Here are 100 books that The Prime of Miss Jean Brodie fans have personally recommended if you like
The Prime of Miss Jean Brodie.
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I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When Jennifer Egan published “Found
Objects” “Safari,” and “Ask Me If I Care” in The New Yorker I knew she
was onto something, but I wasn’t prepared for the cumulative effect of A
Visit from the Good Squad, which bounces between past and present (and,
occasionally, into the future).
One character asks, “Time’s a goon, right?”
Time is, though I hadn’t considered how until surrendering to Egan’s vision,
which spans from NYC to Africa to PowerPoint. Whether this is a collection of linked
stories or novel or some other hybrid form is irrelevant; the book is pure sorcery.
It was one of the thrills of my career to bring Egan to Omaha in 2019 to lecture
to the University of Nebraska MFA in Writing.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
Proud to drop the F-bomb—I’m an unrepentant feminist. I grew up during the heady days of the Sixties and Seventies when books played a major part in raising our consciousness. I’m remembering the wonderful Virago Press championing women’s voices, and writers such as Marilyn French, Angela Carter, Maya Angelou, and Maxine Hong Kingston. I’m not keen on books where women are helpless victims or ciphers while men get to do all the exciting stuff. And since real life can be quite grim enough (I was a journalist for over thirty years and remain a news junkie), I’m increasingly attracted by writing that includes a dollop of humour.
I’m full of admiration for this book. Morrison is a fifty-something bloke, but this narrative is told in the first person by a teenage girl, Haley, and the voice is totally perfect: opinionated, funny, sulky, naïve. The novel’s full of dark humour, and a real page-turner. Haley is kidnapped by her father to join a group of apocalyptic pandemic survivalists. Are they barking mad or the only people clear-sighted enough to see the danger the world is in from Virus X? You’ll veer from one viewpoint to the other throughout. You’ll also learn how to use a crossbow and what to put in your survival pack. (Warning: I could only read the bit about amputation through my fingers.)
"One of the most provocative, intelligent and original novelists working in Britain today." Irvine Welsh. My dad taught us to be prepared for whatever was coming. He said we should know the facts about how long we could survive without food, water or fresh air, and to remember that we couldn't live at all without hope. It was better, he said, to be ahead of the game. Better to be ten years too early than one minute too late. That's why he did what he did, on that morning ... Inspired by her father's advance planning and her own ingenuity…
In the bigoted milieu of 1945, six days after the official end of World War II, Bess Myerson, the daughter of poor Russian immigrants living in the Bronx, remarkably rises to become Miss America, the first —and to date only— Jewish woman to do so. At stake is a $5,000…
I’m a Professor of Creative Writing at York St John’s University in York, UK. I’ve been published as a poet, novelist, and nonfiction writer. My list reflects perhaps some eclectic tastes, but what unites these books is a fascination with engaging with the world in a way that de-centers the human, and I have done this throughout my writing career. I love the natural world, growing plants, and watching the seasons change. I am also curious about time and memory and how we perceive these. I am drawn towards science fiction, but more the speculative end of that spectrum, where writers explore otherness and possible worlds.
Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.
It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.
It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same…
I’ve been addicted to reading mysteries and crime fiction since I was a kid, and I naturally fell into writing in these genres—I’m currently in the midst of penning my fourth series! There’s nothing better than discovering a new, well-written series and following along with interesting, complicated main characters over several books. These favourite recommendations of mine will take you to Ireland, Scotland, South Africa, Sweden, and my very own Canada without ever having to leave home. Hopefully, you’ll discover some new authors, and their main characters will bring you as much enjoyment as they’ve given me.
I loved the main character Paddy Meehan’s voice in this series. Paddy is a lowly copygirl at a Glasgow newspaper with dreams of becoming an investigative journalist during a time when girls are expected to marry out of high school and have babies, not unlike the way things were when I entered the work world. Paddy is intelligent and driven and so outside the mold that her family and boyfriend, indeed the Scottish community, cannot understand her drive to be more than what society demands she should be. She’s someone I rooted for every step of the way as she navigates the old boys’ club in the 1980s and 1990s. Combine Paddy with Mina’s brilliant writing, realistic dialogue, and compelling plotlines, and this series is one to be savored.
'The most exciting crime writer to have emerged in Britain for years' Ian Rankin 'Denise Mina is Britain's best living crime writer' Sunday Express
FROM THE COSTA-SHORTLISTED BESTSELLING AUTHOR
In Glasgow, a child goes missing, taken from the front garden of his home. The investigation leads the police to the doors of two young boys.
Paddy Meehan has just started work at a local newspaper where she dreams of becoming an investigative journalist. Although everyone around her believes the boys acted on their own, she is certain there is more to it and begins to ask awkward questions.
Proud to drop the F-bomb—I’m an unrepentant feminist. I grew up during the heady days of the Sixties and Seventies when books played a major part in raising our consciousness. I’m remembering the wonderful Virago Press championing women’s voices, and writers such as Marilyn French, Angela Carter, Maya Angelou, and Maxine Hong Kingston. I’m not keen on books where women are helpless victims or ciphers while men get to do all the exciting stuff. And since real life can be quite grim enough (I was a journalist for over thirty years and remain a news junkie), I’m increasingly attracted by writing that includes a dollop of humour.
