Here are 98 books that The Winter Guest fans have personally recommended if you like
The Winter Guest.
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I like to say cats raised me, and I grew up among ghosts, but in all truth, my greatest influence was my mother, who took me to the library. Books have always been a part of me, and so have haunted houses. Old places have always felt charged to me. Because of this, I love great ghost stories. The books on my list all feature haunted dwellings of one sort or another, with spirits that range from inspiring and uplifting to fun and magical, spooky to downright terrifying. Enjoy!
Psychological fiction at its best; this book enthralled me and kept me guessing till the last minute. It led me down a twisty and winding path until I realized everything I thought I knew was not what it had seemed.
The pre-war England setting really hit on my love of historical pieces soaked in atmosphere and tension. It definitely influenced me as a writer. I loved this book because it delivered the creepiness of a haunting so well that it kept me up at night. What I liked best, however, is that it validated my sense that the past is never truly behind us.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I imagined myself in the desolate place on the Essex coast where the main protagonist had gone, and I felt an invidious sense of dread as the atmosphere built up. The air of supernatural menace seems to breathe out of this story: the threat and the fear crept into me as if I were there myself, knowing something terrifying would happen, willing the main protagonist to get out and save themselves but knowing that I, just like them, would be held fast by those invisible and supernatural tentacles.
Don't miss this stunning novel from the Sunday Times bestselling author of Lady of Hay - a gripping tale of secrets, betrayal and revenge...
After a broken love affair, biographer Kate Kennedy retires to a remote cottage on the wild Essex coast to work on her new book, until her landlord's daughter uncovers a Roman site nearby and long-buried passions are unleashed...
In her lonely cottage, Kate is terrorized by mysterious forces. What do these ghosts want? Should the truth about the violent events of long ago be exposed or remain concealed? Kate must struggle for her life against earthbound…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I felt this was one of the creepiest tales I have ever read. Its creepiness penetrated my own mind with its portrayal of perverse behavior among the living, the increasingly deranged mental state of the main protagonist, and the fervor of the Goligher Circle as they purported to contact the dead.
Pity and terror combine in this story; my empathy was with those they lured, drawn by their grief and despair. Primitive emotions are stirred up by the threat of supernatural danger; I felt shocked by the ingenious plot twist near the end.
'A fiendishly clever tale of ambition, deception, and power' DERREN BROWN
Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism, attending seances in the hope they might reach their departed loved ones.
William Jackson Crawford is a man of science and a sceptic, but one night with everyone sitting around the circle, voices come to him - seemingly from beyond the veil - placing doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen's parlour tricks…
I have been fascinated by the paranormal since I was young: always a lover of ghost stories, I have long felt the spiritual resonance in certain places; the energy and spirits of the past remain trapped within the fabric of certain buildings and the land, waiting for the sensitive to come along. I developed this passion by reading classic and modern-day ghost stories, going on ghost tours, and visiting haunted places. I listen to and record people recounting their experiences of real-life encounters. I write nonfiction books about the paranormal, specifically about Shakespeare’s ghosts and spirits in his county of Warwickshire, and novels that develop this theme.
I found this story enchanting. It utterly gripped me throughout with its compelling atmosphere of mystery, sheer horror and creepiness, and fascination with the idea of spirit photography. I felt captivated by the two main female characters and their developing intimate, emotional, and tense relationship.
My heart and soul were with these two women and the author’s beautiful craftsmanship weaving through the characters and story an intelligent and powerful debate about life after death.
A moving, compelling story about three women fighting to break free, from the Richard & Judy recommended bestselling author Julie Cohen.
'Haunting, tender and true - this story cast a spell on me' Kirsty Logan 'Wonderfully written and evocative' Woman & Home, BOOK OF THE MONTH 'This haunting story about the power of love will give you the shivers' Best
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Viola has an impossible talent. Searching for meaning in her grief, she uses her photography to feel closer to her late father, taking solace from the skills he taught her - and to keep her distance from her husband.…
I am the son of Irish rural immigrants who at the age of nearly eighty already occupies several vanished worlds myself: London in the 1950s and 60s, the old world of the European peasantry, and a time when the greatest war in human history was still a daily presence. I spent most of my life as an academic historian writing books for an academic audience. Then, to my surprise, at the tender age of seventy, I discovered that I could write prose that had a certain grace and dignity and which seemed to move people as well as inform them. So, I began a second career as what is called a “writer.”
I treasure this book as I treasure the memory of my long-dead father, for this transcendently sad and beautiful book takes me into a world close in spirit to that of his own life. His own experience was the experience of the immigrant worker, the Irish rural one.
With the astonishing new economic prosperity of Ireland, the London of the book is no longer there. The prose of O’Grady and the photos of Pike constantly play one across the other to shattering effect. The book was made into a fine film.
Readers will note a certain interplay across my choices of books: John Berger wrote a beautiful foreword to the first edition. The beautifully produced 2023 edition is much better than the 1997 one. The epigraph of the book is from Seferis: “I whispered: memory hurts wherever you touch it.”
