100 books like Call Him Mine

This comprehensive nonfiction book takes on a century-long analysis of the root causes of drug distribution in Mexico, ranging from the mass migration of Chinese people and the importation of poppies to the establishment of opium dens along the US-Mexico border, from the medicinal uses of healers and farmers to the rise of kingpins and drug-lords.

This book also maps the issue of drug consumption in the United States of America and the inherent violence it causes south of its border with the rise of cartels that cause the current sadistic state of violence in Mexico. This book is a historical journey that marks the spiraling, out-of-control story of drugs in Mexico.

I’m keenly drawn to this novel because it navigates the specter between myth and violence, the grandeur of folkloric myth, and the raw side of violence, which are so descriptive of the Mexican past and present. Melchor blurs the lines between a world of quasi-fantastical superstition and hyper-realism, delving at times into the territory of mystery and crime fiction, all of it contained by the paradigm of the Mexican drug war, accurately rendering the reach and expanse of drug consumption and distribution as much as the ravages they bring about.

Centered around the figure of a murdered witch and alleged healer in the depths of the state of Veracruz, this narrative unmasks the mythical traditions of a locality to uncover the violence that lies at the depths of Mexican communities affected by the war on drugs. Melchor masterfully demystifies and rids exoticism from the Mexican imaginary to denounce the marginalization… show more.

This novel explores one of the many subplots and dynamics occurring around popular culture and cartel expansion in Mexico.

Following the life of a composer and performer of narco-corridos—a musical genre that sings praises to drug lords and kingpins—, this novel delves into the peripheries of violence and the adulation of drug cartel personalities in mainstream culture while at the same time offering a glimpse at the dangers posed to artists delving into such themes.

Having a composer and musician as the central figure of the narrative makes this novel one of the most lyrical texts exploring subjects of violence.

Utilizing appropriation and real testimonies of people who have suffered the forced disappearance of their relatives as a result of cartel violence, Sara Uribe weaves together a lyrical palimpsest by combining the voices and tropes of Greek mythology and the all-too-real suffering of the Mexican present.

Antigona Gonzalez, the main subject in this book, echoes the myth of Antigone as well as the struggles of all those who search for their missing kin in Mexico, those who have gone missing at the hands of narco-violence. This book is a telling use of previously existing texts to describe a crisis of the present accurately.

Prince Damen of Akielos vows never to reveal his true identity to his captor, Laurent, no matter how he humiliates and degrades him. This is a dark, fascinating, smutty fantasy with serious worldbuilding and loads of intrigue, in which no one is what he seems.

It is the purest example of an enemies-to-lovers romance I know, and such a slow burn that there’s not even a hint of a chance of a love story until the second book. I had no idea where this series was taking me when I began it, but I couldn’t put it down. Great fun.

It’s Oscar Wilde and the cast of Monty Python having an orgy on the set of Bridgerton–what’s not to love? 

Alexis Hall is an auto-buy author for us, and Something Fabulous is one of our favorites. It’s a hysterical romp–sexy and romantic but also deeply irreverent and laugh-out-loud funny. Chock full of shenanigans, relatable and diverse characters, and a fresh reimagining of Regency romance.

We love a grumpy duke. We love a chaotic, wide-eyed ward. We LOVE Sir Horley Comewithers and his questionable cabin in the woods. There’s a scene with a bee that has caused irreparable damage to our lungs and ribs. 

This book, by Louise Welsh, has an air of darkness and gloom that permeates the whole book from the very first page–something I find hugely compelling.

Although set in modern-day Glasgow, this story could be a gothic horror from the nineteenth century. Rilke, a thin, dark figure whose work as an auctioneer tasked with clearing the contents of the house of someone who has recently died, leads him to the discovery of a set of sadomasochistic torture photographs of a young woman that might, in fact, be actual snuff photos. His determination to discover what happened to the woman leads him into the city's dark, seedy underbelly that few of its inhabitants would be aware of.

I found this book to be incredibly unsettling, though the writing is beautifully constructed in a lyrical literary style, which drew me deeper and deeper into a world I wasn’t entirely sure I wanted… show more.

“Someone has to ask you a question before you can answer it. But it’s so seldom you find anyone who’ll ask the right questions. Most people aren’t that much interested.…”

I love this book because it shines a spotlight on loneliness and isolation in a way that most books really struggle to do. It provides you with a sense of what it is to be an outsider. I love this because it balances the melancholy with warmth and hope so so well.

This book has a provenance that’s almost like a prison sentence: released in 1953 under the title Cast the First Stone, it would have been Himes’ first novel, but its frankness about homosexual relationships in prison and the fact that a Black writer had written white main characters, made publishers shit their pants and doctor the life out of it to make it conform to 50s market expectations. Of course, in the process, they ruined it.

But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison seems to be a place where people indulge homosexual desires, though the atmosphere somehow remains homophobic.

Reading this book could foster more compassion for queer desires, whether those of prisoners who identify as LGBTQIA+, or those who claim… show more.

Sass’s first novel, Surrender Your Sons, is a favorite of mine, so it’s no surprise that this book, a queer horror novel reminiscent of Scream, is a riot and an absolute page-turner.

It contains all the best elements of slasher movies and teen comedies alike, and unabashedly gay characters with wit and sharp edges kept me invested all the way until the story’s climactic ending.