Fans pick 93 books like Asking For It

I am a teacher, a college professor, and a lifetime reader. I came from a small town, went to college to study writing, ended up getting graduate degrees in theatre, became a theatre director, and then went back to my first love, writing. Throughout my childhood, I bonded with my siblings, and we often feared our mother, who was a fascinating creature but often rough on us.  She expected perfection and wasn’t in tune with her childhood. So even then, stories of children in danger—abandoned or scolded or shamed—have resonated with me.

I write novels for adults, young adults (My Life as a Bench won the International Rubery Book of the Year), and children. Using my experience as an art student in Nottingham, I wanted to look at the dark side of Sex in the City. The sexual revolution of the 60s gave women freedom, but at what cost? Conviction rates for sexual assault remain depressingly low and our streets remain unsafe for women at night.

Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.

Books provided me with many role models, from writer Jo of Little Women to the swashbuckling Angelique of bodice-ripping yarns… No wonder Elizabeth I (the supreme non-conformist) remains my favourite royal, and Jane Austen (mistress of the sharp aside) a return-to read. Women going against what's expected of them informed my early awakenings as a feminist as the women of my favourite books - in differing domestic settings and social mores – strove to be their authentic selves. I’ve lived a good portion of my life vicariously through novels – reading voraciously from a very young age – my mother, also a reader and non-conformist in her own way, informed the person and writer I've become.

Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.

I’m deeply interested in the lives of my ancestors including the times they lived through so in researching our family tree I took into account the historical events they witnessed. This is what led me to read and write historical fiction. One branch of my family where survivors of the Great Hunger so I have done a lot of research on this dark period of Irish history. During WW1 my husband’s great uncle died in the trenches as an Irishman fighting in the British Army while at the same time my English grandfather and his two brothers were imprisoned as conscientious objectors, one of them dying as a consequence.

I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.

I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book! 

From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.

I’ve long been fascinated by tales of the paranormal. Legends of ghosts, ogres, and demons stretch back to prehistory, and as H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” Advances in science and technology are often seen as a remedy against fearing things that go bump in the night. But in the realm of speculative fiction, what if such technology becomes the opposite: a means for the supernatural to make its presence known? This fearful juxtaposition is skillfully depicted in the five books I describe below. I hope you enjoy them.