Here are 100 books that Blood and Thunder fans have personally recommended if you like
Blood and Thunder.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
This book took me on a rollicking romp through antebellum Central Texas when the American frontier ended just west of Austin (where I currently reside). Gwynne expertly breathes life into the Comanche way, how they mastered side-saddle riding and rifle shooting and became such an overwhelming force on the high plains that even Mexico retreated its northern border to San Antonio.
It was captivating how Gwynne placed the reader within U.S. forts during Comanche raids or inside sprawling Comanche camps, bustling with stolen horses, abducted Westerners and with drying buffalo hides. At the book’s crux is the remarkable story of Cynthia Ann Parker, who is abducted at a young age and raised among Comanche, and her mixed-blood son, Quanah, who becomes the tribe’s greatest and last chief.
In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.
S. C. Gwynne’s Empire of the Summer Moonspans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
The history of rum is, in so many ways, the history of Cuba. Bacardi shows this about as good as any book I’ve seen. I’m a first-generation Cuban-American (my parents left Cuba in the early ‘60s as teens and resettled to Miami).
So, it was particularly moving to follow the generational story of the Bacardis, the family from Santiago de Cuba who not only created what became the world’s best-known rum but whose patriarchs participated in or funded every coup, uprising, or political lurch in Cuba stretching back to the Spanish-American War.
I loved how Gjelten shepherds the reader from the horrors of the 19th-century war to the Cuban exodus following Fidel Castro’s ascent to power. It transported me to Cuba’s past and, more importantly, deepened my understanding of my own roots.
In this widely hailed book, NPR correspondent Tom Gjelten fuses the story of the Bacardi family and their famous rum business with Cuba's tumultuous experience over the last 150 years to produce a deeply entertaining historical narrative. The company Facundo Bacardi launched in Cuba in 1862 brought worldwide fame to the island, and in the decades that followed his Bacardi descendants participated in every aspect of Cuban life. With his intimate account of their struggles and adventures across five generations, Gjelten brings to life the larger story of Cuba's fight for freedom, its tortured relationship with America, the rise of…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
David Grann’s captivating tale of an 18th-century shipwreck placed me squarely on the deck of the ship, the Wager, as it lunged and hurled through battering waves off the coast of Patagonia, then ran aground. Then things got really interesting. The Wager was not just fun as hell; it was also instructive.
It showed me how to forebode and forewarn without giving away too much plot and how to keep the reader engaged through mazes of meticulously gathered research. And it did it all aboard a lunging, listing vessel, then through 18 months among castaways on a rocky outpost, as they struggled to survive scurvy, typhus, starvation–and each other.
'The beauty of The Wager unfurls like a great sail... one of the finest nonfiction books I've ever read' Guardian
'The greatest sea story ever told' Spectator
'A cracking yarn... Grann's taste for desperate predicaments finds its fullest expression here' Observer
THE INSTANT NEW YORK TIMES NO. 1 BESTSELLER
From the international bestselling author of KILLERS OF THE FLOWER MOON and THE LOST CITY OF Z, a mesmerising story of shipwreck, mutiny and murder, culminating in a court martial that reveals a shocking truth.
On 28th January 1742, a ramshackle vessel of patched-together wood and cloth washed up on the…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
I was trying hard not to rename an author in this exercise. But I admittedly failed. Sides does it again with The Wide, Wide Sea, an enthralling narrative on the final voyage of Capt. James Cook.
The author wastes no time putting me on the deck of the Resolute, Cook’s ship, for his third and final journey, as he and the crew sail to the Polynesian islands, Hawaii, up near the top of the earth and back to Hawaii–where he meets his demise. Even though you’re aware of the outcome, you can’t help but flip through pages with growing intensity, yearning to see how, exactly, this respected British admiral becomes the target of native hostility. Sides delivers.
NEW YORK TIMES BESTSELLER • NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW • A “thrilling and superbly crafted” (The Wall Street Journal) account of the most momentous voyage of the Age of Exploration, which culminated in Captain James Cook’s death in Hawaii, and left a complex and controversial legacy still debated to this day.
“Hampton Sides, an acclaimed master of the nonfiction narrative, has taken on Cook’s story and retells it for the 21st century.”—Los Angeles Times
On July 12th, 1776, Captain James Cook, already lionized as the greatest…
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
LaFarge’s first novel, Laughing Boy, about the love affair between a reservation Indian and one who had been raised in a religious school, won the 1930 Pulitzer Prize. LaFarge spent much of his life fighting for Native American rights, sometimes in the “dark of Washington.” I wanted to grow up to be an Indian. I still do.
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post
Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her.
