100 books like Father and Son

This book is great because Norberg is calm, methodical, rational, and optimistic: we have come a long way, we live in the best of times, and let’s get on with it. I love the modern as I’ve said, and appreciate historians who understand that, from a material perspective at least (health, wealth, freedom, and security), most people today are in the top 99.999999 percentile of all the humans who have ever lived.

I so admire (and share) Norberg’s belief in our brilliance and problem-solving skills and admire, too, his arguments which are complex but easy to follow. Modernity gives us plenty to celebrate, and Norberg, I feel, makes this eminently clear.

It is a book that serves as the perfect balance to Barrat’s and to Kurzweil’s. Although the three together will lead to cognitive dissonance, which, in my view, is as healthy as having one’s mind blown periodically.

This book is one of the nuttiest I’ve read in its imaginings of a modern world on steroids. The part that teases most is that its predictions might come true.

I know our smartphones and laptops have changed our world, but cures that would extend longevity ad infinitum? Neural interfaces that would connect us directly to the internet? Nanobots that would reduce the cost of goods to zero?

Because the topic of modernity has come to engross me so, the big question always is, “How far will it carry us?” The answer to which (according to Kurzweil) is much farther than you can possibly imagine and much sooner than you think. One should have one’s mind blown every couple of years, and Kurzweil does exactly that.

Just when I thought the future was bright and sunny (in part due to Kurzweil), I learn from James Barrat that ASI (Artificial Super Intelligence) might well mark the end of our species (and the start of an ever-expanding artificial replacement).

I was fascinated by the people Barrat introduces us to like an expert on the psychology of ASI, and his description of a perfect machine and its runaway implications. I realized this is modernity at its best and worst: we push forward to improve the world but are always at the risk of creating new, unseen problems.

The most troubling question of all (to my way of thinking) is that our idea of perfected humanity (both a modern and a pre-modern aim) ends in the vision of machines like Watson playing endless games of Jeopardy among themselves.

This book so impressed me because it highlights how pressing the Dreyfus scandal was. I was especially drawn in because, while Harris knows this is a tale of anti-Semitism (and a harbinger of the Holocaust), she also elicits its distinctly modern aspects.

I was amazed to discover how Dreyfus was a polarizing figure not just because he was Jewish but because the acceptance of a Jew into the ranks of society struck many Frenchmen as a sign of how much their world was being overturned.

My suspicions about modernity were confirmed: it doesn’t merely advance our technology but affects every facet of society at once: our fashions, economy, politics, and morals (usually for the better). The book is also a great history (something else that I love).

I was nine and still getting used to life in America after moving from Iraq five years prior, when my family moved us to Saudi Arabia. Scared and lonely, I felt more like an outsider than ever before and reading became my solace. I discovered this hilarious book and instantly fell in love with it; mainly because it depicted the author’s dysfunctional British family during their time living abroad in Corfu. In addition to the humor that naturally comes from “fish out of water” stories, it was the first time I’d read a literary account about a family as colorful as mine. It encouraged me to view my family not as a source of annoyance (as I’d been doing prior to that point) but as a source of entertainment.

We all know Beatrix Potter wrote and illustrated Peter Rabbit and other children’s books, but how many people are aware that young Beatrix was a groundbreaking mushroom scientist? In Beatrix Potter, Scientist, Metcalf unveils the secret scientific side of Beatrix Potter, long before her books became classics. Beatrix studied all sorts of fungi, discovering a mushroom known as the Old Man Of The Woods, but as a female she was prohibited from presenting a scientific paper to London’s Linean Society. I love one of this book’s underlying messages, that someone can be an artist AND a scientist; there’s no need to choose one or the other. There’s also a terrific author’s note and strong supporting end matter for further study.

My own kids absolutely devoured non-fiction when they were middle-graders, and this book would have topped their lists. Torpedoed tells the story of the torpedoing and tragic sinking of the SS City of Benares, an ocean liner bearing English evacuees to Canada. Full of photographs, excerpts from letters, first-person accounts, and ephemera like packing lists, other evacuation paperwork, and even the ship’s emergency drill instructions, Deborah Heiligman’s book belongs in every middle-grade non-fiction collection. There is heartbreak and tragedy in these pages, but there is also extraordinary bravery and heroism. I can’t recommend this one highly enough.

I was heavily influenced by the storytelling and humor in this memoir, as well as the comic and childish cover and illustrations. Although I had a very different upbringing, I wrote in a similar style. Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny, especially for adults. He tells of crazy conflicts in his English schools with headmasters and teachers, and I had similar experiences. He writes of a visit to a chocolate factory, whereas our town’s factories were not so innocent. The air was filled with the by-products of pesticide, herbicide, plastics, fertilizer, and steel castings production, as well as a slaughterhouse. Roald Dahl employed a professional illustrator to add humor, whereas I decided to learn how to draw, coming up with over 50 illustrations to amplify the humor.

Mixing official documents with real, remembered events, Lemn Sissay’s memoir is a search for identity, for his true name. Left in a home in Liverpool for unmarried mothers, he is moved between a series of foster and care homes, until he is given access to all his records in 2015, after a thirty-year campaign to find them. He finds who he really is. It’s an honest, poignant, unsettling, and heartfelt journey, revealing how a small boy’s life is shaped by ‘the authority’ and the faceless state. Complimented with inspiring poems and useful resources, this is a hopeful and helpful book. 

We’re all familiar with wartime images of young evacuees gathered together on railway stations. But over fifty percent of children were not evacuated from British cities, and it is they that Penny Starns has studied. Once we get past the mothers’ ‘keep or send’ moral dilemma, there are the issues of discipline, education, health, food, and psychological development to consider. Starns takes these subjects chapter by chapter, relating stories of disease, poverty, criminality, and terror (including one child who spent the night in a shelter within reach of an unexploded bomb). These tales she counterpoints with examples of unexpectedly increasing emotional and physical wellbeing amongst some of the stay-behinds. This is an important record of the experiences of a demographic that war histories often ignore.