Here are 100 books that Motor City Green fans have personally recommended if you like
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I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
An evolutionary biologist and an excellent storyteller, Menno Schilthuizen gives a lively, upbeat survey of the myriad ways in which nonhuman life adapts to urban environments. Schilthuizen frames the city as one of nature’s many engineered environments: just as beetles evolved to live in anthills and whole-food webs rely on beaver-constructed wetlands, human cities provide homes for plant and animal life all over the world. This story goes far beyond peppered moths adapting to smog-stained trees. Schilthuizen delves into concepts like preadaptation and fragmentation to provide a nuanced and varied picture, allowing a more precise understanding of what is new in the Anthropocene and drawing connections between cities from Singapore to Paris.
We are marching towards a future in which three-quarters of humans live in cities, more than half of the landmass of the planet is urbanized, and the rest is covered by farms,pasture, and plantations. Increasingly, as we become ever more city-centric, species and ecosystems crafted by millions of years of evolution teeter on the brink of extinction - or have already disappeared.
A growing band of 'urban ecologists' is beginning to realize that natural selection is not so easily stopped. They are finding that more and more plants and animals are adopting new ways of living in the seemingly hostile…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Maples, magnolias, oaks, and ailanthus: from the native to the exotic, from the carefully cultivated to the weedy and unwanted, Dümpelmann tells the history of the trees that line our city streets in two complementary case studies. Beginning in the late nineteenth century, trees became yet another technology of urban planning, bent to human designs by tree surgeons, dendroscopes, and all manner of other fantastic inventions. Dümpelmann avoids the pathos of the solitary tree sandwiched between asphalt and concrete. Instead, her story is one of flourishing mutualism: as trees became urbanized, cities became naturalized. Urban trees tell very human stories of war and politics and peace, but also resist our control, and make the city a little bit wild.
A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity's changing relationship with nature and the city
"A deep . . . dive into urban society's need for-and relationship with-trees that sought to return the natural world to the concrete jungle."-Adrian Higgins, Washington Post
Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize
Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dumpelmann explains, the planting of street trees in cities to serve specific functions is not a new phenomenon.…
I’ve always loved to dip into speculative worlds as a way of gaining a new perspective on conundrums in the real world. In the real world, so many of us are plagued by concerns or frustrations having to do with connection and commitment, and those concerns transcend whatever place or moment we’re living in. So, by dropping those concerns into a surreal setting, I get another way to tussle with them.
As a writer who’s interested in what comes next—after climate change, after fascism—I love how Diane Cook uses broad brush strokes to show us the future, without going into too much history or detail.
Instead of hyper-focusing on what the future holds for us, Cook directs our attention to one small, outlier community that’s doing weird things. This is a great technique: she paints a picture of a future world by painting a picture of a fringe group that’s trying desperately to be different from the main one.
A mother-daughter drama drives the plot forward, and we learn about the rules and ruminations of the fringe group as the characters sort out their power struggles.
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
From microscopic tardigrades in the moss on her roof to a cacophony of crows in an Ikea parking lot, Brenner finds teeming nonhuman life in the most overlooked urban spaces of her Seattle hometown. Her pocket-sized safaris combine personal discovery and well-researched investigations into history, science, and policy. Most importantly, by shifting our vision to see all the non-human life that is already here, Brenner gives her readers an accessible, everyday antidote to the supposed “nature deficit” of cities.
2021 PNBA Book Awards finalist 2021 Washington State Book Awards finalist With wonder and a sense of humor, Nature Obscura author Kelly Brenner aims to help us rediscover our connection to the natural world that is just outside our front door--we just need to know where to look.
Through explorations of a rich and varied urban landscape, Brenner reveals the complex micro-habitats and surprising nature found in the middle of a city. In her hometown of Seattle, which has plowed down hills, cut through the land to connect fresh- and saltwater, and paved over much of the rest, she exposes…
As I mention in my book picks, I’m a romantic. I love stories with characters who have big emotions, even more so if they face unique challenges. And I have always loved reading – I was the kid lugging 12 books home from the library. (Technically, we were only allowed six at a time, but I used my brother’s library account and checked out his share too!) Reading that many books, I discovered that a lot of the plots get repeated, so I’m always on the lookout for something fresh. In my previous Young Adult novels, I’ve tried to put my own stamp on romance by focusing on queer protagonists and kids of color.
