I've always been interested in Native American culture, while at the same time horrified at the way most European settlers treated them. (My best friend as a child was Native American.) Without consciously planning on it, many of my other books and short stories feature Native American customs and characters—though not as thoroughly as Red Sky, Blue Moon. I've also always been fascinated by Viking history, though I only recently discovered I'm a direct descendant of a fairly famous Viking—Rollo. I had no particular expertise with these cultures when I began this book, but I spent many hours of research to be sure I got everything right.
On an alien world where various Earth cultures have been transplanted centuries ago by otherworldly scientists, a Viking society evolves over the centuries into a cutthroat corporate culture of racial purists in an early industrial civilization. They have designs on the lands of a nearby continent where tribes of Sioux still cling to their old ways. War ensues, and at the core of the conflict is a native herb that may be the cure for a disease that ravages the corporatocracy, as well as being the secret to longevity.
It turns out the Vikings and the Sioux are not the only cultures transported to this world and, ultimately, this great speciation experiment will have unexpected and dire consequences for the experimenters.
Unarguably one of the greatest science fiction books ever, every time I read DuneI marvel at the complexity of the world Frank Herbert has created. The incorporation of Islamic culture and beliefs, along with some Medieval European tropes is fantastic. While the protagonist is just a teenager, this is no young adult book. I like the way it deals with real-world problems and character interaction from a mature perspective. There is good and evil and many shades in between. This is not only the tale of a stranger in a strange land, but one who's destined to become the godlike leader of the planet he's thrust upon...whether he wants it or not. I've always found this book an incredible blend of adventure, environmentalism, politics, and mysticism.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I'd never known anything about Gypsy culture (except cinematic stereotypes) until I read Silverberg's Star of Gypsies. Even though this book takes place on other worlds, centuries into the future, the traditions and the society of Gypsies survives. These nomadic spacefarers have evolved into important pieces of a galactic empire – an empire upon which the protagonist will have a profound effect. I loved the inventive world building and the complex yet often humorous main character, Yakoub. The tale fully engaged me from the very beginning and is one of those books I give my highest compliment – a page-turner you don't want to put down.
Yakoub was once the legendary King of the Rom, the Gypsy race that has evolved from the days of caravans into lords of the spaceways - the only pilots capable of steering ships safely between the many worlds of the Galaxy. Weary and proud, Yakoub has relinquished his power and lives in exile on a distant, icy world. In his absence, chaos fills the vacuum of power. The fate of the entire Galactic Empire hangs in the balance. Yakoub must journey across the cosmos and fight to regain his throne. Only then can he fulfil his dream - to return…
Like Dune, this book revolves to a degree around a holy war. But instead of an Islamic-based culture carried to another world, this one is Hindi and Buddhist. I love a book with great world-building, and this one certainly qualifies. It not only invoked my sense of wonder, but was, at times, spiced with both humor and wisdom. It's full of complex characters, but ones you immediately empathize with.
Imagine a distant world where gods walk as men, but wield vast and hidden powers. Here they have made the stage on which they build a subtle pattern of alliance, love, and deadly enmity. Are they truly immortal? Who are these gods who rule the destiny of a teeming world?
Their names include Brahma, Kali, Krishna and also he who was called Buddha, the Lord of Light, but who now prefers to be known simply as Sam. The gradual unfolding of the story - how the colonization of another planet became a re-enactment of Eastern mythology - is one of…
I loved the use of Norse mythology and culture in this book, which is the first in a series. Once again I was enveloped in marvelous world-building and a society from Earth that both transformed and stayed the same, light years away from where it originated. It's full of beautiful language and astounding images. Many stories are described as "epic," but this one truly is. I also like how it's sometimes difficult to tell the heroes from the villains because the characters are all so well-rounded.
It all began with Ragnarok, with the Children of the Light and the Tarniished Ones battling to the death in the ice and the dark. At the end of the long battle, one Valkyrie survived, and one valraven - the steeds of the Valkyrie. Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand. More than two thousand years later, Muire is in the last city on the dying planet, where the…
I liked the unusual idea of having a Native American tribe to be the first humans to conquer space and create an interstellar nation. Overall it combines great science fiction concepts and world-building with powerful human drama. I found this book "spoke to me" in ways others don't, playing upon my lifelong interest in Native American culture.
In this tale of settler worlds a newspaperman and his friend,Wanderer,are forced to travel worlds in search of a lost guardian spirit through danger and evil,then into war.This is soft SF of lost love and the power of friendship.
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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