Now, I’m a journalist who covers prisons—but a decade ago I was in prison myself. I’d landed there on a heroin charge after years of struggling with addiction as I bumbled my way through college. Behind bars, I read voraciously, almost as if making up for all the assignments I’d left half-done during my drug years. As I slowly learned to rebuild and reinvent myself, I also learned about recovery and hope, and the reality of our nation’s carceral system really is. Hopefully, these books might help you learn those things, too.
Growing up, Keri Blakinger threw herself into competitive figure skating with an all-consuming passion that led her to nationals. But when her skating career suddenly fell apart, that meant diving into self-destruction. For the next nine years, Keri ricocheted from one dark place to the next: living on the streets, selling drugs and sex, and shooting up. Then, on a cold day during her senior year, the police caught her walking down the street with a Tupperware full of heroin.
Her arrest made the front page of the local news and landed her behind bars for nearly two years. Along the way, she met women from all walks of life. Keri came to understand how broken the justice system is and who that brokenness hurts the most.
One of the best criteria for a book to read in prison is length. Sometimes it’s hard to get more books quickly, and since some facilities have limits on how many books you can have at one time, the longer the better. At 1,079 pages, David Foster Wallace certainly delivers on that front. In the free world, that might seem like a bit of a slog but the book is also funny and has some nuggets of wisdom about addiction and recovery that resonated with me when I read it a decade ago during a brief stint in solitary confinement.
'A writer of virtuostic talents who can seemingly do anything' New York Times
'Wallace is a superb comedian of culture . . . his exuberance and intellectual impishness are a delight' James Wood, Guardian
'He induces the kind of laughter which, when read in bed with a sleeping partner, wakes said sleeping partner up . . . He's damn good' Nicholas Lezard, Guardian
'One of the best books about addiction and recovery to appear in recent memory' Sunday Times
Somewhere in the not-so-distant future the residents of Ennet House, a Boston halfway house for recovering addicts, and students at the…
One thing prisons purposely do not do is teach you anything about the history of prisons. If you want to do that, you’ll have to do it on your own—and Oshinsky is such a great start. His 1996 book details the roots of Parchman prison in Mississippi and draws a line from slavery to convict leasing to modern-day penal farms.
In this sensitively told tale of suffering, brutality, and inhumanity, Worse Than Slavery is an epic history of race and punishment in the deepest South from emancipation to the Civil Rights Era—and beyond.
Immortalized in blues songs and movies like Cool Hand Luke and The Defiant Ones, Mississippi’s infamous Parchman State Penitentiary was, in the pre-civil rights south, synonymous with cruelty. Now, noted historian David Oshinsky gives us the true story of the notorious prison, drawing on police records, prison documents, folklore, blues songs, and oral history, from the days of cotton-field chain gangs to the 1960s, when Parchman was…
I read so much poetry in prison—words about survival, and loss, and absence. But one thing I did not read was poetry about people who’d been in prison like me, and wish I had. This poetry collection wasn’t out then, but I think I would have loved it if it were.
In fierce, agile poems, Felon tells the story of the effects of incarceration-canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood and grace-and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion.
This book is hard to find, but it was in the Tompkins County Jail Library and I fell in love on the first page, when the authors began describing the process of finding the inner strength to finish a seemingly impossible journey. In their case, the journey was an Antarctic expedition—but the words felt surprisingly germane to my own journey through the legal system.
“Success on an expedition (as in life),” the authors wrote, “isn’t about brute strength, or even endurance, but resilience: the ability to remind oneself, over and over, of the joy of living, even amid the greatest hardship.”
I copied those words into the inside of a notebook and read them back to myself again and again until I’d nearly memorized them. Before jail, it wasn’t even the sort of thing I would have typically read. But being locked up forced me to try out books I would have once ignored, because in jail I didn’t always have a choice.
The extraordinary story of the first two women to cross Antarctica
The fascinating chronicle of Liv Arnesen and Ann Bancroft's dramatic journey as the first two women to cross Antarctica, No Horizon Is So Far follows the explorers from the planning of their expedition through their brutal trek from the Norwegian sector all the way to McMurdo Station as they walked, skied, and ice-sailed for almost three months in temperatures reaching as low as -35 DegreesF, all while towing their 250-pound supply sledges across 1,700 miles of ice full of dangerous crevasses. Through website transmissions and satellite phone calls, Ann…
When I read this book the first time, I was on heroin and bumbling my way through college. But the combination of magical realism and queerness and historical fiction struck such a perfect chord that I lost myself in the music of the Dykewoman’s pages. That—a book you can lose yourself in completely—is exactly the sort of thing you want in prison. Anything that lets you utterly forget about the present even for a few moments feels like forbidden magic.
Winner of the Lambda Literary Award: "A page-turner that brings to life turn-of-the-century New York's Lower East Side." -Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York's Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee and dialogue that enhances the stories and experiences.
When I started teaching in the early 1990s, I brought into the classroom with me my passions for nature, folk music, and creativity. This book holds something new and engaging with every chapter and can be enjoyed by all sorts of readers, particularly those who enjoy nonfiction that employs wit, wisdom, humor, and even some down-to-earth philosophy.
Creativity, Teaching, and Natural Inspiration follows the evolution of a high school English teacher as he develops a creative and innovative teaching style despite being juxtaposed against a public education system bent on didactic, normalizing regulations and political demands. Doherty crafts an engaging nonfiction story that utilizes memoir, anecdote, poetry, and dialogue to explore how mixing creativity and pedagogy can change the way budding students visualize creative writing: A chunk of firewood plunked on a classroom table becomes part of a sawmill, a mine timber, an Anasazi artifact...it also becomes a poem, a song, an essay, and a memoir. The…
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