100 books like The Wonder

A gorgeous, extravagant dual-timeline historical mystery about late-20th-century academics researching a pair of (fictional) Victorian poets – did they or didn’t they?

If you like library settings, fictional documents (letters, poems – lots of poems), and a good dose of poking-fun-at-academia, you’ll love it. Yes, it is also a movie (though I can’t speak to it). 

I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.

I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

Being someone who often ponders life's "what ifs," I was quick to snap this novel up. The plot revolves around a suicidal woman, Nora Seed, who finds herself in a mysterious library between life and death, where each book serves as a portal to a different version of her life had she made alternative choices.

Though the story shares thematic elements with traditional time travel narratives—such as the exploration of alternate realities—it’s not time travel in the strictest sense. Instead, it has a dreamlike quality that offers a clever means to explore the deeply personal and relatable concept of self-discovery.

As Nora samples all the different lives she could’ve lived, I couldn’t help but reflect on my own life choices and the paths I didn't take…and be grateful for the ones I did.

For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.

Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear… show more.

I’ve always believed that reading can change the world, or at least my part of it. This book proved this to me as it wove seemingly unconnected lives together. Grief, anger, sadness, and loneliness all fall away when they begin reading and talking about the stories.

This book reminded me of sitting on the floor at the back of my town’s library. It reminded me of what it’s like to travel across time and around the world with just a book spread out on my lap. 

This novel captivated me from the very first page. It masterfully blends historical figures and facts to create a gripping thriller. I was immediately drawn into New York City in 1896 and the groundbreaking investigation.

The alienist, which is what psychologists were at the turn of the century, uses a unique, untested, and ridiculed method to track down a serial killer: psychological profiling. The appearance of real historical figures, like Theodore Roosevelt, then police commissioner, and J.P. Morgan, added a rich layer of authenticity and intrigue to the story. For me, the meticulous details of the era made each twist in the investigation come to life.

I love the idea that there is someone out there who perfectly understands you. Even when I’m cranky, or when I’m making references to obscure bands, or when I’m not making a lot of sense, but I am clearly emotional.

This book introduced me to two people who love each other but can’t communicate well except through flowers. 

I chose Mary Morris’s diary because her writing is so engaging. She wrote in June 1940, "We are not allowed to go out with patients, or even speak to them on matters other than their treatment, Pierre is charming. I shall go out with him." In 1944 when she was nursing in Normandy she wrote, "A badly wounded cockney says 'thanks mate' to Hans as he gives him his tea and fixes his pillow. Why are they all so tolerant of each other inside this canvas tent, and killing each other outside?" Through her entries we meet all kinds of people, just like she did. The diary is also part of the history of Irish people in Britain. In the twentieth century the majority of Irish migrants were women, most of them young and single like Mary who was 18 when she arrived to train as a nurse—and was told… show more.

I’m going to jump historical genres slightly and recommend Lynda Van Devanter’s Vietnam memoir which reads like historical fiction and is every bit as engaging as the great novels and memoirs of the Vietnam War written by such men as Robert Stone, Larry Heinemann, Michael Herr, Tim O’Brien, Philip Caputo, and Karl Marlantes. As an Army nurse, Devanter gave it her all to save others. This book is her effort to learn to live with what she witnessed in Vietnam, to get the truth down as honestly as she can by using all the narrative techniques of the novelist. Of the great books written about that horrific time in our country’s (and Vietnam’s) history, this one grabbed me from start to finish like no other. A powerful voice is telling us what we too readily forget now—that war is a criminal activity, no matter how justified or how much the… show more.