Here are 100 books that The New Wilderness fans have personally recommended if you like
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I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
An evolutionary biologist and an excellent storyteller, Menno Schilthuizen gives a lively, upbeat survey of the myriad ways in which nonhuman life adapts to urban environments. Schilthuizen frames the city as one of nature’s many engineered environments: just as beetles evolved to live in anthills and whole-food webs rely on beaver-constructed wetlands, human cities provide homes for plant and animal life all over the world. This story goes far beyond peppered moths adapting to smog-stained trees. Schilthuizen delves into concepts like preadaptation and fragmentation to provide a nuanced and varied picture, allowing a more precise understanding of what is new in the Anthropocene and drawing connections between cities from Singapore to Paris.
We are marching towards a future in which three-quarters of humans live in cities, more than half of the landmass of the planet is urbanized, and the rest is covered by farms,pasture, and plantations. Increasingly, as we become ever more city-centric, species and ecosystems crafted by millions of years of evolution teeter on the brink of extinction - or have already disappeared.
A growing band of 'urban ecologists' is beginning to realize that natural selection is not so easily stopped. They are finding that more and more plants and animals are adopting new ways of living in the seemingly hostile…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Maples, magnolias, oaks, and ailanthus: from the native to the exotic, from the carefully cultivated to the weedy and unwanted, Dümpelmann tells the history of the trees that line our city streets in two complementary case studies. Beginning in the late nineteenth century, trees became yet another technology of urban planning, bent to human designs by tree surgeons, dendroscopes, and all manner of other fantastic inventions. Dümpelmann avoids the pathos of the solitary tree sandwiched between asphalt and concrete. Instead, her story is one of flourishing mutualism: as trees became urbanized, cities became naturalized. Urban trees tell very human stories of war and politics and peace, but also resist our control, and make the city a little bit wild.
A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity's changing relationship with nature and the city
"A deep . . . dive into urban society's need for-and relationship with-trees that sought to return the natural world to the concrete jungle."-Adrian Higgins, Washington Post
Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize
Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dumpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon.…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
From microscopic tardigrades in the moss on her roof to a cacophony of crows in an Ikea parking lot, Brenner finds teeming nonhuman life in the most overlooked urban spaces of her Seattle hometown. Her pocket-sized safaris combine personal discovery and well-researched investigations into history, science, and policy. Most importantly, by shifting our vision to see all the non-human life that is already here, Brenner gives her readers an accessible, everyday antidote to the supposed “nature deficit” of cities.
2021 PNBA Book Awards finalist 2021 Washington State Book Awards finalist With wonder and a sense of humor, Nature Obscura author Kelly Brenner aims to help us rediscover our connection to the natural world that is just outside our front door--we just need to know where to look.
Through explorations of a rich and varied urban landscape, Brenner reveals the complex micro-habitats and surprising nature found in the middle of a city. In her hometown of Seattle, which has plowed down hills, cut through the land to connect fresh- and saltwater, and paved over much of the rest, she exposes…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Nature takes on different meanings in the landscape of the post-industrial city. On a city block in the middle of a shrinking city, the return of green space can signify abandonment, disinvestment, and decay instead of healing, flourishing, or balance. Cialdella brings much needed nuance and historical context to the place of nature in postindustrial Detroit, providing a wider range of stories about the ways in which gardens and green, from the wide expanse of Belle Isle to urban potato patches and backyard sunflowers, have helped connect communities to the city and each other. Nature in the city doesn’t replace people; it helps them flourish.
Motor City Green is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city's industrial rise and decline, and racial segregation and economic inequality. As the city's social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to…
In both reading and writing fiction, the inciting incident – the murder, accident, or main event of a story – is less fascinating to me than the rich characters that surround it. I’m deeply interested in the lives of women and the ties between them, be they family or not. Whether we’re talking about familial sisters or sisterhood as a broader concept, the tensions, fierce loyalties, oppressions and liberations of women are where my interests will always lie. To my own sister and every one of the wise women who have cheered me on and helped shape my life so far, power to you all! I hope you enjoy these recommendations.
What if, all over the world, women suddenly discovered they now had all the power? Questions around equality are always at the center of my own writing and much of what I read, so this book went straight to the top of my reading pile when it was released!
This is a dystopian novel with a difference – it turns the status quo of millennia upon its head to create a world in which girls and women can literally dominate men with a flick of the fingers and a flash of electrocution. Bad men are overthrown, and new sisterhoods are formed, but as with all types of control, it doesn’t take long for power to turn to abuse. Everyone, men and women alike, should read it.
