Here are 94 books that The Prime of Miss Jean Brodie fans have personally recommended if you like
The Prime of Miss Jean Brodie.
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I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When Jennifer Egan published “Found
Objects” “Safari,” and “Ask Me If I Care” in The New Yorker I knew she
was onto something, but I wasn’t prepared for the cumulative effect of A
Visit from the Good Squad, which bounces between past and present (and,
occasionally, into the future).
One character asks, “Time’s a goon, right?”
Time is, though I hadn’t considered how until surrendering to Egan’s vision,
which spans from NYC to Africa to PowerPoint. Whether this is a collection of linked
stories or novel or some other hybrid form is irrelevant; the book is pure sorcery.
It was one of the thrills of my career to bring Egan to Omaha in 2019 to lecture
to the University of Nebraska MFA in Writing.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
Proud to drop the F-bomb—I’m an unrepentant feminist. I grew up during the heady days of the Sixties and Seventies when books played a major part in raising our consciousness. I’m remembering the wonderful Virago Press championing women’s voices, and writers such as Marilyn French, Angela Carter, Maya Angelou, and Maxine Hong Kingston. I’m not keen on books where women are helpless victims or ciphers while men get to do all the exciting stuff. And since real life can be quite grim enough (I was a journalist for over thirty years and remain a news junkie), I’m increasingly attracted by writing that includes a dollop of humour.
I’m full of admiration for this book. Morrison is a fifty-something bloke, but this narrative is told in the first person by a teenage girl, Haley, and the voice is totally perfect: opinionated, funny, sulky, naïve. The novel’s full of dark humour, and a real page-turner. Haley is kidnapped by her father to join a group of apocalyptic pandemic survivalists. Are they barking mad or the only people clear-sighted enough to see the danger the world is in from Virus X? You’ll veer from one viewpoint to the other throughout. You’ll also learn how to use a crossbow and what to put in your survival pack. (Warning: I could only read the bit about amputation through my fingers.)
"One of the most provocative, intelligent and original novelists working in Britain today." Irvine Welsh. My dad taught us to be prepared for whatever was coming. He said we should know the facts about how long we could survive without food, water or fresh air, and to remember that we couldn't live at all without hope. It was better, he said, to be ahead of the game. Better to be ten years too early than one minute too late. That's why he did what he did, on that morning ... Inspired by her father's advance planning and her own ingenuity…
Writing science fiction was the natural result of a lifetime of reading it for pleasure and studying whenever I could as part of my English Lit course at University. When I started writing, it was really important to me as a woman (especially a gay woman) to write female characters that weren’t just strong and likable; I wanted them to be interesting, unpalatable, and tough. Above all, not easy to dismiss. All of the women in the books I’ve listed fulfill at least some of these categories, which is the core of why these novels hold such a special place in my heart.
This is one of the most unsettling books I’ve ever read.
For weeks after finishing it, I would find myself coming back to scenes I remembered and feeling a prickle down the back of my neck. Isserly, the main character of the book, isn’t really a woman but an alien wearing a human suit to draw in her victims while driving around rural Scotland.
I’m Scottish myself, and recently, I found myself feeling a genuine sense of paranoia while out hillwalking and seeing a lone figure in the distance. It’s a hard read, almost sickening at times, but I’m not exaggerating when I say I believe I will be thinking about it for the rest of my life. I wouldn’t recommend it for the faint-hearted, and it’s definitely not a comfort read, but if you have the stomach for it, this is a truly remarkable novel.
I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me.
I loved the main character Paddy Meehan’s voice in this series. Paddy is a lowly copygirl at a Glasgow newspaper with dreams of becoming an investigative journalist during a time when girls are expected to marry out of high school and have babies, not unlike the way things were when I entered the work world. Paddy is intelligent and driven and so outside the mold that her family and boyfriend, indeed the Scottish community, cannot understand her drive to be more than what society demands she should be. She’s someone I rooted for every step of the way as she navigates the old boys’ club in the 1980s and 1990s. Combine Paddy with Mina’s brilliant writing, realistic dialogue, and compelling plotlines, and this series is one to be savored.
'The most exciting crime writer to have emerged in Britain for years' Ian Rankin 'Denise Mina is Britain's best living crime writer' Sunday Express
FROM THE COSTA-SHORTLISTED BESTSELLING AUTHOR
In Glasgow, a child goes missing, taken from the front garden of his home. The investigation leads the police to the doors of two young boys.
Paddy Meehan has just started work at a local newspaper where she dreams of becoming an investigative journalist. Although everyone around her believes the boys acted on their own, she is certain there is more to it and begins to ask awkward questions.