If you love music and you love romance, you’re going to adore Love Radio.
I’m a romantic from way back, so it was a lot of fun watching Prince try to impress Dani with three dates (which he says is all he needs to get her to fall in love with him). I also enjoyed how hard she made it for him—a girl who knows what she wants for her future, she wasn’t about to get played.
This was one of my favorite books of 2022 in any category.
“Readers won’t be able to get enough of these dope-ass characters.” —Elizabeth Acevedo, author of Clap When You Land
Hitch meets The Sun Is Also a Star in this “mega swoon-worthy, effortlessly cool” (Casey McQuiston, New York Times bestselling author) novel about a self-professed teen love doctor with a popular radio segment who believes he can get a girl who hates all things romance to fall in love with him in only three dates.
Prince Jones is the guy with all the answers—or so it seems. After all, at seventeen, he has his own segment on Detroit’s popular hip-hop show,…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Perhaps from the outside Detroit might look like a humorless place. A native of the city, Foley shows us just how untrue that is. Boys follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City, with a narrative both hilarious and touching.
Published by Belt Publishing, a relatively new publisher focusing on the Rust Belt, Boys gives readers an inside view of the city and Black culture that can be radically different from the ones often portrayed in the media. This book can take you to a world much more beautiful and strange.
This hilarious, touching debut novel by Aaron Foley, author of How to Live in Detroit Without Being a Jackass, follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City.
Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try and get back on track in his hometown of Detroit. He’s got one objective — exit the shallow dating pool ASAP and get married by thirty-five — and the deadline’s approaching fast.
I've been a fan of Tamora Pierce for nearly as long as I've been writing—well over twenty years. She's been an enormous inspiration throughout my authorship. Her books have accompanied me through many travels, waited in my bag during classes and life events, and I've given them as gifts to other people. Finding books and authors for a more adult audience, which possess that same essence—strong characters, magic, found family, adventure, a touch of romance, and some historical or mythological influence—is a fantastic hunt. I hope you enjoy these. I'm going to look for some more!
I can practically hear you protest this choice… But, Christina, that's urbanfantasy! Trust me, it's got what you're looking for. Mythologically inspired dragons, cats, spirits, magic, powerful motives, a diverse cast… I love the audacity Rachel Aaron displayed in making her main character a dynamic pacifist. Also, the DFZ is a great lesson in how to make a location into a character. This series traveled with me through one of the most difficult years of my life, and Julius helped me keep my focus while Marcy and Ghost reminded me it was okay to bend the rules. Go check it out!
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
A powerful, riveting, and unputdownable tale of three women from different eras (Civil War to present) that frames the issue of race relations within the context of family relationships, making the subject immensely relatable and deeply touching. Bartels spins this masterful tale with a deft touch and a caring heart to create a stunning debut. Because the characters were so vivid and the emotions so real, this book opened my eyes in new ways to an issue that remains a hot button in today’s society.
A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist
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"In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review
"A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans…
I chose these stories because as a Black woman, seeing characters like me in stories as the main character instead of the sidekick or friend is always so refreshing. Like the main characters of my own novels, Black women taking charge is something to be celebrated.
The first time I read this book I was just a teenager. The story of a Black woman escaping domestic abuse and raising children on her own was something I had watched play out in my own family. I could see my grandmother in those pages, my mother in the struggles described, my aunts' resentments, and my uncles' poor choices clearly in the story. It felt like someone had peeked into my own family history and put it to paper.
Although McMillan is often overlooked as a writer, Mama is not a story to be missed.
A “funny [and] touching” novel of an African American woman determined to triumph, by the #1 New York Times–bestselling author of Waiting to Exhale (Detroit Free Press).
Mildred Peacock is fed up with poverty—and with the jealous rampages of her husband, Crook. When Crook runs over her foot with his ’59 Mercury, she finally kicks him out to raise her five kids on her own.
Resourceful and sly, sassy and sexy, she’s willing to do just about anything to pay the bills. But she loses job after job, and one man after another, until alcohol and pills are her only…
