. I grew up in Sweden and have been an avid reader of classic literature and historical fiction since I was a child, and am currently studying History at the University of Oxford. When someone asks me what it is that I love about history, I tend to reply that it is all the stories. It sounds obvious, perhaps, but history is made up of countless stories that can be told in countless ways, and there is at least one story for everyone to fall in love with.
The summer before starting my first year of university, I went in search of historical fiction that was accurate enough to help prepare me for the module I was going to take about medieval Britain. Meticulously researched and packed full of detail that brings historical scenery and relationships to life, Devil’s Brood was the perfect starting point. It is a book that I have read and enjoyed three or four times, and each time, I have discovered new passages that made me put the book down on my pillow and stare blankly at the wall for a few seconds, pondering what I just read. In addition, this thrilling account of the early Plantagenets is the first (albeit independent) part of a series, so if you get as hooked as I did, there’s more to be had!
A breathtaking and sweeping epic of a family at its breaking point, Devil’s Brood shows how Henry II and Eleanor of Aquitaine—two monumental figures once bound by all-consuming love—became the bitterest of adversaries...
A.D. 1172. Henry II’s three eldest sons conspire against him and align themselves with his greatest enemy, King Louis of France, but it’s Eleanor of Aquitaine’s involvement in the plot to overthrow her husband that proves to be the harshest betrayal. As a royal family collapses and a marriage ends in all but name, the clash between these two strong-willed and passionate souls will have far-reaching and…
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.
Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some…
Part memoir, part comic monologue, this is an ensemble of mishaps and anecdotes that, taken together, reveals the ups and downs of one woman's life. Relentlessly self-deprecating, Sylvia Smith's diary at first seems to relay the humdrum, everydayness of living, yet it steadily gains momentum as a darker undertone gathers force. Interspersed between humorous tales of first-date disasters and "get-rich-quick" schemes gone awry, the reader is thrown off-balance by the loss of sexual innocence and a pervading sense of loneliness. As Sylvia stumbles from one temporary job to another, and through a variety of furnished flats, her deadpan delivery is…
