Here are 100 books that Peninsula Sinking fans have personally recommended if you like
Peninsula Sinking.
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Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
Such a rule breaker. A complete disregard for the laws of nature. That can’t happen!I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.
The instant New York Times bestseller 'An unbelievable debut' New York Times
Racism, but "managed" through virtual reality
Black Friday, except you die in a bargain-crazed throng
Happiness, but pharmacological
Love, despite everything
A Publisher's Weekly Most Anticipated Book for Fall 2018
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of…
I’m a short story reader, reviewer, and writer. Short stories are a powerful form, combining the distilled intensity of poetry with the depth of character development. They allow enough space to get to know a character, feel the pain of their disappointments, to root for their ultimate success. Such moments reflect broader realities of a culture, a society, a people. A single-author collection gives great insight into a writer’s abilities and style. My own debut collection was a finalist for the Alistair MacLeod short fiction prize and is critically acclaimed, so hopefully, that means my careful reading of these collections has taught me a thing or two.
Christie’s stories are set in downtown eastside Vancouver, a neighbourhood notorious for junkies and homelessness. Of course, the realities are much more diverse.
These stories focus not only on the down-and-out but also on shop owners and others trying to make a go there, the traumatic things they witness and experience, and the guilt of surviving there. In prose that is sharp and witty, yet evocative and illuminating, he shows every character to be struggling, regardless of their situation.
It is a very real look at completely believable characters. And he sees them very clearly, shows their humanity, and finds compassion for all of them.
Critically lauded, The Beggar’s Garden is a brilliantly surefooted, strikingly original collection of nine linked short stories that will delight as well as disturb. The stories follow a diverse group of curiously interrelated characters, from bank manager to crackhead to retired Samaritan to web designer to car thief, as they drift through each other’s lives in Vancouver’s Downtown Eastside. These engrossing stories, free of moral judgment, are about people who are searching in the jagged margins of life―for homes, drugs, love, forgiveness―and collectively they offer a generous and vivid portrait of humanity, not…
I’m a short story reader, reviewer, and writer. Short stories are a powerful form, combining the distilled intensity of poetry with the depth of character development. They allow enough space to get to know a character, feel the pain of their disappointments, to root for their ultimate success. Such moments reflect broader realities of a culture, a society, a people. A single-author collection gives great insight into a writer’s abilities and style. My own debut collection was a finalist for the Alistair MacLeod short fiction prize and is critically acclaimed, so hopefully, that means my careful reading of these collections has taught me a thing or two.
Kerry Lee Powell writes some of the best sentences I’ve ever read. A lot of her opening lines (“Today's the day Mitchell Burnhope gets the royal shit kicked out of him” ... “I took my kung fu instructor off speed-dial today” ... “A dozen of us were dressed up as low-budget ghosts outside Earl’s Court tube station”) are arresting, instantly grabbing my attention, while hinting at something more, posing a question and inviting me to read on.
What was happening was usually much deeper than first expected. She's economic with her words, but in a few pages I came to care about the characters and I miss them now, feel like they're still out there somewhere wheeling and dealing to keep their head above water.
Ranging from an island holiday gone wrong to a dive bar on the upswing to a yuppie mother in a pricey subdivision seeing her worst fears come true, these acclaimed, deftly written stories are populated by barkeeps, good men down on their luck, rebellious teens, lonely immigrants, dreamers and realists, fools and quiet heroes. In Kerry Lee Powell’s skillful hands, each character, no matter what his or her choices, is deeply human in their search for connection. Powell holds us in her grasp, exploring with a black humour themes of belonging, the simmering potential for violence, and the meaning of…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When Jennifer Egan published “Found
Objects” “Safari,” and “Ask Me If I Care” in The New Yorker I knew she
was onto something, but I wasn’t prepared for the cumulative effect of A
Visit from the Good Squad, which bounces between past and present (and,
occasionally, into the future).
One character asks, “Time’s a goon, right?”
