Here are 100 books that Lord of Light fans have personally recommended if you like
Lord of Light.
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Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
Like The Ballad of Songbirds and Snakes, Frank Herbert’s book tells the story of a man who could be the villain or the hero, depending on who you ask. I love watching how an intelligent yet malleable person can be swept up in feelings of duty, responsibility, and leadership only to make highly questionable decisions.
Paul Atreides’ moral ambiguity is undeniably engineered by the shifting and slimy political landscape of the Dune universe, driving home the idea in my mind that good worldbuilding can set the stage for truly complicated characters.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
I've always been interested in Native American culture, while at the same time horrified at the way most European settlers treated them. (My best friend as a child was Native American.) Without consciously planning on it, many of my other books and short stories feature Native American customs and characters—though not as thoroughly as Red Sky, Blue Moon. I've also always been fascinated by Viking history, though I only recently discovered I'm a direct descendant of a fairly famous Viking—Rollo. I had no particular expertise with these cultures when I began this book, but I spent many hours of research to be sure I got everything right.
I loved the use of Norse mythology and culture in this book, which is the first in a series. Once again I was enveloped in marvelous world-building and a society from Earth that both transformed and stayed the same, light years away from where it originated. It's full of beautiful language and astounding images. Many stories are described as "epic," but this one truly is. I also like how it's sometimes difficult to tell the heroes from the villains because the characters are all so well-rounded.
It all began with Ragnarok, with the Children of the Light and the Tarniished Ones battling to the death in the ice and the dark. At the end of the long battle, one Valkyrie survived, and one valraven - the steeds of the Valkyrie. Because they lived, Valdyrgard was not wholly destroyed. Because the valraven was transformed in the last miracle offered to a Child of the Light, Valdyrgard was changed to a world where magic and technology worked hand in hand. More than two thousand years later, Muire is in the last city on the dying planet, where the…
I am fascinated by crows and ravens and their incredible abilities, including facial recognition and gift-giving. So I knew from the start that they would factor into my novel about a superstitious woman who interprets wild animal sightings as omens meant just for her (a habit I admit might be pulled from my own behavior…). For this list, I found five excellent novels that do more than give lip service (beak service?) to the noble creatures. Crows and ravens are integral to these plots. Not surprisingly, some present the birds as sinister and foreboding, others as prophetic and insightful. All, rightly so, acknowledge their intelligence.
No list of crows and ravens in fiction can ignore this book. While I don’t like crows being depicted as the bad guys, I do love King’s depiction of crows throughout this thriller as powerful and intelligent. However, those abilities come in part or maybe wholly because the crows are in service to the Devil.
In this ultimate Good vs. Evil story, villain Randall Flagg is a shape-shifter who sometimes appears in the form of a crow. Crows have other, somewhat vague, and therefore scary roles in the saga. Sometimes, the crows come across as spies for Flagg’s army, and sometimes, they seem to appear as harbingers foreshadowing an appearance by Flagg. The birds in this book definitely lean sinister, but hey, it is a Stephen King novel, after all.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
I’m an Irish author who lives close to three very different forests: deciduous, planted coniferous, and the planned gardens of a former stately home that once welcomed WB Yeats and several other famous writers. I’ve always loved the woods – it often feels like stepping through a portal into some other, stranger parallel world – and drew huge inspiration from these places for Shiver the Whole Night Through. I wanted the forest to feel like a character, which was sentient and had agency. I incorporated several real-life locations into the fictional Shook Woods…and wrote a lot of the story in the forest, gazing into the dark trees, waiting for them to speak.
A tropical forest in Africa is the epicentre of a bizarre and very troubling phenomenon. Through a sort of “leak” in space-time, everything is slowly turning to crystal, and this “disease” will eventually seep out into the rest of the world. An English doctor goes on an Apocalypse Now-style journey into the forest to try and understand. Ballard’s sci-fi classic is as weird and thought-provoking as always, and the forest itself is a palpable presence throughout.