'Think about a tune ... the unsayable, the invisible, the longing in music. Here is a book of tunes without musical notes ... It wrings the heart' John Berger
'The voice that O'Grady has crafted succeeds so well...running in parallel, Pyke's stark arresting images are laced between the paragraphs and chapters. The interplay between the two mediums is delicately powerful' Hilary White
'A masterpiece' Robert Macfarlane
'O'Grady does not just respond to Pyke's stark, beautiful photographs: he gives voice to thousands' Louise Kennedy
'The experience of Irish emigration uniquely and powerfully illuminated' Mark Knopfler
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
This brave thriller set in Mexico follows a reporter covering the grand schemes of collusion between government officials, government institutions, police and military forces, as well as United States agencies and foreign militias involved in the Mexican drug trade and the various levels of riches it has to offer.
It paints a realistic journalistic picture of the conflict and guides us with the pace of a crime novel into the very real dangers faced by journalists throughout a Mexican social landscape of violence.
'A wild ride' Ian Rankin 'Tough and uncompromising: you'll be glad you read it' Lee Child 'Hilarious, gripping, poetic. I loved it' Adrian McKinty, author of The Chain 'Gripping from beginning to end' Independent 'Intoxicating and chilling' Observer 'Pacy and exciting' Daily Telegraph 'Vivid and lyrical' Guardian 'MacGabhann paints an extraordinarily vivid picture of Mexico, in all its seething, sweltering madness and beauty' Irish Independent
Nobody asked us to look. Every day, every since, I still wish we hadn't. Jaded reporter Andrew and his photographer boyfriend, Carlos, are sick of sifting the dregs of…
I love historical settings and detail – I love coming away from a novel feeling like I’ve also learned something about the world. But I also like lots and lots of plot and intensity. Historical fiction slash mystery novels hit the spot just right. Though my own work thus far is more on the historical fiction side, I do try to plot it like a mystery, with lots of questions, revelations, and discoveries to be made as you go along.
Like many, I came to know Emma Donoghue through Room, which was adapted into the 2015 film. But she’s mostly a writer of historical fiction.
This book (which also became a movie) is set during the Irish Potato Famine when an English nurse is called to examine a supposedly miraculous “fasting girl” who claims to have gone weeks without food.
Now a Netflix film starring Florence Pugh: In this “old-school page turner” (Stephen King, New York Times Book Review) by the bestselling author of Room, an English nurse is brought to a small Irish village to observe what appears to be a miracle—a girl said to have survived without food for months—and soon finds herself fighting to save the child's life.
Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired…
As my debut novel demonstrated, I’m a massive fan of Gothic literature. Compelling stories are found in many genres, but rarely with such atmosphere and style. The freedom and enjoyment of writing in this category are unparalleled, offering an excuse to use language your editor would prefer to eliminate from contemporary fiction.
In a Glass Darkly is a collection of unusual Gothic tales. The shorter stories provide the foreboding inevitability of the genre, with atmospheric hauntings and ghostly floating eyes. Fans of M. R. James or H. P Lovecraft will appreciate these.
In addition, the collection features two novella-length stories. Carmilla, an early and influential vampire story, and "The Room At The Dragon Volant", which is a romance horror. Carmilla inspired many of the elements Bram Stoker used in Dracula. Both these longer stories are atmospheric and wonderfully picturesque in their descriptions of the people and places.
`the ideal reading...for the hours after midnight'
Thus Henry James described the style of supernatural tale of which Sheridan Le Fanu was a master. Known in nineteenth-century Dublin as `The Invisible Prince' because of his reclusive and nocturnal habits, Le Fanu was fascinated by the occult. His writings draw on the Gothic tradition, elements of Irish folklore, and even on the social and political anxieties of his Anglo-Irish contemporaries. In exploring sometimes inexplicable terrors, the tales focus on the unease of the haunted men and women who encounter the supernatural, rather than on the origin or purpose of the visitant.…
I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book!
This book, for younger readers, is a collection of retellings of some of Ireland’s most well-known stories like Oisín in Tír na nÓg, as well as less famous ones like Son of an Otter, Son of a Wolf. Doyle writes terrifically well, perfectly pitching his tales at a young audience. Illustrated by Niamh Sharkey in her distinctive style, this is a collection to be treasured. I loved the pronunciation guide for the Irish names, as well as the introduction and the page about Doyle’s sources.
This book features tumbling tigers, happy hippos, rumbling rhinos and more! These lively animals and other creatures will help youngsters to count from one to twelve with the clever cockatoos. A delightful companion to Stephanie Bauer's "Alligator Alphabet", "Counting Cockatoos" also includes a colourful counting frieze.
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
Modern Archaeoastronomy was born with the pioneering (and controversial) studies of Gerald Hawkins at Stonehenge and Alexander Thom on the megalithic monuments in Britain and Brittany. This book – although a bit dated with respect to recent research on some sites – remains a milestone to settle the point on debated issues. The technical points are treated in boxes so that the book is readable by the general public.
Do prehistoric stone monuments in Britain and Ireland incorporate deliberate astronomical alignments, and if so, what is their purpose and meaning? This work provides an account of megalithic astronomy debates and examines prehistoric man's concern with celestial bodies and events.