Time is, though I hadn’t considered how until surrendering to Egan’s vision,
which spans from NYC to Africa to PowerPoint. Whether this is a collection of linked
stories or novel or some other hybrid form is irrelevant; the book is pure sorcery.
It was one of the thrills of my career to bring Egan to Omaha in 2019 to lecture
to the University of Nebraska MFA in Writing.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
I am an Australian author and have been an avid reader all of my life. One of the topics I particularly enjoy is mystery and adventure. I became a writer to engage children’s imaginations and encourage them in their reading. So many struggle, as I discovered whilst assisting in classrooms over many years. Children love secrets and mysteries, and this is a great way to draw them in. Other themes such as teamwork and friendship are just as important, so I try to cover all bases. I hope you and your young readers enjoy my recommendations.
A fast-paced, action-adventure tale for young readers. 10-year-old Pearly is concerned after receiving a strange phone call from her parents. They belong to a top-secret group. She believes her parents are being held on a ship bound for Antarctica but realises that they are not there, and she becomes the one in trouble. How will this young adventurer solve what is happening? It's something to do with a great hairy beast that is believed to dwell in the icy landscape-a creature her parents would have liked to prove exists. Whilst Pearl is a worrier, she steps into the frame and exhibits newfound bravery and nerve, doing what she can to find her parents. An encouraging example to be brave in difficult circumstances.
The Antarctica awaits in this fast-paced adventure starring a plucky new heroine. Pearly must face her fears to save her parents, her pet pig, and the day!
Pearly Woe is a worrier. She worries about everything, especially that she'll never be brave enough to become a member of the top-secret group of stealth adventurers - The Adventurologists' Guild. Pearly also has a special talent - she can talk to animals. Her favourite animal to talk to is her pet pig, called Pig. But with her parents missing, Pig pig-napped and Pearly a stowaway on an icebreaker heading for Antarctica, Pearly's…
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Antarctica is the one continent I have never taken a photograph in. It has barely changed in the past 100 years, but Hurley’s images still take me to an unknown world and how people have struggled to survive there.
I love the way he can capture the majesty of a landscape that is mostly just one colour and how his photographs give a sense of the puny humans grappling with the harshness of the environment.
I’m a Brighton based writer. I’ve lived with bloody depression and frigging anxiety, since a child. I’m the founder of The Recovery Letters project, which publishes online letters from people recovering from depression, addressed to those experiencing it. It was published as a book in 2017 and Cosmopolitan named it "One of the 12 mental health books everyone should read". I also edited What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression. My fourth book, How to Tell Anxiety to Sod Off, is due out in 2022.
This isn’t a traditional travel book and not a traditional memoir about depression, but a combination of both. Her journey to Antarctica becomes a metaphor for her mental health struggles throughout her life, starting from childhood.
What I love about this book, and her writing in general, is the dark humour, her acerbic observations and true understanding of how paralysing and perilous depression can be. She understands how painful depression is, the depths it can take you to and seeing your own darkness reflected by someone else is both comforting and validating.
'I was so absorbed by her writing it was unreal . . . I find myself hungry to find the next morsel of who Jenny was and what her life was like' EMILIA CLARKE (on Why Didn't You Just Do What You Were Told?)
This strange and brilliant book recounts Jenny Diski's journey to Antarctica, intercut with another journey into her own heart and soul . . . a book of dazzling variety, which weaves disquisitions on indolence, truth, inconsistency, ambiguousness, the elephant seal, Shackleton, boredom and over and over again memory, into a sparse narrative, caustic observation and vivid…
I’ve always been fascinated by the razor-thin line between innovation and disaster—where progress often conceals a darker potential. As a Gen-Xer who grew up questioning authority, speculative fiction became my outlet for exploring these precarious themes. Now, as an author, I channel that curiosity into stories that push the boundaries of ethical ambition, forcing us to confront the unsettling truths behind our technological dreams. This list reflects my deep love for sci-fi thrillers that don’t just entertain but challenge us to examine the hidden costs of our relentless pursuit of progress.
