98 books like My Dark Vanessa

I love how the protagonist conceals the truth through his sophistication and charm. His pedophilia and rape are hidden behind an extensive network of lies about his alleged obsession with nymphets. ‘Between the age limits of nine and fourteen, there occur maidens who, to certain bewitched travelers, twice or many times older than they reveal their true nature, which is not human, but nymphic (that is, demoniac).’

With a simple two-faced name, Humbert Humbert is a narrator with many faces, one of the more complex and discussed in literary studies. He writes his story in prison, forever imprisoned ‘between the age limits of nine and fourteen,’ although his supposed autobiography breaks the walls of his time and that of his nymphets as a timeless flow of perverse mental and linguistic games.     

I shiver at evil and am, at the same time, fascinated. How can so much badness exist? There is plenty to shiver at in Room, but I guess I always wonder how people survive brutality and if I would be able to do so. The mother in Room manages to keep love alive as she raises a child in brutal imprisonment.

And what hooked me was her use of imagination, making a world out of their non-world. The use of words is a major part of what she teaches her son. (I am a word freak.)  Also, the novel honors something I really believe in: seeing and valuing everything, every little thing. The less you have, the more precious a scrap of paper is; any small thing can become important, and I think there is joy in that.

A nonfiction book that tells the story of three unrelated women and their unique but universal struggles; I loved it because of the author’s incredible talent for articulating the everyday lived experience of being female, the subtle and overt judgments, and the fact that women are held to different standards, even by other women.

"‘Even when women fight back, they must do it correctly. They must cry the right amount and look pretty but not hot." Many times while reading, I recognised myself, my sister, my mother, and my friends.

All three stories are highly engaging, but the truly compelling story is Maggie’s, a troubled girl from a difficult family who is preyed upon by her teacher, a married man with a family. The subsequent effect on her life is just devastating (remember, folks: this is nonfiction.)

Privilege, entitlement, politics, and sleaze, it’s all here, along with the disturbing sense that many perpetrators get away with far too many misdeeds for most of their lives, while their victims’ lives are instantly thrown into crisis. It’s a solid, twisty psychological thriller with hints of the Bullingdon Club and Westminster bad behaviour.

Lily King’s Writers & Lovers is set in Cambridge, Massachusetts in 1997, where my own novel takes place a century earlier. It’s a fictional coming-of-age story of a young woman who tries to write her way into adulthood.

Casey Peabody works as a waitress in Harvard Square, spends time with her aspiring writer friends, walks along the Charles River, and sits for hours at her desk trying to write, all of which I did in those same places at her same age and often with the same sense of longing—and which, incidentally, Victoria Swann does, too, albeit while wearing a floor-length skirt and using a fountain pen.

Casey, Victoria, and I, (and I assume Lily King herself), were not alone: so many people I’ve met over the years have spent time in their twenties hanging out around Harvard Square, anxious and waiting to become the grown-ups we hoped to be.… show more.

This book was just something else completely for me. I went in blind, knowing nothing about the story or subject matter–which is dark and complex. The writing style is just perfection, and I can honestly say I’ve never been so obsessed with a book in my entire life. I don’t read books for a second time (because, let's face it, who has time for that when our reading lists are already never-ending), But I would happily devour this one all over again. In fact, I get jealous when I hear people start it for the very first time. 

It's dark and complex, and it will split the audience in two, with no room for an in-between. You will either ADORE this book or LOATHE it. For me, it was perfection. 

Emma O’Donovan is a pretty and popular 18-year-old whose life completely changes after she attends a couple of parties and the following day is found semi-conscious on her doorstep. Unaware of what she has been through the night before, Emma struggles to cope with the public shaming that ensues. This is a brilliant examination of consent, rape culture, and how hard it can be to speak out and seek justice.

This novel was once lauded as an “ultimate feminist fantasy” and is about Bella, a woman who’s eventually had enough of being a victim and sets about murdering sleazy men.

I remember how this novel and author lost some respect when the book was picked up by film director Michael Winner (of Death Wish movies fame).

Winner went on to play fast and loose, adapting it into serial killer schlock. But. Don’t let that put you off as this novel is far better, more witty, and funny than any Winner movie.

It fulfils the fantasy of what (every now and then) a woman might love to do to any man who “done her wrong”. Surely a blueprint for serial killer and assassin Villanelle?

“Tell me what you can’t forget, and I’ll tell you who you are.”

Thus begins Marlena, Julie Buntin’s debut novel about Marlena and Cat, who meet as fifteen-year-olds in rural Michigan. Their friendship is intense and complicated, and right from the start, we know that Cat is the only one who makes it out alive.

Buntin’s writing perfectly captures the voice and texture of adolescence, and her book is a model for how to maintain tension in a story when you find out early on (page 6 to be exact) that one of the main characters is dead.

The sections featuring Cat as an adult show that while she may have left her small town behind, she can’t escape her past. 

I love books about lying! Like a lot of adolescents, Giovanna starts to recognize the lies her parents and their friends are telling and discovers family secrets. The most interesting lies, though, are the ones people tell themselves in order to rewrite their own histories. I love the way Ferrante sets those shifting stories against a girl’s determination to understand her changing face in the mirror and what is really meant by the idea of beauty.

The book also gave me a chance to return to the setting of Ferrante’s Neopolitan novels, the beauty and violence of which she describes with such unrelenting honesty.