Here are 96 books that The Spirit Engineer fans have personally recommended if you like
The Spirit Engineer.
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I like to say cats raised me, and I grew up among ghosts, but in all truth, my greatest influence was my mother, who took me to the library. Books have always been a part of me, and so have haunted houses. Old places have always felt charged to me. Because of this, I love great ghost stories. The books on my list all feature haunted dwellings of one sort or another, with spirits that range from inspiring and uplifting to fun and magical, spooky to downright terrifying. Enjoy!
Psychological fiction at its best; this book enthralled me and kept me guessing till the last minute. It led me down a twisty and winding path until I realized everything I thought I knew was not what it had seemed.
The pre-war England setting really hit on my love of historical pieces soaked in atmosphere and tension. It definitely influenced me as a writer. I loved this book because it delivered the creepiness of a haunting so well that it kept me up at night. What I liked best, however, is that it validated my sense that the past is never truly behind us.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I imagined myself in the desolate place on the Essex coast where the main protagonist had gone, and I felt an invidious sense of dread as the atmosphere built up. The air of supernatural menace seems to breathe out of this story: the threat and the fear crept into me as if I were there myself, knowing something terrifying would happen, willing the main protagonist to get out and save themselves but knowing that I, just like them, would be held fast by those invisible and supernatural tentacles.
Don't miss this stunning novel from the Sunday Times bestselling author of Lady of Hay - a gripping tale of secrets, betrayal and revenge...
After a broken love affair, biographer Kate Kennedy retires to a remote cottage on the wild Essex coast to work on her new book, until her landlord's daughter uncovers a Roman site nearby and long-buried passions are unleashed...
In her lonely cottage, Kate is terrorized by mysterious forces. What do these ghosts want? Should the truth about the violent events of long ago be exposed or remain concealed? Kate must struggle for her life against earthbound…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I found this story enchanting. It utterly gripped me throughout with its compelling atmosphere of mystery, sheer horror and creepiness, and fascination with the idea of spirit photography. I felt captivated by the two main female characters and their developing intimate, emotional, and tense relationship.
My heart and soul were with these two women and the author’s beautiful craftsmanship weaving through the characters and story an intelligent and powerful debate about life after death.
A moving, compelling story about three women fighting to break free, from the Richard & Judy recommended bestselling author Julie Cohen.
'Haunting, tender and true - this story cast a spell on me' Kirsty Logan 'Wonderfully written and evocative' Woman & Home, BOOK OF THE MONTH 'This haunting story about the power of love will give you the shivers' Best
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Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her - and to keep her distance from her husband.…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I felt a powerful sense of tragic history and increasing pity and fear as this story progressed with its brooding, fateful, gothic atmosphere and hints of the supernatural in a gloomy, coastal house in Ireland. I became swept up by the gathering intensity and intrigue and the multiple shocks that arise from the main protagonist’s discoveries. I was absorbed in this compelling, thought-provoking story and captivated by its ingenious plot.
A gripping mystery with a classic feel, for fans of Agatha Christie
'Haunting and exquisitely written. Part intricate mystery and part ghost story. This book will stay with me for a long time' Anna Mazzola
'A stunning book, beautifully written' Ann Cleeves
The drive leads past the gate house and through the trees towards the big house, visible through the winter-bared branches. Its windows stare down at Harkin and the sea beyond . . .
January 1921. Though the Great War is over, in Ireland a new, civil war is raging. The once-grand Kilcolgan House, a crumbling bastion shrouded in…
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
I treasure this book as I treasure the memory of my long-dead father, for this transcendently sad and beautiful book takes me into a world close in spirit to that of his own life. His own experience was the experience of the immigrant worker, the Irish rural one.
With the astonishing new economic prosperity of Ireland, the London of the book is no longer there. The prose of O’Grady and the photos of Pike constantly play one across the other to shattering effect. The book was made into a fine film.
Readers will note a certain interplay across my choices of books: John Berger wrote a beautiful foreword to the first edition. The beautifully produced 2023 edition is much better than the 1997 one. The epigraph of the book is from Seferis: “I whispered: memory hurts wherever you touch it.”
'Think about a tune ... the unsayable, the invisible, the longing in music. Here is a book of tunes without musical notes ... It wrings the heart' John Berger
'The voice that O'Grady has crafted succeeds so well...running in parallel, Pyke's stark arresting images are laced between the paragraphs and chapters. The interplay between the two mediums is delicately powerful' Hilary White
'A masterpiece' Robert Macfarlane
'O'Grady does not just respond to Pyke's stark, beautiful photographs: he gives voice to thousands' Louise Kennedy
'The experience of Irish emigration uniquely and powerfully illuminated' Mark Knopfler
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
This brave thriller set in Mexico follows a reporter covering the grand schemes of collusion between government officials, government institutions, police and military forces, as well as United States agencies and foreign militias involved in the Mexican drug trade and the various levels of riches it has to offer.