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
I was inspired by his descriptions. He captures the ethos of a place, the unique attributes that elevate mere locations to sensory experiences. I use the five senses as a guideline when writing descriptions. Tony Hillerman can place the reader inthe scene, and I’m inspired to accomplish the same thing.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
“All of Tony Hillerman’s Navajo tribal police novels have been brilliant, but A Thief of Time is flat-out marvelous.”—USA Today
From New York Times bestselling author Tony Hillerman, A Thief of Time is the eighth novel featuring Lieutenant Joe Leaphorn and Officer Jim Chee as they find themselves in hot pursuit of a depraved killer.
At a moonlit Indian ruin where "thieves of time" ravage sacred ground in the name of profit, a noted anthropologist vanishes while on the verge…
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
Brugge., et al. rests its case on the personal lives of Navajos who became poisoned by the uranium that pervaded nearly the entire Navajo Nation from the 1940s until the mines were closed in the 1970s to about 2015.
Much of the editing was done by Navajos, which provides a clear and strong message describing how the many deaths from uranium poison have shredded the cultural fabric of Navajo life.
It is an intensely personal book that is very strong in its account of these effects on families, elders, and future generations.
Sixty years ago, the United States turned to the tiny atom to unleash the most destructive force known to mankind and bring an end to World War II. Ironically, the uranium used to create the most technologically advanced weapon ever invented came from the land of the most traditional indigenous people of North America, and was dug from the earth with picks and shovels...Lost in the history of this era is the story of the people - the Dine - who pulled uranium out of the ground by hand, who spoke and continue to speak an ancient tongue...By the thousands,…
Before I started writing, my understanding of war largely came about through its manifestation over subsequent decades in individuals. My grandfather selectively shared stories from his time as a bomber, then as a POW in Germany. Maybe it was this conjunction, a personal sense of rebuilding and of storytelling, that has driven my interest in the subject over these years, as a journalist and critic and then as an author of a book on the subject.
Wars take a long time to end. Work is done to bury the loss, grief, and guilt described above as quickly as possible. Oftentimes the forces that stand to profit from this forgetting succeed, except among those groups which are either ignored or for whom the loss is too deep. What Layli Long Soldier’s brilliant Whereas discloses is how the acts of government, the papers generated like planks over a well, seek to hide that grief and loss, and how those groups might reclaim the stories those papers hope to disappear.
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations.
I go by the title AmericanStudier in my public scholarship and take that name very seriously. I believe nothing is more important for our future than better remembering our past and that pushing the nation toward its most inspiring ideals requires grappling with our hardest and most painful histories. On my AmericanStudies blog, in my Saturday Evening Post Considering History column, and in all my other scholarly, public, and social media content, I am committed to sharing our histories and stories, figures and works, voices, and writing in all forms and for all audiences. I hope you’ll join me in this work by reading and sharing these great books!
No book captures more clearly and compellingly the horrific, inspiring, and vital histories and stories of Native Americans than Brown’s.
I love the ways that Brown offers a profoundly new perspective on the American West, on the foundational myths that too often limit the way we see ourselves and the realities with which we must grapple instead, and on Indigenous communities as an essential part of the American story at every stage.
Revisionist Westerns are one of my very favorite genres, and this is the best one I know.
The American West, 1860-1890: years of broken promises, disillusionment, war and massacre.
Beginning with the Long Walk of the Navajos and ending with the massacre of Sioux at Wounded Knee, this extraordinary book tells how the American Indians lost their land, lives and liberty to white settlers pushing westward. Woven into a an engrossing saga of cruelty, treachery and violence are the fascinating stories of such legendary figures as Sitting Bull, Cochise, Crazy Horse and Geronimo.
First published in 1970, Dee Brown's brutal and compelling narrative changed the way people thought about the original inhabitants of America, and focused attention…
I retired in 2019 after 38 years of teaching journalism, environmental studies, and Native American Studies at the University of Nebraska at Omaha. About half of my employment time was set aside for writing and editing as part of several endowed professorships I held sequentially between 1990 and 2018. After 2000, climate change (global warming) became my lead focus because of the urgency of the issue and the fact that it affects everyone on Earth. As of 2023, I have written and published 56 books, with about one-third of them on global warming. I have had an intense interest in weather and climate all my life.
While several other books describe uranium’s effects on the Navajos and other Native American peoples from individual effects of exposure and death, Wastelanding is strongest in building a strong case that all of these individual efforts constitute a clear case that environmental racism, as well as colonization, and gender discrimination, combine with the United States’ hunger for uranium in a new atomic age to make victims of people who had lived in the areas for millennia while leaving the uranium in the ground, which is exactly where the people decided it should stay.
Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike.