Proud to drop the F-bomb—I’m an unrepentant feminist. I grew up during the heady days of the Sixties and Seventies when books played a major part in raising our consciousness. I’m remembering the wonderful Virago Press championing women’s voices, and writers such as Marilyn French, Angela Carter, Maya Angelou, and Maxine Hong Kingston. I’m not keen on books where women are helpless victims or ciphers while men get to do all the exciting stuff. And since real life can be quite grim enough (I was a journalist for over thirty years and remain a news junkie), I’m increasingly attracted by writing that includes a dollop of humour.
This historical novel is based on quite horrifying fact. In Edinburgh in 1732, Lord Grange was apparently mourning the death of his estranged wife Rachel. Except he’d actually had her kidnapped and marooned on the remote and desolate island of St Kilda. Lawrence isn’t only a historical novelist: she’s a respected cookery and food writer, and former winner of the BBC’s MasterChef. She first heard of Lady Grange when she was researching her cookbook on Scottish islands. And she discovered that Rachel’s life had been recorded by male writers in the 18th and 19th centuries, all of whom blackened her reputation. So this book, for the first time, gives Rachel a voice.
Edinburgh, January 1732. It's the funeral of Rachel, wife of Lord Grange. Her death is a shock. Still young, she'd shown no signs of ill health. Rachel is, however, still alive. She has been brutally kidnapped by the man who has falsified her death: her husband. Her punishment, perhaps, for railing against his infidelity - or simply for being too feisty for a lady and never submissive enough as a wife. Whether to conceal his Jacobite leanings or to replace his wife with a long-time mistress, Lord Grange banishes Rachel to a remote island exile, to an isolated life of…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
It’s nearly impossible to talk about time in literary fiction without evoking Marcel Proust, whose seven-volume exploration of involuntary memory is the most comprehensive attempt to bring readers into one narrator’s head I’ve encountered.
Memory, rather than traditional plot, drives In Search of Lost Time. While the prose—translated scrupulously over decades from French—is stylized and often indulgent, Proust’s commitment to the narrator’s inner life brings a singular authenticity to the novel. It’s a book that didn’t just change the way I think about fiction; it changed the way I think about my own mind.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of À la recherche du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).
I’ve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my master’s degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myself—and the ideal setting for a creepy, atmospheric thriller like my debut novel. Although I’ve since moved back to the U.S., I’m always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart but—blissfully—found my husband.
I love atmospheric novels that tantalize the reader with a slow, creeping sense of dread.
I love novels with dark, moody, rain-lashed settings, especially Scottish ones. I also love novels that are smart and beautifully written, with a literary style all their own. Madam had all of that for me.
With its boarding-school setting and feminist themes, it reminded me of The Stepford Wivesmeets The Prime of Miss Jean Brodie—two of my all-time favorite novels.
A contemporary gothic debut with a feminist edge, for fans of Naomi Alderman and Madeline Miller
'The simmering menace and mystery kept me absolutely gripped' - Jennifer Saint, author of Ariadne
'A highly entertaining and atmospheric read' - Kate Sawyer, Costa Book Awards nominated author of The Stranding
'Rebecca meets The Secret History. Gloriously dark, gloriously gothic' - Sara Collins, Costa First Novel Award-winning author of The Confessions of Frannie Langton
For 150 years, Caldonbrae Hall has loomed high above the Scottish cliffs as a beacon of excellence in the ancestral castle of Lord William Hope. A boarding school for…
Ever since reading Jonathan Swift’s A Modest Proposal in high school, I’ve always appreciated books and stories that can tackle dark subject matter in a completely deadpan way. The creator knows what they’re doing is kind of a joke and they’re inviting you along for the ride. I enjoy reading books where I think the writer had a really good time writing it, even if that means occasionally torturing the reader.
This is a seriocomic novel about a female eighth-grade teacher who sexually lures her male students. Extremely graphic and thought-provoking, Tampaalso manages to be an incredibly entertaining dark comedy. Like a lot of sensationalistic books, this approaches a serious topic and turns it into a nearly absurd piece of entertainment. It’s also extremely well written. I loved it.
Celeste Price is an eighth-grade English teacher in suburban Tampa. She is attractive. She drives a red Corvette. Her husband, Ford, is rich, square-jawed and devoted to her. But Celeste has a secret. She has a singular sexual obsession - fourteen-year-old boys. It is a craving she pursues with sociopathic meticulousness and forethought. Within weeks of her first term at a new school, Celeste has lured the charmingly modest Jack Patrick into her web - car rides after dark, rendezvous at Jack's house while his single father works the late shift, and body-slamming encounters in Celeste's empty classroom between periods.…