WINNER OF THE WOMEN'S PRIZE FOR FICTION ONE OF BARACK OBAMA'S BEST BOOKS OF 2017
'Electrifying' Margaret Atwood
'A big, page-turning, thought-provoking thriller' Guardian
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All over the world women are discovering they have the power. With a flick of the fingers they can inflict terrible pain - even death. Suddenly, every man on the planet finds they've lost control.
The Day of the Girls has arrived - but where will it end?
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'The Hunger Games crossed with The Handmaid's Tale' Cosmopolitan
'I loved it; it was visceral, provocative and curiously pertinent . . . The story has stayed…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
This book is dystopian and is really about the downfall of capitalism, but it starts in an office.
Candace Chen has her job and not much else. She goes to work and has little personal life outside of it. She barely even notices when a plague sweeps New York, and everyone leaves, and society crumbles. Her work keeps her busy, and she does it until the money she’s promised shows up in her bank account.
What caught my attention is how well the author communicates the idea that humans become completely adaptable to untenable systems at work, and we keep doing our jobs under nearly any circumstance. Even a plague.
This examination of the conditioning we get to put work first no matter what else is happening is a painful eye-opener. Better boundaries next time, I guess.
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.
"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org
“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle
NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
I’d categorise it as a dark thriller that created some of the tightest knots in my stomach. The concept alone was enough to generate terror, anxiety, and anger from the first page onward. But anything that involves the endangerment of children does that to me.
A gripping tale that puts the victims, both the kidnapped and the kidnappers, in peril from an unseen syndicate who controls their actions with a phone call.
When a mother is targeted by a dangerous group of masterminds, she must commit a crime to save her kidnapped daughter—or risk losing her forever—in this "propulsive and original" award-winning thriller (Stephen King).
It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a…
Call me a worrier, but I’ve always viewed the world as a place fraught with danger, especially for the very young. Hidden sinkholes, falling tree branches, kidnappers lurking on street corners—there’s no threat I haven’t imagined. (Full disclosure: I’m a mom.) As a fiction author, I like to put my young characters in harm’s way and then deliver them to safety, an approach that helps me deal with my anxieties by giving me a sense of control. If I had my way, all imperiled-child stories, whether real-life or fiction, would end with a happily ever after. Alas, not all of them do.
A three-year-old disappears during her wealthy father’s fiftieth birthday celebration. Is it a case of stranger abduction, or something more complicated? Don’t ask the police; they’re clueless—literally. The mystery hooked me from the start, and the characters (absolute jerks, most of them) were so real, I could almost smell their boozy breath. I never did guess the shocking “darkest secret,” but that’s for the best. Correctly predicting a plot twist might be satisfying in the moment, but I’m more impressed when an author surprises me.
"If there has been a better mystery-suspense story written in this decade, I can't think of it . . . transcend[s] the genre." -Stephen King
"A cruel and cunning mystery . . . Plot-twisting, mind-altering and monstrously funny." -The New York Times Book Review
The latest gripping psychological thriller from Edgar Award winner Alex Marwood
When a child goes missing at an opulent house party, it makes international news. But what really happened behind those closed doors?
Twelve years ago, Mila Jackson's three-year-old half-sister Coco disappeared during their father's fiftieth birthday celebration, leaving behind her identical twin Ruby as the…
Call me a worrier, but I’ve always viewed the world as a place fraught with danger, especially for the very young. Hidden sinkholes, falling tree branches, kidnappers lurking on street corners—there’s no threat I haven’t imagined. (Full disclosure: I’m a mom.) As a fiction author, I like to put my young characters in harm’s way and then deliver them to safety, an approach that helps me deal with my anxieties by giving me a sense of control. If I had my way, all imperiled-child stories, whether real-life or fiction, would end with a happily ever after. Alas, not all of them do.
Three families on a cruise go ashore in Central America. Then the unthinkable happens: their children vanish. Thankfully, I’ve never experienced that particular nightmare, but years ago my four-year-old son went AWOL for about five minutes while we were at the airport. I was a quivering blob of panic until kiddo turned up safe and sound. Of course, for the parents in this story, the terror stretches on for much longer than five minutes—and, believe me, you wouldn’t want it any other way. The unrelenting tension is just one of the elements that make this novel such a compelling read.
When Liv and Nora decide to take their husbands and children on a holiday cruise, everyone is thrilled. The ship's comforts and possibilities seem infinite. But when they all go ashore in beautiful Central America, a series of minor mishaps lead the families further from the ship's safety.
One minute the children are there, and the next they're gone.
What follows is a heart-racing story told from the perspectives of the adults and the children, as the distraught parents - now turning on one another and blaming themselves - try to recover their children and their shattered lives.