This book blindsided me with its explosive blend of ancient mysteries and cutting-edge science. I was captivated by how Riddle wove together seemingly disparate elements—a structure in Antarctica, autism research in Jakarta—into a thrilling quest that challenges everything I thought I knew about human origins.
The ethical implications of these discoveries drove me to research and question long-held beliefs. This thriller didn’t just keep me up all night reading; it left me eager for the sequel.
Off the coast of Antarctica, a research vessel discovers a mysterious structure buried deep within an iceberg. Entombed for thousands of years, it can't possibly be man-made. But a secretive and ruthless cabal think they know what it is... and what it means.
The Immari have spent millennia preparing for the return of humanity's ancient enemy. Faced with an extinction-level threat, they believe mankind's only chance of survival will mean sacrificing 99.9% of the planet's population. It's a price the Immari are prepared to pay.
Geneticist Kate Warner and intelligence agent David Vale…
I'm a science fiction writer. If you write about time travel, one of the things you have to worry about is changing the past, the ‘gun for a dinosaur’ effect. If you go to the past and kill that dinosaur, will it affect the present? Maybe that dinosaur was the ancestor of all mammals. So, if you want to steal something from the past and bring it to now, you have to choose carefully. Something that has left no biological footprint. When I got that far, I remembered that Titus Oates walked off into the storm in Antarctica, never to be seen again, to save his companions. His body is still out there, frozen in a glacier … or is it?
Ernest Shackleton was Scott’s rival and companion, the one who was smart enough not to die. A later Antarctic explorer, Sir Raymond Priestly, famously said, “For scientific discovery give me Scott. For speed and efficiency of travel, give me Amundsen. But when disaster strikes and all hope is gone, get down on your knees and pray for Shackleton.” Shackleton’s last expedition was the stuff of legend. His ship the Endurance was trapped in the ice for ten months, and finally crushed by the ice and sunk. Shackleton marshalled his men to march across the floes dragging their boat, and then they sailed across the polar seas to Elephant Island where they finally were rescued more than two years after they set out. It’s an almost unbelievable feat.
After the conquest of the South Pole by Amundsen, who, by a narrow margin of days only, was in advance of the British Expedition under Scott, there remained but one great main object of Antarctic journeyings—the crossing of the South Polar continent from sea to sea. When I returned from the Nimrod Expedition on which we had to turn back from our attempt to plant the British flag on the South Pole, being beaten by stress of circumstances within ninety-seven miles of our goal, my mind turned to the crossing of the continent, for I was morally certain that either…
I'm a science fiction writer. If you write about time travel, one of the things you have to worry about is changing the past, the ‘gun for a dinosaur’ effect. If you go to the past and kill that dinosaur, will it affect the present? Maybe that dinosaur was the ancestor of all mammals. So, if you want to steal something from the past and bring it to now, you have to choose carefully. Something that has left no biological footprint. When I got that far, I remembered that Titus Oates walked off into the storm in Antarctica, never to be seen again, to save his companions. His body is still out there, frozen in a glacier … or is it?
Author Susan Solomon is a senior scientist with the US National Oceanic & Atmospheric Administration. She has uncovered what I believe is the real reason why Scott’s party couldn’t stagger back to safety. In the polar regions, the reason is always the climate. Even if you prepare carefully and well, sometimes it’s just too cold for human life. Scott and four companions were fighting an unbeatable foe, and they knew it. They died gallantly anyway, which is why a hundred years later we haven’t forgotten them. Solomon’s book came out in 2001, and she brings the tools of modern climate science to bear on Scott’s fate.
"These rough notes and our dead bodies must tell the tale." So penned Captain Robert Falcon Scott in 1912 as he confronted defeat and death in the crippling subzero temperatures of Antarctica. In this riveting book, Susan Solomon finishes the interrupted tale of Scott and his British expedition, depicting the staggering 900-mile trek to the South Pole and resolving the debate over the journey's failure.
"An absorbing, fascinating read . . . a book that will appeal to the explorer in everyone."-Sally Ride
"Solomon argues her case well, in exact and graceful prose."-Dennis Drabelle, Washington Post Book World