This historical novel is based on quite horrifying fact. In Edinburgh in 1732, Lord Grange was apparently mourning the death of his estranged wife Rachel. Except he’d actually had her kidnapped and marooned on the remote and desolate island of St Kilda. Lawrence isn’t only a historical novelist: she’s a respected cookery and food writer, and former winner of the BBC’s MasterChef. She first heard of Lady Grange when she was researching her cookbook on Scottish islands. And she discovered that Rachel’s life had been recorded by male writers in the 18th and 19th centuries, all of whom blackened her reputation. So this book, for the first time, gives Rachel a voice.
Edinburgh, January 1732. It's the funeral of Rachel, wife of Lord Grange. Her death is a shock. Still young, she'd shown no signs of ill health. Rachel is, however, still alive. She has been brutally kidnapped by the man who has falsified her death: her husband. Her punishment, perhaps, for railing against his infidelity - or simply for being too feisty for a lady and never submissive enough as a wife. Whether to conceal his Jacobite leanings or to replace his wife with a long-time mistress, Lord Grange banishes Rachel to a remote island exile, to an isolated life of…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
When I studied with James Alan McPherson at the Iowa Writers’ Workshop over twenty years ago, he played stand-up records from the 1970s and asked students to read ancient drama translated from Latin.
He was teaching us how comedy works, and he had a long gaze. His collection Elbow Room is similarly expansive. The past bubbles into the present abruptly, as in the story “A Loaf of Bread,” where “older people began grabbing, as if the secret lusts of a lifetime had suddenly seized command of their arms and eyes.”
A beautiful collection of short stories that explores blacks and whites today, Elbow Room is alive with warmth and humor. Bold and very real, these twelve stories examine a world we all know but find difficult to define.
Whether a story dashes the bravado of young street toughs or pierces through the self-deception of a failed preacher, challenges the audacity of a killer or explodes the jealousy of two lovers, James Alan McPherson has created an array of haunting images and memorable characters in an unsurpassed collection of honest, masterful fiction.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
It’s nearly impossible to talk about time in literary fiction without evoking Marcel Proust, whose seven-volume exploration of involuntary memory is the most comprehensive attempt to bring readers into one narrator’s head I’ve encountered.
Memory, rather than traditional plot, drives In Search of Lost Time. While the prose—translated scrupulously over decades from French—is stylized and often indulgent, Proust’s commitment to the narrator’s inner life brings a singular authenticity to the novel. It’s a book that didn’t just change the way I think about fiction; it changed the way I think about my own mind.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of À la recherche du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989).
I’ve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my master’s degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myself—and the ideal setting for a creepy, atmospheric thriller like my debut novel. Although I’ve since moved back to the U.S., I’m always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart but—blissfully—found my husband.
I love atmospheric novels that tantalize the reader with a slow, creeping sense of dread.
I love novels with dark, moody, rain-lashed settings, especially Scottish ones. I also love novels that are smart and beautifully written, with a literary style all their own. Madam had all of that for me.
With its boarding-school setting and feminist themes, it reminded me of The Stepford Wivesmeets The Prime of Miss Jean Brodie—two of my all-time favorite novels.
A contemporary gothic debut with a feminist edge, for fans of Naomi Alderman and Madeline Miller
'The simmering menace and mystery kept me absolutely gripped' - Jennifer Saint, author of Ariadne
'A highly entertaining and atmospheric read' - Kate Sawyer, Costa Book Awards nominated author of The Stranding
'Rebecca meets The Secret History. Gloriously dark, gloriously gothic' - Sara Collins, Costa First Novel Award-winning author of The Confessions of Frannie Langton
For 150 years, Caldonbrae Hall has loomed high above the Scottish cliffs as a beacon of excellence in the ancestral castle of Lord William Hope. A boarding school for…
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in…
Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.
My Dark Vanessa is a highly compelling, if disturbing read. I loved the
book as I related so closely to the idealistic fifteen-year-old
Vanessa, who is groomed by her English teacher, Jacob Strane, believing
him to be the love of her life.
The book opens to Vanessa at thirty-two,
leading a lonely and unfulfilling life in a dead-end job at the
beginning of the #MeToo era, when other girls come forward to accuse
Strane. She finds herself torn: how can she do anything but defend him?
Otherwise, she would have to admit to herself that their great love has
been a great lie.
An instant New York Times and Sunday Times bestseller
SHORTLISTED FOR THE 2021 DYLAN THOMAS AWARD
'A package of dynamite' Stephen King
'Powerful, compulsive, brilliant' Marian Keyes
An era-defining novel about the relationship between a fifteen-year-old girl and her teacher
ALL HE DID WAS FALL IN LOVE WITH ME AND THE WORLD TURNED HIM INTO A MONSTER
Vanessa Wye was fifteen-years-old when she first had sex with her English teacher.
She is now thirty-two and in the storm of allegations against powerful men in 2017, the teacher, Jacob Strane, has just been accused of sexual abuse by another former student.…