It paints a realistic journalistic picture of the conflict and guides us with the pace of a crime novel into the very real dangers faced by journalists throughout a Mexican social landscape of violence.
'A wild ride' Ian Rankin 'Tough and uncompromising: you'll be glad you read it' Lee Child 'Hilarious, gripping, poetic. I loved it' Adrian McKinty, author of The Chain 'Gripping from beginning to end' Independent 'Intoxicating and chilling' Observer 'Pacy and exciting' Daily Telegraph 'Vivid and lyrical' Guardian 'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish Independent
Nobody asked us to look. Every day, every since, I still wish we hadn't. Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of…
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
Like many, I came to know Emma Donoghue through Room, which was adapted into the 2015 film. But she’s mostly a writer of historical fiction.
This book (which also became a movie) is set during the Irish Potato Famine when an English nurse is called to examine a supposedly miraculous “fasting girl” who claims to have gone weeks without food.
Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life.
Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired…
I write novels for adults, young adults (My Life as a Bench won the International Rubery Book of the Year), and children. Using my experience as an art student in Nottingham, I wanted to look at the dark side of Sex in the City. The sexual revolution of the 60s gave women freedom, but at what cost? Conviction rates for sexual assault remain depressingly low and our streets remain unsafe for women at night.
Emma O’Donovan is a pretty and popular 18-year-old whose life completely changes after she attends a couple of parties and the following day is found semi-conscious on her doorstep. Unaware of what she has been through the night before, Emma struggles to cope with the public shaming that ensues. This is a brilliant examination of consent, rape culture, and how hard it can be to speak out and seek justice.
'A soul-shattering novel that will leave your emotions raw. This story will haunt me forever. Everyone should read it' Guardian
In a small town where everyone knows everyone, Emma O'Donovan is different. She is the special one - beautiful, popular, powerful. And she works hard to keep it that way.
Until that night . . .
Now, she's an embarrassment. Now, she's just a slut. Now, she is nothing.
And those pictures - those pictures that everyone has seen - mean she can never forget.
For fans of Caitlin Moran, Marian Keyes and Jodi Picoult.
I’m driven to understand the lives and mentalities of poor workers at the time of the Industrial Revolution. It’s a subject on which a great has been written but I’ve always been surprised that, in a British context, the subject of hunger has been largely ignored. The great joy of being a historical scholar is that freedom to follow your nose in the archive, to trust your instinct, and to uncover untold stories of the forgotten. Their experiences of hunger might relate to a now seemingly distant world, but such hunger histories are also amazingly prescient in our new age of food banks and famines.
Throughout history – and into the present – hunger is always profoundly gendered, women being disproportionately impacted upon than men. The point has been remarkably little studied so it’s a good thing that the most prolific writer on the Great Famine of Ireland, Christine Kinealy alongside two other fine famine scholars, have finally addressed this. The book is a series of essays exploring the roles that women (and children) played during the famine. Timely and powerful and a useful reminder that when it comes to writing the history of hunger we’ve only just started.
Even considering recent advances in the development of women's studies as a discipline, women remain underrepresented in the history and historiography of the Great Hunger. The various roles played by women, including as landowners, relief-givers, philanthropists, proselytizers and providers for the family, have received little attention.This publication examines the diverse and still largely unexplored role of women during the Great Hunger, shedding light on how women experienced and shaped the tragedy that unfolded in Ireland between 1845 and 1852. In addition to more traditional sources, the contributors also draw on folklore and popular culture.Women and the Great Hunger brings together…
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
Still the best introductory text for students covering all major events in the Wars of the Three Kingdoms in a concise and accessible manner. This book steps away from the more Anglo-centric analyses of the conflict, looking at events in Ireland, Scotland and Wales in some detail. In contrast with the books above, Bennett also steps away from the experience of political elites and examines the experiences of ordinary soldiers and civilians during the conflict.
This book provides a fresh perspective on one of the most complex and turbulent periods in the history of the British Isles. Setting the experience of Wales, Scotland and Ireland alongside England, the author examines the interplay of politics, societies and culture both within and between each of the four nations involved in the political struggles of the mid--seventeenth century.