From J. G. Ballard, author of 'Crash' and 'Cocaine Nights' comes his extraordinary vision of an African forest that turns all in its path to crystal.
Through a 'leaking' of time, the West African jungle starts to crystallize. Trees metamorphose into enormous jewels. Crocodiles encased in second glittering skins lurch down the river. Pythons with huge blind gemstone eyes rear in heraldic poses. Most flee the area in terror, afraid to face a catastrophe they cannot understand.
But some, dazzled and strangely entranced, remain to drift through this dreamworld forest: a doctor in pursuit of his ex-mistress, an enigmatic Jesuit…
I was always a bookworm, even reading the encyclopedia as a child. I was equally drawn to the sciences and literature and ended up getting a PhD in Chemistry. I visited Asia often for my chemistry work and gradually became interested in the philosophy and religion of Asian cultures. Today, I'm more likely to brag about what I’ve written or read about Chinese culture than I am to mention my technical patents.
I first read the Canticle forty years ago, and yet, when asked to recommend five books, this was the first one that came to mind. It threw me into an insane world, yet one that seemed only too possible.
My favorite character is Abraham, a tent-dwelling timeless man who lives through the several generations that the book follows. I am not a fan of dystopia, but this is an exception. Now that I’ve recommended it- I’m going to go read it again.
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
I became hooked into science fiction as a kid the day I read an illustrated book of 20,000 Leagues Under the Sea. From then on, science fiction became an important part of my reading repertoire. Having wide-ranging interests, I enjoy military techno-thrillers, Anglo-French naval warfare, Greek/Egyptian/Roman mythology, most sciences, history of religions, with an occasional novel that strays from the norm and adds a sparkle to my reading. Mary Stewart’s The Crystal Cave and The Hollow Hills are very close to my heart. Just shows that I’m different. After all, I must do something when I am not writing my own novels! Although I have an extensive library of modern science fiction works, I am fond of many oldies.
Told by a master storyteller I enjoy reading, this book grabbed me immediately and drew me inexorably into the main character’s life as an eternity technician.
Not a unique theme – man manipulating his future – but I liked the twist when all future is threatened for the love of one woman. I kept turning pages, wanting to know how my hero would reconcile forbidden love at the price of eternity’s end.
This is a thoughtful book that denied me peace until it ended. I liked the technical concepts revealed in the story and how they were woven into very human reactions. A lesson for our modern time?
A spellbinding novel set in the universe of Isaac Asimov’s classic Galactic Empire series and Foundation series
Due to circumstances within our control . . . tomorrow will be canceled.
The Eternals, the ruling class of the Future, had the power of life and death not only over every human being but over the very centuries into which they were born. Past, Present, and Future could be created or destroyed at will.
You had to be special to become an Eternal. Andrew Harlan was special. Until he committed the one unforgivable sin—falling in love.
I’m a novelist and student of the imagination living in Honolulu. I actually write most of my fiction inside a volcano: Koko Crater, a botanical garden near my home. Fantasies, visions, hallucinations, or whatever we call those irrational powers that illuminate our inner life fascinate me. I’m particularly intrigued by the creative intelligence that scripts our dreams. And I love how this dramatic energy finds its way to the page, into the one form that most precisely defines who we are: story.
When I first read this novel at age 15, I knew upon finishing that I wanted to be a science fiction writer. The strangeness of the tale enchanted me. And, by dint of that spell, my mind opened to the author’s philosophical insights about identity, cultural dreaming, and sexuality. Set on a far-future Earth where humanity is a mythical memory, the narrator assumes an identity based on Orpheus – and so, lost love and music play witching roles. Meaning is elusive, and that's part of the book's charm. Meaning in this story is also allusive, and the many legendary and literary references in the telling wander far from their origins and lead us to unexpected associations with our own time and lives.
The Einstein Intersection won the Nebula Award for best science fiction novel of 1967. The surface story tells of the problems a member of an alien race, Lo Lobey, has assimilating the mythology of earth, where his kind have settled among the leftover artifacts of humanity. The deeper tale concerns, however, the way those who are "different" must deal with the dominant cultural ideology. The tale follows Lobey's mythic quest for his lost love, Friza. In luminous and hallucinated language, it explores what new myths might emerge from the detritus of the human world…
I craved attention as a child, and often used humor to get it. I also loved to read. As I aged, I was increasingly struck by the absurdity of the human condition and was drawn to stories that dealt with the ridiculous, nonsensical, and incongruous sides of life. Prone to depression and fascinated by Freud, I became a clinical psychologist, only to discover that my colleagues were as emotionally disturbed as I was! I even wrote a book about it, titledA Curious Calling: Unconscious Motivations for Practicing Psychotherapy. So, when I turned to writing fiction—Otto Grows Down, Duckworth: The Difficult Child, and Incognolio—I reveled in the absurd.
Calvino’s Cosmicomicsis perhaps the funniest and most outlandish collections of short stories I’ve ever come across. Think Stephen Hawking’s A Brief History of Time meets Alice in Wonderland. Starting with the Big Bang and charting the entire evolution of the universe and of life on Earth, Calvino’s narrator shape-shifts from a man, to a dinosaur, to a mollusk, a single-cell organism, a subatomic particle, and even a disembodied being. In this linked collection of modern fairy tales, the author displays wild flights of imagination, combining scientific rigor with an uproarious repudiation of logic. Oh, and the narrator’s name is Qfwfq.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
My twenty books have won top awards for lifetime scholarship in American studies, science fiction, prison literature, the Vietnam war, and marine ecology. My writing is just part of my six decades as an activist for peace and justice, which made me a major target of the FBI’s operation COINTELPRO and led Stanford to fire me from my tenured professorship. I then taught for 40 years at Rutgers University in Newark as The John Cotton Dana Professor of English and American Studies.
No other book has influenced me so deeply. Arthur C. Clarke wrote it is "probably the most powerful work of imagination ever written." As I now reread Star Maker, published in 1937 when I was three years old, I still find passages so profound that they send my mind into orbit. The book takes us through time and space to a future when that entire conscious cosmos yearns to meet its creator. It ends with a prophetic awareness that “the struggle of our age was brewing” and the hope that our species can make it “before the ultimate darkness.”
This bold exploration of the cosmos ventures into intelligent star clusters and mingles among alien races for a memorable vision of infinity. Cited as a key influence by science-fiction masters such as Doris Lessing, this classic has left its mark not only in modern literature but also in the fields of social anthropology and philosophy. Olaf Stapledon's 1937 successor to Last and First Men offers another entrancing speculative history of the future. Its narrator, a contemporary Earthman, joins a community of explorers who travel to the farthest reaches of the universe, seeking traces of intelligence. Along the way, they encounter…
Growing up, books weren’t just something I read—they were portals to futures filled with wonder, adventure, and possibility. There was something captivating about science fiction in particular: it was more than just space battles and shiny gadgets. It was about what the future could be—our potential, our challenges, and how we might navigate the unknown. Looking back, a few books and authors had a lasting impact on me, not just as a reader but as a writer. I’ll walk you through five that really stood out and shaped the way I see the world and, ultimately, likely inspired my series.
I love this book for its poetic, dreamlike quality. Bradbury’s writing pulled me in and didn’t let go, painting a picture of Mars that was both beautiful and tragic. As a pre-teen and a teen, in my imagination, I had red dust stuck to my feet, and I was there with the characters. What captivated me was the way the stories felt timeless—each one was like a snapshot of a moment layered with meaning.
I felt like I wasn’t just reading a book about colonizing Mars; I was exploring humanity’s deepest fears, hopes, and regrets. We have companies only today working on getting to Mars, I feel so upset that I know I will likely never set foot on those dusty red shores, but I am thrilled to know it may still happen for others.
Bradbury’s work made me think about the consequences of exploration—how, in our quest to conquer…
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
